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Personal dates will be expanded and upgraded gradually. We
welcome cor rections and additions. M. H. DE YOUNG Memorial Museum, San Francisco, California San Francisco. J. Monte. IV:9, 55 My66 Showpiece: the de Young Museum’s bust of Cosimo I de’Medici is authenticated as an original by Benvenuto Cellini. W. Heil. il II:11, 25-7 My64 M.K.S. see Stussy, Maxine Kim MacARTHUR, William C. x Comara Gal (LA), "The Optical experience." CO. IV:4, 17 D65 McBEY, James x UCSB, "Etchings by James McBey." JM. I:11, 53 My63 McCALLION, Barry x LBMA, "Fourth annual Southern California exhibition." CS. IV:9, 16 My66 il: "Mother walking her five corks" McCANN, Louis Reviews: Los Angeles. I:10, 45-50 Ap63 McCAULEY, Gardiner x Berkeley Gal (Berk), w H. Margolis. EMP. II:9, 51 Mr64 il: "Veneziana, 1962" McCAULEY, Nancy x Berkeley Gal (Berk), group. JCM. I:12, 45-6 Je63 il: "Pete" (tempera on paper) x Mills, "From the Berkeley Gallery." JCM. II:6, 50-2 D63 il: "Ensor" McCAY, Windsor x MMA, w H. Crowley. R. Pincus-Witten. IV:10, 54-5 Je66 McCHESNEY, Robert Pearson 1913- Three California artists: Keith Boyle, Robert McChesney, Tom Holland. J.C. Magloff (Boyle, Holland) and A. Temko (McChesney). II:5, 38-40 N63 il: "Arena #78" (sand and enamel on canvas)(col) x Hobbs Gal (SF), group. EMP. II:5, 48 N63 x SF Art Center (SF). KS. II:9, 47 Mr64 il (p 48): "Hair suite #14" (mixed media) repr, il: "Arena #19" (sand and enamel). I:4, 18 Se62 MACCIO, Romulo 1931- x Kaiser, "Selections from the Córdoba Bienal," EMP. III:5, 10 F65 x Kaiser + OM, "New directions in modern art from South America." TH. I:9, 12-15 Mr63 il: "Espejo" McCLAIN, Malcolm 1923- Abstract Expressionist ceramics. J. Coplans. V:3, 34-41 N66 il: grey, black and brown pot x i Gal (LJ), group. JR. II:3, 17 Se63 McCLANAHAN, Preston 1933- x Wise Gal (NY), group. R. Pincus-Witten. phot VI:4, 55-6 D67 il: "Mirage" (plastic, fluorescent tube) McCLELLAN, Douglas 1921- x PavGal, "Three painters - three points of view." B. Howell. II:4, 46 O63 x Scripps. HJW. II:1, 51 Jy63 il: "Tiger emerging" [As author] Letter. V:6, 4 F67 (see E. Hicks) Reviews: Los Angeles. I:4, 6-18 Se62; I:6, 40-52 [N]62; I:7, 17-20 [D]62; I:8, 10-18 + 42 F63; I:9, 46-53 Mr63; I:10, 41-52 Ap63; I:11, 43-53 My63; I:12, 14-18 Je63; II:1, 43-52 Jy63 Sculpture. II:12, 69-74 Su64 il (pt col): see O. Andrews, G. Baker, Cremean, Gerowitz, J. Gill, Hamrol, Kuntz, J. Mason, M. Mullen, K. Price, Treiman, Zajac McCLOUD, Mrs. James Letter. I:11, 2 My63 (see Latin America: recent art) McCLURE, Michael 1932- Film. II:1, 54-5 Jy63 MacCONELL, Rob x Herald Gal (SF), group. M. Mann. IV:4, 58 D65 MACCOY, Guy x LA Printmaking Soc (LA), group. AM. II:7, 45 Ja64 x PavCAA. CS. IV:3, 44 N65 McCRACKEN, Bruce x UCSD. M. Hagberg. IV:5, 48 Ja66 McCRACKEN, John 1934- American sculpture at the Los Angeles County Museum of Art. P. Leider. V:10, 6-11 Su67 phot: "Three David Smiths, four lamp-posts with wings, one McCracken; Kenneth Snelson emerging" Art and objecthood. M. Fried. V:10, 12-23 Su67 il: "Red plank" (plywood, fiberglass, lacquer) 5 Los