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In 1970 we supplied dates for many artists and authors.The information was obtained from a large variety of secondary sources. It is reasonably reliable but not authoritative, and it certainly is long out of date now. Personal dates will be expanded and upgraded gradually. We welcome corrections and additions. AALTO, Alvar 1899-1949 Architecture. F. G. Burger & P. Coplans. IV:8, 56-7 Ap66 plan: "Wolfsburg Cultural Center, Helsinki" AARTS, Jan 1871-1934 Neo-Impressionism and the dream of analysis. M. Kozloff. VI:8, 40-5 Ap68 il: "Landscape with hayrick" ABBATE, Niccolo dell’ 1512-1571 The future of landscape painting. G. Laderman. VII:3, 57-60 N68 il: "Mythological landscape" ABBOTT, Berenice 1898- bk Photographers on photography, ed. by N. Lyons. Review by A. Bardo. V:7, 65-6 Mr67 ABRAMS, Arthur B. Photographing a Henry Moore sculpture. III:1, 25-7 Se64 phot: "Three-part reclining figure" ABRAMS, Isaac x East Hampton Gal (NY), Drawings in series." E. Wasserman. VI:2, 56-7 O67 adv, il: "Visionary paintings". V:9, 5 My67 ABRIL, Ben x Cowie Wilshire Gal (LA). CO. II:7, 47 Ja64 il: "Rest by the sea" ABSTRACT Expressionism American sculpture: the situation in the fifties. W. Anderson. il V:10, 60-7 Su67 Cézanne and Lichtenstein: problems of "transformation". E. Loran. il II:3, 34-5 Se63 Cubism, Abstract Expressionism, David Smith. D. Bannard. il phot VI:8, 22-32 Ap68 The dilemma of Expressionism. M. Kozloff. il III:2, 32-5 N64 Reply. G. Phillips. III:4, 4 Ja65 Further observations on the Pop phenomenon. S. Tillim. phot IV:3, 17-19 N65 Houston. K. von Meier. il V:9, 59-60 My67 The inert and the frenetic. M. Kozloff. il IV:7, 40-4 Mr66 Present-day art and ready-made styles. D. Bannard. il phot V:4, 30-5 D66 Present-day styles and ready-made criticism. P. Plagens. phot V:4, 36-9 D66 x Kantor Gal (LA), group. A. Secunda. il I:1, 8 Je62 x PasAM, "U. S. Abstract Expressionism, paintings." DM. il I:6, 42 [N]62 see also: Action painting Automatic painting New York art scene New York school ABSTRACT Expressionism in California Abstract Expressionism. H. T. Hopkins. il II:12, 59-63 Su64 Abstract Expressionist ceramics. J. Coplans. il (pt col) V:3, 34-41 N66 ACADEMY, The bk The Academy, Art News Annual XXXIII, ed. T. Hess & J. Ashbery. Review by M. Kozloff. VI:6, 64-7 F68 see also: Painting, French, nineteenth-century ACKERMAN, S. R. Photographing a Henry Moore sculpture. III:1, 25-7 Se64 phot: "Three-part reclining figure" ACTION Painting Jackson Pollock and the modern tradition. W. Rubin. il phot V:6, 14-22 F67 Reply. H. Rosenberg. With rejoinder by W. Rubin. V:8, 6-7 Ap67 Further reply. H. Rosenberg. Further rejoinder by W. Rubin. V:9, 4 My67 see also: Abstract Expressionism Automatic painting ACTON, Arlo 1933- Angel-hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 Arlo Acton. II:2, 37 Ag63 il: untitled (hardwoods) The 1963 Paris Biennale. H. B. Chipp. II:2, 7-10 Ag63 il: "Hipster" (hardwoods) Polychrome sculpture. J. Monte. III:2, 40-3 N64 Sculpture in California. J. Coplans. II:2, 3-6 Ag63 Sculpture steals the show in the 83rd annual. J. Monte. II:11, 22-4 My64 il: "Circle of the sun" (wood, metal, paint) Three San Francisco sculptors: Arlo Acton, Robert Hudson, Melvin Moss. P. Leider. por III:1, 36-41 Se64 il: "Pop off", "Augh", "Half off’ ,"The flip to Edensville" (all mixed media) West Coast art: three images. P. Leider & J. Coplans. I:12, 21-5 Je66 il: untitled sculpture (hardwoods) x Art Unlimited (SF), "Paris Biennale sculptors, ’63." KS. II:9, 49 Mr64 x Berkeley Gal (Berk), "Thirty sculptors". JCM. II:3, 46-9 Se63 x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 il: "Tumbler’s last tumble" (hardwoods) x Hansen Gal (SF). P.D. French, VI:6, 56-7 F68 il: ‘‘#18’’, "#15" x Lanyon Gal (Palo Alto), w J. Magloff. JM. II:10, 11 Ap64 il: "Death cap" (wood) SFMA, "[SFAI] 84th annual." K. Stiles. IV:2, 42-3 O65 il: "Idome" (aluminum, wood) x Wilder Gal (LA). SRS. IV:6, 17 F66 il: Rebus (m/m) adv, il: [no title given; 9 views]. III:8, 57 My65 ADAIR, Lee x Berkeley Gal (Berk), w H. Henderson. EMP. IV:5, 53 Ja66 ADAMS, Alice Another category: "eccentric abstraction". D. Antin. V:3, 56-7 N66 ADAMS, Ansel 1902- x de Young. M. Mann. II:6, 55-6 D63 il: "Near Rodeo Lagoon, Marin County, California (photograph), "Frozen lake and cliff, Kaweah Gap, Sierra Nevada, Calif.", "Old doors, Columbia Farm (movie lot) near Los Angeles" x OM, "Ideas in images." M. Mann. II:9, 54 Mr64 x SFMA, "The redwood empire." M. Mann. IV:2, 48 O65 ADAMS, Clinton 1918- Letter. IV:9, 4 My66 (See Photography and art) x Landau Gal (LA). MS. III:6, 18 Mr65 il: "Metaphor" ADAMS, Mark 1925- x SFAI, "Bay Area group." EMP. I:10, 13-14 Ap63 il: "Great wing" (tapestry) ADAMS, Pat x Zabriskie Gal (NY). E. Wasserman. VI:5, 57-8 Ja68 il: "All across" ADAMSON, Jim x Arleigh Gal (SF). J. Monte. V:6, 67 F67 il: untitled sculpture ADDISON, Kent x Maxwell Gal (SF), w M. Lichtenberg. PDF. III:2, 50 N64 x Orr’s Gal (SD). M. Hagberg. III:7, 45 Ap65 il: "Three flowers" (welded steel) ADDISON, Raymond x Villa Montalvo (SF?), group. JCM. II:7, 15 Ja64 ADNAN, Etel x Karmanaduca Gal (SF), KS. II:10, 15 Ap64 ADRIAN, Dennis The art of H. C. Westermann. il (pt col) VI:1, 16-22 Se67 Edward Higgins’ new sculpture. il V:5, 38-9 Ja67 Fahlström: "The three faces of Öyv." il V:8, 47-8 Ap67 New York. il phot IV:4, 53-5 D65; IV:5, 56-7 Ja66; IV:6, 52-4 F66; IV:7, 50-2 Mr66; IV:8, 48-51 Ap66; IV:9, 49-53 My66; V:4, 58 D66; V:5, 57-61 Ja67; V:6, 56-61 F67; V:7, 55-8 Mr67; V:8, 55-9 Ap67; V:9, 55-8 My67; VI:1, 56-60 Se67 Walter de Maria: word and thing. il phot V:5, 28-9 Ja67 AESOPUS ca. 620-560 B.C. bk Aesop, five centuries of illustrated fables. Review by P. Leider. III:2, 56 N64 AFRICA The arts of man. R. Askew. I:7, 36-8 [D]62 il: "Mother and child’ (bronze) Plastic arts of the Yoruba. R. M. Ariss. il I:9, 36-8 Mr63 x Crocker. EMP. II:10, 15 Ap64 il (p 16): "Mask of the [Baule] tribe, Ivory Coast" x Franklin Gal (LA), "Forms and faces of primitive sculpture." CO. III:6, 12 Mr 65 il: "Headdress" (Bambara) x Franklin Gal (LA), "Myth and man in primitive art." WW. IV:5, 16-17 Ja66 il: "Fetish figure, Congo" x Franklin Gal (LA), "Primitive art." VA. II:11, il My64 il: "Dance mask" (Dan-N’gere tribe) (carved wood, hair, iron, tusks) x Otis, "African art." NM. III:2, 11-12 N64 il: "Baule ancestor figure", "Chi wara (antelope head-dress)" x SBMA & Bear Gal (SB), "Ethiopian art." HF. I:7, 12 [D]62 il: "Baptismal scene", "Plowing" adv, il: [African mask]. I:11, 54 My63; I:12, 8 Je63 adv, il: "Benin bronze plaque." V:8, 9 Ap67 adv, il: "Senufo dance helmet." IV:7, 9 Mr66 see also: Egypt Primitive (tribal) art AGEE, William C. Letter. III:1, 57 Se64 Letter (correction). VI:9, 4 My68 (see A. Held) AGOSTINELLI, Mario x Maxwell Gal (SF), w S. Long. EMP. I:7, 49 [D]62 il: "Sisters" AGOSTINI, Peter 1913- x Radich Gal (NY). D. Adrian. IV:7, 51 Mr66 il: "Burlesque queen" x SFMA, "Sculpture for São Paulo," KS. III:1, 44 Se64 x UCLA, "Drawings by sculptors. AS. I:6, 42 [N]62 il: "Woman standing" AGOSTINI, Sergio x Maxwell Gal (SF). PDF. III:6, 48 Mr65 AIKEN, William 1934- x Artists’ Co-op (SF), group. EMP. I:4, 48 Se62 x Gal de Tours (SF). J. Monte. IV:5, 51 Ja66 AIR terminals Towards the development of an air terminal site. R. Smithson. il phot plan V:l0, 36-40 Su67 AIRCRAFT From a work journal of flying sculpture. C. Frazier. il phot V:10, 88-92 Su67 New forms in architecture. J. Jacobus. IV:9, 35-9 My 66 phot: "Horatius" (four-motored bi-plane) AIROLA, Augustin x Pomeroy Gal (SF). EMP. II:6, 50 D63 il: "Armadillo" (mixed media) adv, il: [no title given]. II:5, 10 N63 AKAWIE, Thomas 1935- Two showings of younger Los Angeles artists. F.A. Danieli. V:2, 24-6 O66 il: "Les Invalides" x Berkeley Gal (Berk), w Royer. E.M. Polley. III:8, 47 My65 il: "Leonardo, centralized scheme" (airbrush stencil) x Cornara Gal (LA). HJW. III:9, 15 Je65 x FAGSD, "All-California exhibition." M. Hagberg. IV:9, 18 My66 x LBMA, group. CS. IV:7, 17 Mr66 ALBAVERA, Gerolamo x Maxwell Gal (SF), group. EMP. II:1, 12 Jy63 ALBERS, Josef 1888- Josef Albers. H. Hopkins. II:8, 26-7 F64 (includes poem by J. Albers, "+ = –") il: "Homage to the square II" (col) Serial imagery. J. Coplans. VII:2, 34-43 O68 il: "Homage to the square" [9 paintings, all col] Tamarind. A. Secunda. por I:3, 28-31 Ag62 x Ferus Gal (LA). HTH. I:6, 44 [N]62 il: “Expectant” x LACMA. F.A. Danieli. V:5, 63 Ja67 il: "White line squares, #5" x SFMA. KS. II:3, 46 Se63 x UC. JCM. II:7, 9-11 Ja64 adv, il: [no title given]. I:4, 3 Se62 adv, il: [lithograph, no title given](col). IV:l0, 4a Je66 adv, il: [lithograph, no title given]. V:l, 97 Se66; V:2, 9 O66 adv, il: [lithograph from "White line squares - Series II"](col). V:8, 4 [fold-out cover] Ap67 adv, il: [lithograph, no title giveni. VI:4, 10 D67 ALBERT, Michel x New England Gal (LA). JH. I:7, 20 [D]62 x Ryder Gal (LA), group. BH. II:10, 51-2 Ap64 ALBI, Mrs. J. J. Letter. II:5, 2 N63 (see G. Tsutakawa) ALBUQUERQUE, New Mexico: reviews Reviews: Albuquerque. J. Oppenheimer. I:7, 51 [D]62 see also: Santa Fe, New Mexico: reviews Taos, New Mexico: reviews ALDRICH, Marion x Evans Gal (LA). CP. I:9, 53 Mr63 il: "Mill pond #2" (watercolor) x Evans Gal (LA). DF. II:8, 14 F64 il (p 16): "Island in the Penobscott" ALDRIN, Anders x Emerson Gal (Encino), w Attridge. FAD. IV:3, 43 N65 ALECHINSKY, Pierre 1927- Poetry of vision. C. Greenberg. VI:8, 18-21 Ap68 il: "Sur la table" x MAGLA, "Fifth international Hallmark art award exhibition." AS. I:5, il [O]62 il: "Homage to Ensor" x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 x SFMA, "Drawing international." JC. I:2, 39-40 Jy62 il: "Rain" ALEXANDER, Paul x Buzz Gal (SF). K. Stiles. IV:2, 43-4 O65 il: "Patroclus" ALEXANDER, Peter 1939- Some new Los Angeles artists. F.A. Danieli. VI:7, 44-8 Mr68 il: untitled, untitled, untitled (all cast polyester resin) x CSCLA, "Plastics, L. A." J. Livingston. VI:9, 65-6 My68 ALFERT, Max x OM, w A. Grant, M. Henderson. JCM. II:6, 50 D63 ALHADEFF, Gustave x Maxwell Gal (SF), w E. Chavez. JM. II:4, 15 O63 il: "Still life with lemons" ALLAN, William x Berkeley Gal (SF). P.D. French. VII:3, 65 N68 il: "The architect’s nature" (m/m, 1968) ALLEN, Boyd 1931- x Berkeley Gal (Berk), group. JCM. II:1, 11-12 Jy63 il: ‘Red eclipse x Berkeley Gal (Berk), group. JCM. II:8, 45 F64 il: untitled gouache x Berkeley Gal (SF). J. Monte. IV:8, 53 Ap66 il: "Bungalow" x Berkeley Gal (SF). P.D. French. VI:4, 65 D67 il (p 66): "Survival II" ALLEN, David Young see Young-Allen, David ALLEN, Elizabeth x Fleischer/Anhalt Gal (LA). J. Livingston. VI:4, 64 D67 il (p63): "Population explosion" ALLEN, Marjorie x Gal de Tours (LA). MB. III:7, 14-16 Ap65 il: "Baucis and Philemon" x Gal de Tours (SF). EMP. II:1, 12 Jy63 (review repeated with slight changes on p 16) il: "Sea blossom" (lacquer) x Gal de Tours (SF). PDF. III:1, 46 Se64 ALLEN, Terry x Walls Gal (SF). P.D. French. VII:3, 66 N68 il: "Entertaining the angels" (1967) ALLEN, Virginia The art of Shiko Munakata. il II:9, 34-5 Mr64 The problem of the "original print". I:10, 53 Ap63 Reviews: Los Angeles. I:7, 8-20 [D]62; I:8, 14-17 F63; I:9, 51 Mr63; I:10, 45 Ap63; I:11, 48 My63; II:3, 20 Se63; II:5, 12-18 N63; II:6, 10-14 D63; II:7, 47-8 Ja64; II:9, 13-17 Mr64; II:10, 45-51 Ap64; II:11, 11-16 My64 ALLEY, Ronald see Rothenstein, J., jt author ALLOWAY, Lawrence 1926- Barnett Newman. il (pt col) III:9, 20-2 Je65 The biomorphic forties. IV:1, 18-22 Se65 il (pt col): see Baziotes, W. de Kooning, Gorky, Gottlieb, J. Pollock, Rothko, Stamos Chuck Ginnever: space as a continuum... il (pt col) VI:1, 36-9 Se67 Gorky. il I:9, 28-31 Mr63 Peter Forakis since 1960. il phot VI:5, 25-9 Ja68 Sculpture as cliché. II:4, 26 O63 "Systemic" painting. R. Pincus-Witten. V:3, 42-5 N66 Letter. R. Krauss. V:4, 4 D66 ALTMAN, Harold 1924- x Gump’s Gal (SF), w Faralla. JM. II:10, 13 Ap64 ALTMAN, Ralph Masterworks of Mexican art: pre-Columbian. II:6, 37-41 D63 il: "Basalt head of a dead man" (Aztec), "Terracotta relief" (detail, Maya), "Black stone vessel" (Veracruz), "Statuette" (clay, Tlatilco), "Detail of colossal basalt head" (La VentaOlmec), "Seated female statuette" (Nayarit), "Terracotta statuette" (La Venta-Olmec), "Skull-faced mask" (Tlatilco) ALTOON, John 1924-1969 Abstract Expressionism. H. T. Hopkins. II:12, 59-63 Su64 il: "Ocean Park series #7", "Trip #2" Four drawings. II:8, 30-1 F64 il: untitled gouache drawing (col), untitled drawing, untitled drawing, untitled drawing Gemini Ltd: new lithography workshop in Los Angeles. F.A. Danieli. IV:8, 20-2 Ap66 il: lithograph John Altoon’s "Harper series". J. Wechsler. V:6, 52-3 F67 il: "Alice in Wonderland and the princess", "Harper series, #11" (both watercolor and ink) x ACLJ, "Fourth annual of California painting and sculpture." JR. II:7, 43 Ja64 x de Young. JM. I:11, 12 My63 il: "#6, Ocean Park series" x FAGSD, "The Pacific Coast invitational," VS. I:8, 8-10 F63 il: "Untitled: Ocean Park series" x Ferus Gal (LA). DM. I:7, 20 [D]62 x LAAA, "Art now." WW. III:6, 52 Mr65 x Quay Gal (SF). J. Monte. IV:8, 53-4 Ap66 x SFMA. P.D. French. VI:7, 67 Mr68 il: "Tattoed lady" (pastel on paper) x Stuart Gal (LA), group. BH. II:11, 14 My64 x Stuart Gal (LA). DF. III:6, 12 Mr65 il: "Seaview series #3" (mixed media) x Stuart Gal (LA), group. MB. IV:3, 12-13 N65 AMADOUNI, Vahan 1933- x de Young. WH. I:4,48 Se62 AMAN-JEAN, Edmond-François 1860-1935 Ideal interlude: the first retrospective of the Salons de la Rose-Croix. R. Pincus-Witten. VII:1, 51-4 Se68 il: "Poster for the second Salon" (lithograph, 1893) AMATO, Sam 1924- Figurative. F.A. Danieli. II:12, 53-8 Su64 il: "Algerian woman" x Perls Gal (LA). A. Secunda. I:1, 8 Je62 il (p 10): "Moroccan woman" x Perls Gal (LA), group. CP. I:4, 12 Se62 x Perls Gal (LA), group. RGW. I:11, 44-7 My63 AMES, Mr. & Mrs. Richard, collection x SBMA. DG. I:6, 46 [N]62 ANASTASI, William adv, il: [no title given]. IV:6, 9 F66 adv, il: [no title given]. IV:10, 6 Je66 ANDERSEN, Thom Film. IV:l0, 58 Je66 ANDERSEN, Wayne V. American sculpture: the situation in the fifties. V:10, 60-7 Su67 il: see Bourgeois, J. Chamberlain, Ferber, Grippe, Hare, Lassaw, Lipton, Nevelson, Noguchi, Roszak, D. Smith, Stankiewicz Calder at the Guggenheim. il por III:6, 37-41 Mr65 ANDERSON, Eleanor 1926- x SFAI, "Natural and supernatural." KS. III:5, 12 F65 ANDERSON, Gordon Letter. VI:l0, 4 Su68 (see D. Flavin) ANDERSON, Gunnar x Gal de Tours (LA), group. BH. III:5, 42 F65 x Gal de Tours (LA). MS. III:9, 16 Je65 il: "Play-forms" x Pantechnicon (SF). KS. II:10, 18 Ap64 ANDERSON, Guy x SeAM, "Northwest annual." C. Bullitt. I:8, 50-3 F63 x Thomas Gal (LA). A. Secunda. I:1, 11 Je62 ANDERSON, Jeremy Radcliffe 1921- Angel-hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 il: "Machine for masochists" (redwood) Jeremy Anderson. II:2, 42 Ag63 il: untitled sculpture Jeremy Anderson retrospective at the San Francisco Museum. J. Monte. V:6, 50-1 F67 il: "Source" (redwood), "The lotus eaters" (enamel, redwood), untitled sculpture (plaster), "Doxie" (wood) Sculpture in California. J. Coplans. II:2, 3-6 Ag63 x Berkeley Gal (Berk), "Thirty sculptors." JCM. II:3, 46-9 Se63 x Dilexi Gal (LA), group. HTH. I:4, 16 Se62 x Dilexi Gal (LA), group. RGW. I:10, 48 Ap63 x Dilexi Gal (SF). JC. I:6, 16 [N]62 il: "Memories en view" x Dilexi Gal (SF). JM. II:9, 47 Mr64 il: untitled plaster sculpture x Dilexi Gal (SF), "GOP show." KS. III:1, 46 Se64 x StanU, "Some points of view - ’62." EMP. I:7, 41 [D]62 adv, il: "Castle". I:5, 4 [O]62 adv, il: [no title giveni. II:7, 49 Ja64 ANDERSON, John adv, il: [no title given]. V:6, rear cover F67 ANDERSON, Lennart x Frumkin Gal (NY), "The nude - now." D. Adrian. V:7, 58 Mr67 il (p 57): "Seated nude" x Graham Gal (NY). E. Wasserman. VI:4, 61 D67 il: "Factory, Madison" Correction. VI:5, 6 Ja68 ANDERSON, Leslie E. Letter. II:9, 4 Mr64 (see C. Booth) ANDRE, Carl 1935- Earthworks and the new picturesque. S. Tillim. VII:4, 42-5 D68 il: "Rock pile" (1968) Notes on sculpture, part 2. R. Morris. V:2, 20-3 O66 phot: installation view, Nagy Gal (NY), 1965 Notes on sculpture, part 3. R. Morris. V:l0, 24-9 Su67 il: "Lock" (painted chipboard) Paragraphs on conceptual art. S. LeWitt. V:10, 79-83 Su67 il: untitled drawing Present-day art and ready-made styles. D. Bannard. V:4, 30-5 D66 il: "Compound" (detail, styrofoam) The razed sites of Carl Andre. D. Bourdon, V:2, 14-17 O66 phot: installation view, Nagy Gal (NY), 1966 il: "Spiral" (steel), "Lever" (firebrick), untitled sculpture, untitled sculptures, "Cement piece", "One grand piece" (brass and aluminum) Systems esthetics. J. Burnham. VII:1, 30-5 Se68 10 x 10: "concrete reasonableness." A. Michelson. V:5, 30-1 Ja67 il: "Field" (ceramic magnets) The value of didactic art. B. Rose. V:8, 32-6 Ap67 phot: installation view, Dwan Gal (LA), March, 1967 Reply. C. Andre. V:l0, 4 Su67 x Dwan Gal (LA). J. Livingston. V:9, 62-3 My67 il: drawing-plan for Dwan Gallery exhibition x Dwan Gal (NY). P. Leider. VI:6, 46-7 F68 phot: installation view adv, il: [no title given]. VI:4, 7 D67 repr, il: "Aluminum piece" (col). VII:1, cover Se68 ANDRE, Carl, and others Letter. VII:2, 4 O68 ANDRESON, Laura x Boyd Gal (SF), w Eyuboglu, Cox. JM. I:7, 49 [D]62 ANDREWS, Oliver 1925- Oliver Andrews. II:2, 23 Ag63 il: "The reaper" (steel) Sculpture. D. McClellan. II:12, 69-74 Su64 il: "Helios" (bronze and mahogany) x Bear Gal (SB), group. HVB. IV:3, 13 N65 il (p 11): "Sun cart" (assemblage) x CSCLB, "Thirty-four sculptors." HJW. II:5, 15 N63 x MAGLA. RGW. I:11, 50 My63 x MAGLA, "Sculpture, Los Angeles 1965." NM. IV:3, 10 N65 x SBMA. DG. II:1, 48 Jy63 x Stuart Gal (LA). J. Livingston. V:9, 63 My67 il: "Ever" (m/m) ANGELIS, Giovanni de x Burr Gal (LA), w M. Kahn. CP. I:6, 50-2 [N]62 ANGER, Kenneth Two films and an interlude by Kenneth Anger. H. Dienstfrey. III:9, 48-50 Je65 ANGRAND, Charles 1854-1926 Neo-Irnpressionism and the dream of analysis. M. Kozloff. VI:8, 40-5 Ap68 il: "Dawn over the Seine" ANKRUM, Joan Letter. II:1, 2 Jy63 ANNENKOV, Yuri Pavlovich b.1889 The Constructivist ethos: Russia 1913-1932 (part II). R. Hunt. VI:2, 26-32 O67 phot: re-enactment of the "Storming of the Winter Palace" ANNESLEY, David 1936- Some new British sculptors. A. Forge. III:8, 31-5 My65 il: "Swing low" (steel, painted)(col) x Poindexter Gal (NY). J. H. Cone. VI:7, 54-5 Mr68 il: untitled (painted aluminum) ANNON, P. x Stuart Gal (LA), "Exquisite torsi." NM. III:7, 10 Ap65 ANONYMOUS Architecture. I:3, 42 Ag62 Reply. J. C. Campbell, w editor’s rejoinder. I:5, 2 [O]62 ANSHEN & Allen, architects x SFMA, "Arts of San Francisco." R. B. Marquis & Anonymous. I:3, 42 Ag62 ANSHUTZ, Thomas Pollock 1851-1912 The Fleischman collection. W. E. Steadman, Jr. II:9,36-9 Mr64 il: "Steelworkers - noon" ANTIN, David 1932- Another category: "eccentric abstraction." V:3, 56-7 N66 phot: view of installation, Fischbach Gal (NY) il: see Hesse, Kuehn ANTONAKOS, Stephen 1926- x Fischbach Gal (NY). R. Pincus-Witten. VI:9, 61 My68 il: "Ruby and yellow neon" (m/m) x Nelson Gal, Kansas City, MO. "Magic theater." J. Livingston. VII:1, 66-7 Se68 Reply. VII:2, 4 O68 ANUSKIEWICZ, Richard 1930- The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66 il: "Radiant green" (liquitex) x SFMA, "Americans 1963." JM. III:1, 43-4 Se64 adv, il: "New York City Opera" (serigraph) (col). VII:4, 20 D68 adv, il: "No. II", "No. IV" (screenprints, col). V:6, 36C F67 APPEL, Karel 1921- x ACLJ. A. Kietzmann. I:1, 14 Je62 x PavGal. FAD. III:4, 14 Ja65 il (p 17): "Deux personnages dans la tempête" APPLE, Billy x Bianchini Gal (NY). R. Pincus-Witten. IV:6, 57 F66 phot: view of installation x Wise Gal (NY). B. Wasserman. VI:5, 58 Ja68 il (p 56): "U. F. 0." (neon) ARAKAWA, Shusaku 1936- Japan. Y. Tono. V:5, 53-5 Ja67 il: "Box", "Diagram", "Diagram with details of Marcel Duchamp" x Dwan Gal (LA). CW. II:11, 12-14 My64 il: "The hook lives near the ocean..." x Dwan Gal (LA). DF. IV:10, 15-17 Je66 phot: installation view x Dwan Gal (NY). D. Adrian. IV:7, 51 Mr66 il (p 49): untitled x MoCA, "Pictures to be read/poetry to be seen." W. Halstead. VI:5, 63 Ja68 adv, il: "Dieagrams". II:10, 5 Ap64 adv, il: [no title givenj. IV:5, 7 Ja66 adv, il: [no title given]. IV:10, 6 Je66 adv, phot: [installation view], Tokyo biennial 1967. VI:3, 8 N67 ARAO, Syosaku x Hale Gal (LA), "Eight from Japan." BH. II:11, 16 My64 ARATA, Sybil x Hall of Flowers, Golden Gate Park (SF), "Ceramics and ceramic sculpture." JM. II:11, 50 My64 ARCE, Manuel De x Pomeroy Gal (SF). J. Monte. IV:9, 57 My66 il (p 55): "Olivos" adv, il: [no title given]. IV:1, 64 Se65 ARCHIPENKO, Alexander Porfirievich 1887-1964 x UCLA. J. Livingston. V:9, 61 My67 il: "King Solomon" (bronze), "Gondolier" (bronze) ARCHITECTURE Architecture. D. Gebhard. il phot III:8, 52-3 My65 Architecture. E. G. Burger & P. Coplans. il IV:8, 56-7 Ap66 Architecture and design. F. P. Lyman. il phot II:9, 20 Mr64 Architecture now. J. Jacobus. il IV:5, 20-6 Ja66 New forms in architecture. J. Jacobus. il phot IV:9, 35-9 My66 Talking with Tony Smith. S. Wagstaff. il phot V:4, 14-19 D66 see also: Air terminals Gasoline stations Museums: architecture Sculpture and architecture ARCHITECTURE, California Architecture in Los Angeles. D. Gebhard. phot plan II:12, 10-11 Su64 The case study houses. D. Gebhard. phot II:4, 24-5 O63 Two California houses: Irving Gill’s Dodge house, by Y. Kahana; Paul S. Hoag’s Holloway house, by P. S. Hoag. phot II:7, 23-7 Ja64 x SFMA, "Arts of San Francisco." R. B. Marquis & Anonymous. I:3, 42 Ag62 x UCSB, "George Washington Smith and the Spanish Colonial revival." DG. III:4, 14-16 Ja65 ARCHITECTURE: competitions and awards The Governor’s mansion competition. D. Gebhard. il I:7, 34-5 [D]62 x PasAM, "1962 awards, Pasadena chapter, AlA." DG. I:7, 10 [D]62 ARCHITECTURE, fantastic Fantastic architecture. K. T. Steinitz. phot I:3, 16-19 Ag62 Surrealism and architecture. K. von Meier, il phot V:1, 60-5 Se66 x UC, "Visionary architecture.’ JCM. I:12, 53 Je63 ARCHULETTA, Sandra x RichAC, group. EMP. II:4, 12 O63 il (p 14): "Murcury" [sic](lithograph) ARENSBERG, Walter, collection Collecting in Los Angeles. G. Nordland. II:12, 12-18 Su64 ARGENTINA: recent art x Patrich Gal (LA), "Art of Argentina." SRS. IV:8, 16 Ap66 see also: Córdoba [Argentina] bienal ARISS, Robert M. Plastic arts of the Yoruba. I:9, 36-8 Mr63 il: "Kola nut container (foretelling lore)", "Orisha Ogiyen (fertility goddess)", "Ibeji (twins)", "Mask (Gelede Society)", "Ogun, a god of war", "Yajama, lord of smallpox", "Kneeling figure (Ogboni Secret Society)" ARIZONA: recent art x PhoenAM, "Fourth Arizona annual." H. Wood. I:1, 13 Je62 ARIZONA: reviews Arizona. H. von Breton. il III:9, 44 Je65 Reviews: Arizona. M. Miller. pt il I:10, 20 Ap63; II:1, 16 Jy63; II:7, 16 Ja64 see also: Phoenix, Arizona, headings ARMAN, Fernandez 1928- Boxes. D. Factor. II:10, 20-3 Ap64 Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67 il: "Little hands" Three-dimensional prints and the retreat from originality. M. Kozloff. IV:4, 25-7 D65 il: "Edition MAT" x Dwan GaI (LA). GN. I:2, 7-8 Jy62 il: "The death of Harlequin" adv, il: [multiple]. VII:2, 19 O68 adv, il: [multiple]. VII:3, inside rear cover N68 ARMER, Ruth 1896- x Bolles Gal (SF), w Malott, Halprin. EMP, I:7, 46-8 [D]62 x Bolles Gal (SF). J. Monte. III:8, 45 My65 ARMOR, Japanese The Municipal Art Gallery. II:12, 34 Su64 phot: view of exhibition, "Arms and armor of ancient Japan" ARMORY Show The Armory Show. K. T. Steinitz. il II:3, 38-9 Se63 How to murder an avant-garde. B. Rose. il IV:3, 30-5 N65 ARMOUR, Keith x Locke Gal (SF), "Six British printmakers." DB. I:7, 49 [D]62 ARMSTRONG, Kay x RichAC, group. JCM. II:3, 49-50 Se63 ARMSTRONG, James 1937- x Gal de Silva (SB). JM. I:11, 53 My63 il: "The model" (watercolor) ARNESON, Robert 1930- Letter. II:4, 2 O63 (see Censorship) Reply. M. Kane. II:6, 2 D63 Robert Arneson. II:12, 26 Ag63 il: untitled ceramic x Barrios Gal (Sac), w R. King. EMP. I:9, 18 Mr63 x Cellini Gal (SF), group. PDF. II:10, 13-15 Ap64 x Cellini Gal (SF). KS. III:2, 50 N64 il (p 52): "Tilted lady" (bronze) x RichAC. EMP. II:7, 9 Ja64 il: "The ass of the triangle" (clay sculpture) x SFAI, "Bay Area sculpture." KS. III:6, 44-6 Mr65 x UC, "All-campus faculty show." JCM. II:5, 48-51 N63 adv, il: [no title given]. III:3, 10 D64 ARNHEIM, Rudolf Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67 ARNOLD, Florence 1900- x LagBAA, "Five hard-edge painters." CS. IV:4, 56 D65 ARNOLD, Robert x Howland Gal (SF). JM. II:4, 16 O63 ARNOULD, Reynould x Hatfield Gal (LA), "Aubusson tapestries." FAD. II:4, 42-5 O63 ARNTZ, Michael x Bear Gal (SB), w H. Fenton. H. von Breton. V:4, 60 D66 il: "Garden pot" adv, il: [no title given]. V:9, 14 My67 ARON, Kalman 1924- x Feingarten Gal (LA), w E. Chodorow. EK. IV:10, 18 Je66 il (p 16): "Five profiles" (ink on paper) ARONSON, David 1923- x Zora Gal (LA). HJW. III:8, 51 My65 il (p 49): "Teacher with student" (pastel) ARP, Hans same as Arp, Jean ARP, Jean 1887-1966 Dada into Surrealism. L. R. Lippard. V:1, 10-15 Se66 The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Selon les lois du hasard" (collage) Three-dimensional prints and the retreat from originality. M. Kozloff. IV:4, 25-7 D65 il: "Edition MAT" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "Human concretion" (cast in stone after original plaster), "Terrestial forms" (relief), "According to the laws of chance" (also called "Periods and commas")(painted wood) x Ellin Gal (LA), retrospective. KTS. I:12, 13 Je63 il: "Kaspar" (bronze) x Janis Gal (NY). A. Michelson. VI:9, 54-5 My68 phot: installation view x Kovler Gal (Chi). W. Halstead. VI:5, 63 Ja68 x Turenne Gal (LA). EK, IV:9, 17 My66 ART Note: see "Art" headings in Subject Guide for correct cross-references to categories not listed immediately below ART: surveys The arts of man. R. Askew. il (pt col) I:7, 36-8 [D]62 Man: glory, jest and riddle, parts I & II. E.M. Polley. il III:4, 26-9 Ja65 Masterpieces of art. [SeWF]. il I:4, 23-5 Se62 see also: appropriate headings in Subject Guide for specific media, styles, movements and places ART: surveys, modern Art since 1950: international. [SeWF]. il I:4, 27-9 Se62 Man: glory, jest and riddle, part III. J. Coplans & P. Leider. il (pt col) III:4, 30-3 Ja65 x LagBAA, "Elements of modern art." CP. I:4, 8 Se62 x Pinkus GaI (LA), "Drawings, watercolors, prints by modern masters." RGW. il I:7, 10 [D]62 x UCLA, "Years of ferment." NM. il III:6, 12 Mr65 see also: Armory Show headings listed under "Recent art" and "Twentieth-century art" in the Subject Guide additional headings in the Subject Guide for specific media, styles and movements ART and society Conformity in the arts. L. D. Longman. I:1, 19-23 Je62 Letter. A. Tabachnik. VI:5, 4-5 Ja68 Three-dimensional prints and the retreat from originality. M. Kozloff. il IV:4, 25-7 D65 see also: Artist and society Avant-gardism Benefit exhibitions Censorship Collectors and collecting Politics and art Subsidy of art United States Government ART and technology Books. M. Kozloff. VI:6, 64-7 F68 Reply. D. Joyce. VI:9, 4-5 My68 Theater and engineering. S. Whitman & B. Kluver. phot V:6, 26-33 F67 x Gal da Silva (SB), Sol Cenowski [pseud]. HVB. IV:5, 18 Ja66 see also: Architecture Environmental art Industrial design Kinetic art Light Metal casting Plastics in art Reproduction of works of art ART as investment bk Taxes and art, by French & Co. Review by P. Leider. I:1, 43 Je62 bk Art as an investment, by R. H. Rush. Review by P. Leider. I:1, 43 Je62 see also: Benefit exhibitions Collectors and collecting ART criticism Harold Rosenberg on criticism. por II:8, 28-9 F64 The inert and the frenetic. M. Kozloff. il IV:7, 40-4 Mr66 Letter. B. Garth. I:3, 2 Ag62 Problems of criticism, I: varieties of critical experience. R. Goldwater. VI:1, 40-1 Se67 Problems of criticism, II: complaints of an art critic. C. Greenberg. VI:2, 38-9 O67 Problems of criticism, III: Venetian art and Florentine criticism. M. Kozloff. VI:4, 42-5 D67 Problems of criticism, IV: the politics of art, part I. B. Rose. VI:6, 31-2 F68 Problems of "new directions" exhibitions. W. C. Seitz. phot II:3, 23-5 Se63 Sidney Geist on criticism. I:1, 5 Je62 Toward a critical framework. W. Rubin. il V:1, 36-55 Se66 The value of didactic art. B. Rose. il phot V:8, 32-6 Ap67 bk Embattled critic, by J. Canaday. Review by P. Leider. I:2, 47-8 Jy62 bk Meditations on a hobby horse, by E. H. Gombrich. Review by M. Kozloff. III:5, 45 F65 bk The unknown shore, by D. Ashton. Review by P. Leider. I:10, 54-5 Ap63 see also: Art history Artists on art appropriate headings in Subject Guide for specific styles, movements, formal problems and media ART education ". . .on an American artist’s education. . ." D. Flavin. phot VI:7, 28-32 Mr68 x de Young, "San Francisco Unified School District art show." HG. II:1, 15 Jy63 see also: Children’s art ART galleries, commercial A guide to the galleries. [Article includes one page of text and listings for 68 Southern California galleries]. II:12, 75-80 Su64 phot: [17 uncaptioned views of galleries, exhibitions, etc.] An open letter to an art critic. C. Still. il II:6, 30-5 D63 Reviews: Portland. A. Rocchia. I:6, 52 [N]62 ART history bk The loom of art, by G. Bazin. Review by P. Leider. I:8, 55 P63 see also: Art criticism Authentication of works of art appropriate headings in the Subject Guide for specific styles, movements, formal problems, media and places ART Nouveau x de Young, "The Art Nouveau." P.D. French. il VI:9, 71-2 My68 Reply (correction). F. L. Graham. VII:3, 4 N68 x LBMA, "American Art Nouveau posters." CS. il IV:7, 17 Mr66 see also: Architecture, fantastic Expressionism, Viennese Jugendstil Painting, decorative ARTAUD, Antonin 1896-1948 see Dulac, G., jt filmmaker ARTIST and society The Club. I. Sandler. phot IV:1, 27-31 Se65 An open letter to an art critic. C. Still. il (pt col) II:6, 30-5 D63 see also: Art and society Art education Artists on art Benefit exhibitions Censorship Juries and juried exhibitions Los Angeles art scene Museums: problems and responsibilities New York art scene San Francisco art scene Subsidy of art United States Government ARTISTS on art Note: articles under this heading dealing with more than one artist are listed in normal alphabetical order; articles by or dealing with single artists follow and are listed in alphabetical order by the artists’ last names. This category includes all panel discussions and interviews with artists, statements by artists on their own work, and theoretical or formal writings on specific media or styles which are directly related to the artist’s own work. Not included in this category are the many articles and reviews by practising artists which function as general art criticism or news. Coplans, DuCasse, Gordin, Hedrick, Ippolito, Smith, Zogbaum: [discussion]. il por I:2, 29-35 Jy62 Feitelson, Gerchik, Schifrin: discussion. A. Secunda. por I:2, 20-5 Jy62 John Bernhardt, Charles Frazier, Edward Kienholz: [discussion]. A. Secunda. il por I:5, 30-4 [O]62 Oldenburg, Lichtenstein, Warhol: a discussion. B. Glaser. il IV:6, 20-4 F66 The Phillips collection - Diebenkorn, Woelffer, Mullican:a discussion. F. Wight. il (pt col) I:10, 23-8 Ap63 Two postscripts. R. Goodnough and P. Brach. il IV:1 32 Se65 bk The artist’s voice, by K. Kuh. Review by P. Leider. I:7, 52 [D]62 [Bannard] Color, paint and present-day painting. D. Bannard. il (pt col) IV:8, 34-7 Ap66 [Baxter] John Baxter. il I:3, 32-3 Ag62 [Biederman] The visual revolution of structurist art. C. Biederman. il III:7, 34-8 Ap65 [Bochner] The serial attitude. M. Bochner. il phot VI:4, 28-33 D67 [Bolomey] Sky gate. R. Bolomey. il III:2, 22-5 N64 [Cuevas] A Mexican childhood. J. L. Cuevas. il I:8, 30-3 F63 [Dzubas] An interview with Friedel Dzubas. M. Kozloff. il IV:1, 49-52 Se65 [Finkelstein] Max Finkelstein. il II:2, 38 Ag63 [Flavin] "... in daylight or cool white." D. Flavin. il por IV:4, 20-4 D65 [Flavin] "... on an American artist’s education..." D. Flavin. phot VI:7, 28-32 Mr68 [Flavin] Some other comments... D. Flavin. il VI:4, 20-5 D67 [Flavin] Some remarks... excerpts from a spleenish journal. D. Flavin. il (pt col) V:4, 27-9 D66 [Frankenthaler] An interview with Helen Frankenthaler. H. Geldzahler. il IV:2, 36-8 O65 [Frazier] From a work journal of flying sculpture. C. Frazier. il phot V:lO, 88-92 Su67 [Irwin] Robert Irwin. por III:9, 23 Je65 [Johns] An interview with Jasper Johns. W. Hopps. il (pt col) III:6, 32-6 Mr65 [Johns on] An interview with Ray Johnson. D. Bourdon, Jr. il III:I, 28-9 Se64 [Jones] An interview with Allen Jones. J. Coplans. il III:7, 19-21 Ap65 [Kaprow] The Happenings are dead - long live the Happenings! A. Kaprow. phot IV:7, 36-9 Mr66 [Kaprow] The shape of the art environment. A. Kaprow. il phot VI:l0, 32-3 Su68 [Laderman] Unconventional realists. G. Laderman. il VI:3, 42-6 N67 [Lebrun] An interview with Rico Lebrun. A. Secunda. il por phot I:11, 34-6 My63 [LeWitt] Paragraphs on conceptual art. S. LeWitt. il phot V:l0, 79-83 Su67 [Lichtenstein] An interview with Roy Lichtenstein. J. Coplans. il (col) II:4, 31 O63 [Lichtenstein] Talking with Roy Lichtenstein. J. Coplans. il (pt col) V:9, 34-9 My67 [Mallary] An interview with Robert Mallary. N. Robb. il II:7, 37-9 Ja64 [Matta] An interview with Matta. M. Kozloff. il IV:1, 23-6 Se65 [Miller] Are we going anywhere? H. Miller. il (pt col) por II:1, 27-30 Jy63 [Morris] Anti form. R. Morris. il VI:8, 33-5 Ap68 [Morris] Notes on sculpture. R. Morris. il IV:6, 42-4 F66 [Morris] Notes on sculpture, part 2. R. Morris. il V:2, 20-3 O66 [Morris] Notes on sculpture, part 3. R. Morris. il V:10, 24-9 Su67 [Motherwell] An interview with Robert Motherwell. M. Kozloff. il (pt col) IV:1, 33-7 Se65 [Murray] An interview with Robert Murray. B. Rose. il V:2, 45-7 O66 [Oldenhurg] Extracts from the studio notes (1962-64). C. Oldenburg. il IV:5, 32-3 Ja66 [Olitski] Painting in color. J. Olitski. il V:5, 20-1 Ja67 [Onslow-Ford] bk Painting in the instant, by G. Onslow-Ford. Review by P. Leider. III:2, 55-6 N64 [Raffaele] Allusive structure: a conversation with Joe Raffaele. R. Pincus-Witten. il V:4, 20-1 D66 [Reinhardt] Ad Reinhardt: three statements. il (col) phot IV:7, 34-5 Mr66 [Rodia] A visit with Sam Rodia. K. T. Steinitz. il por I:11, 32-3 My63 [Samaras] An exploratory dissection of seeing. L. Samaras. il VI:4, 26-7 D67 [Samaras] An interview with Lucas Samaras. A. Solomon. por V:2, 39-44 O66 [Segal] An interview with George Sega]. H. Geldzahler. il por phot III:2, 26-9 N64 [Smith, A.] Talking with Tony Smith. S. Wagstaff, Jr. il V:4, 14-19 D66 [Smith, V.] Vic Smith. il por I:2, 26-8 Jy62 [Smithson] Entropy and the new monuments. R. Smithson. il IV:10, 26-31 Je66 [Smithson] Letter. R. Smithson. VI:2, 4 O67 [Smithson] The monuments of Passaic. R. Smithson. il phot VI:4, 48-51 D67 [Smithson] Towards the development of an air terminal site. R. Smithson. il phot plan V:l0, 36-40 Su67 [Snelson] An interview with Kenneth Snelson. J. Coplans. il (pt col) V:7, 46-9 Mr67 [Still] Clyfford Still: an open letter to an art critic. il (pt col) II:6, 30-5 D63 [Stroud] An interview with Peter Stroud. J. Coplans. il IV:7, 20-3 Mr66 [Stuart] NO is an involvement. M. Stuart. il II:3, 36-7 Se63 [Tsutakawa] George Tsutakawa. il II:2, 28 Ag63 [Wagner] Gordon Wagner. il II:2, 40 Ag63 [Warshaw] Review and response. Review: Don Factor on Howard Warshaw; response: Howard Warshaw on Don Factor. il II:1, 34-5 Jy63 [Whitman] Theater and engineering. S. Whitman & B. Kluver. phot V:6, 26-33 F67 [Youngerman] An interview with Jack Youngerman. B. Rose. il (pt col) IV:5, 27-31 Ja66 ARTS & architecture (periodical) The case study houses. D. Gebhard. phot II:4, 24-5 O63 ARTS magazine bk The best in ARTS: ARTS yearbook 6, ed. by J.R. Mellow. Review by P. Leider. I:8, 55 F63 ARTSCHWAGER, Richard 1924- Boxes. D. Factor. II:10, 20-3 Ap64 Sound, light and silence in Kansas City. R. Pincus-Witten. V:5, 51-2 Ja67 il: "Tortoise-shell aurora" (triptych, m/m) x Castelli Gal (NY). R. Pincus-Witten. VI:7, 58-9 Mr68 il: Blue logus" (formica on wood) x Gugg, "The photographic image. R. Pincus-Witten. IV:7, 47 Mr66 ASAWA, Ruth 1926- Angel -hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 x Ankrum Gal (LA). G. Nordland. I:1, 6 Je62 x SFMA, w A. Holman. PDF. II:3, 50 Se63 ASH, Margaret x ACLJ. A. Kietzmann. I:3, 42 Ag62 x SBMA. DG. I:7, 17 [D]62 il: "Composition #3" ASHBERY, John Lawrence 1927- see T. Hess, jt author ASHER, Elise 1914- adv, il: [no title given]. I:10, 6 Ap63 ASHER, Leonard, collection Collecting in Los Angeles. G. Nordland. II:12, 12-18 Su64 phot: "View of the Asher collection" [2 views] ASHINGER, Sanford x Prism (SF). JM. I:3, 40 Ag62 ASHTON, Dore bk The unknown shore. Review by P. Leider. I:10, 54-5 Ap63 ASKEW, Rual The arts of man. I:7, 36-8 [D]62 il (pt col): see Giovanni da Bologna, P. A. Renoir, Terborch, Africa, Cambodia, India Reviews: Dallas. I:1, 7 Je62; I:2, 44 Jy62; I:3, 14 Ag62; I:5, 16-18 [O]62; I:6, 20 [N]62 ASKIN, Walter 1929- x LBMA, "California Watercolor Society 42nd animal." VS. I:7, 12-14 [D]62 x Scripps, "Drawing invitational." CHH. I:7, 17-18 [D]62 x Wooden Horse Gal (Laguna). B. Howell. II:4, 46 O63 il: "Archaic clan" ASMAR, Alice 1929- x Sabersky Gal (LA). VA. II:5, 16 N63 ASSEMBLAGE . . . And the highway apparitions. II:2, 59 Ag63 il: [no title given] Art is love is God. J. Coplans. il II:9, 26-7 Mr64 Assemblage. D. Factor. il II:12, 38-41 Su64 Boxes. D. Factor. il (pt col) II:10, 20-3 Ap64 John Bernhardt, Charles Frazier, Edward Kienholz: [discussion]. A. Secunda. il por I:5, 30-4 [O]62 Junk sculpture: what does it mean? D. C. Hodges. I:5, 34 [O]62 Letter. G. R. Goldberg. VI:9, 5 My68 Problems of "new directions" exhibitions. W. C. Seitz. phot II:3, 23-5 Se63 Sculpture in California. J. Coplans. il II:2, 3-6 Ag63 x LAVC, "Assemblages 2 and 3 dimensions." JVE. IV:6, 18 F66 x MtSAC,"The object maker." DM. il I:12, 14 Je63 x SFMA, "Art of assemblage." J. Coplans. il I:1, 35 Je62 x SFMA, "The construction as an object of illusion." PL. il I:5, 40 [O]62 Reply. F. Martin & R. de Forest. I:7, 2 [D]62 adv, il: [several assemblages, no titles given]. II:8, 7 F64 see also: Collage Environmental art Funk art Happenings Kinetic art Sculpture, polychrome ASSETTO, Franco 1911- x Robles Gal (LA). A. Secunda. I:1, il Je62 ATAGOK, Tomur x Vorpal Gal (SF), group. PDF. II:9, 53 Mr64 ATAIDE, Joe 1924- x CrAG, w M. Siegel, J. Schnier. EMP. I:9, 43-5 Mr63 Reply. J. Ataide. I:11, 2 My63 ATTRIDGE, Irma x Emerson GaI (Encino), w A. Aldrin. FAD. IV:3, 43 N65 x Kramer Originals Gal (LA). FD. II:1, 52 Jy63 AUGE, Philipe x Burr Gal (LA), "Three French painters." JH. I:7, 20 [D]62 AUGUSTS, Guido x Vorpal Gal (SF). KS. III:3, 51 D64 il: "Spasm on a table" AUSTIN, Charles P. b.1883 x LBMA, "Early modern paintings by California artists." ME. II:8, 12 F64 AUTHENTICATION of works of art Showpiece: the de Young Museum’s bust of Cosimo I de’ Medici is authenticated as an original by Benvenuto Cellini. W. Heil. il II:11, 25-7 My64 see also: Prints AUTOMATIC painting Jackson Pollock and the modern tradition, part IV. W. Rubin. il V:9, 28-33 My67 see also: Abstract Expressionism Action painting Surrealism AVANT-GARDISM Conformity in the arts. L. D. Longman. I:1, 19-23 Je62 How to murder an avant-garde. B. Rose. il IV:3, 30-5 N65 The inert and the frenetic. M. Kozloff. il IV:7, 40-4 Mr66 Problems of "new directions" exhibitions. W. C. Seitz. phot II:3, 23-5 Se63 see also: appropriate headings in the Subject Guide for specific styles and movements AVATI, Mario 1921- x Locke Gal (SF), w F. Meckseper. KS. III:2, 52 N64 AVEDISIAN, Edward 1936- How to murder an avant-garde. B. Rose. IV:3, 30-5 N65 il: "The big love #2" (Liquitex) x Elkon Gal (NY). D. Adrian. V:9, 57-8 My67 il: untitled x Wilder Gal (LA). DF. III:8, 13-14 My65 phot: installation view AVERSA, Piero x Bednarz Gal (LA), group. BH. III:5, 42 F65 x Bednarz Gal (LA). EK. IV:1O, 18 Je66 il: "Cat on a hot tin box" AVERCAMP, Hendrik 1585?-163? The age of Rembrandt. P.D. French. V:5, 40-5 Ja67 il: "Winter sports on a frozen river near Utrecht" AVERY, Milton Clark 1893-1965 x Landau Gal (LA). FAD. III:2, 14 N64 il (p 17): "Morning talk" x Palley Gal (SF). P.D. French. VII:3, 67 N68 il: "Reclining bather" (1951) bk American art since 1900, by B. Rose. Review by J. Lanes. VI:7, 69-73 Mr68 adv, il: [no title given]. VI:2, 63 O67 adv, il: "Gay rocks and sea" (w/c). VI:3, 66 N67 AWAZU, Kiyoshi x Matsuya Dept. Store (Tokyo), "From ‘space’ to ‘environment’." Y. Tono. V:8. 71-4 Ap67 AXTON, John xSFMA, w R. Kabak. KS. II:11, 46 My64 AY-O x Gal 669 (LA). J. Livingston. VI:6, 62 F68 il: "Rainbow heart" x Matsuya Dept. Store (Tokyo), "From ‘space’ to ‘environment’." Y. Tono. V:8. 71-4 Ap67 il: "Finger boxes" AYRES, Gillian 1930- British art today. J. Coplans. I:7, 27-31 [D]62 il: "Break off" |