Angeles sculptors at Irvine. J. Coplans. IV:6, 33-7 F66 il: "Yellow pyramid" (col), "Blue post and lintel" (both plywood, fiberglass, epoxy paint) Notes on sculpture. R. Morris. IV:6, 42-4 F66 il: "Yellow pyramid" (auto-positive) Notes on sculpture, part 3. R. Morris. V:10, 24-9 Su67 il: untitled (lacquer and polyurethane) x Gugg, "Guggenheim international exhibition, 1967." R. Pincus-Witten. VI:4, 55 D67 x MAGLA, "Sculpture, Los Angeles 1965." NM. IV:3, 10 N65 il: "Northumberland" (painted wood) x MoMA, "Art of the real." P. Leider. VII:1, 65 Se68 x PasAM, "Paris Biennale artists." J. Livingston. VI:7, 65 Mr68 x SFMA, group. J. Monte. IV:4, 48 D65 x WMAA, "Sculpture and print annual." D, Adrian. V:7, 55-6 Mr67 x Wilder Gal (LA). J. Livingston.VI:1, 63 Se67 il: "Two planks" (plywood and fiberglass) adv, il: [no title given]. IV:9, 11 My66 McCRACKEN, Philip 1928- x Capitol Mus (Olympia, Wash.), "First annual Governor’s invitational art show." A. Rocchia. II:9, 53 Mr64 x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 x SeAM, "Northwest annual." C. Bullitt. I:8, 50-3 F63 McCRAY, James 1912- x SFMA, "The construction as an object of illusion." PL. I:5, 40 [O]62 il: untitled McCUE, Gerald, and Associates, architects x SFMA, "Arts of San Francisco." Anonymous. I:3, 43 Ag62 McDARRAH, Fred W. bk The artist’s world in pictures. Review by P. Leider. I:1, 43-4 Je62 MacDONALD-WRIGHT, Stanton 1890- A succession of visitors. G. Nordland. II:12, 64-8 Su64 il: "Synchromy in purple" x Raboff Gal (LA), group. HTH. I:4, 16 Se62 x SFMA, "Synchromism and related American painting." P.D. French. VII:2, 71-2 O68 McFARLAND, Thomas x Customhouse Gal (LA). FAD. II:10, 49 Ap64 McGARRELL, James 1930- Fifty California artists. R. Bogat. I:7, 23-6 [D]62 Figurative. F.A. Danieli. II:12, 53-8 Su64 il: "Metronome" x Frumkin Gal (NY). D. Adrian. V:6, 57-9 F67 il: "Currents" x Perls Gal (LA), group. CP. I:4, 12 Se62 x Perls Gal (LA). DF. I:8, 18 F63 Reply. M. Blankfort. I:10, 2 Ap63 x Perls Gal (LA), "Graphics." JH. I:9, 48-51 Mr63 x Perls Gal (LA), group. RGW. I:11, 44-7 My63 x SFMA, "Recent painting, USA: the figure." PL, II:4, 11 O63 il: "Auslesen" McGEE, Norma x SwC. M. Hagberg. IV:8, 58 Ap66 McGLAUGHLIN, Gerald 1925- From a work journal of flying sculpture. C. Frazier. V:10, 88-92 Su67 il: "Water fountain" (built in collaboration with [C. Frazier]) McGOWIN, Ed x Henri Gal (Wash., D.C.), group. B. Rose. VI:3, 57 N67 il: untitled (vacuum form plastic) McGRAW, Patricia Letter. II:1, 2 Jy63 (see P. Leider & J. Coplans) MACHLIN, Sheldon 1918- x Bolles Gal (SF), w P. Godfrey. EMP. II:1, 16 Jy63 McILLHENNEY, Henry P., collection x CalPal. FM. I:3, 38 Ag62 McINTOSH, Harrison x PasAM. CP. I:10, 51-2 Ap63 il: vase, compote and bottle McINTYRE, Reed 1927- Reed McIntyre. II:2, 43 Ag63 il: "Harlem function" (stoneware) x SFAI, "Eight sculptors." HG. II:1, 8 Jy63 il: "Wind" (cast bronze) x SFMA, "The molten image." EMP. I:3, 35 Ag62 il (p 37): "Object from an excavation" (bronze) MACK, Heinz 1931- Kinetic sculpture at Berkeley. P. Leider. IV:9, 40-5 My66 il: "Moving light line" (m/m) Sculpture’s vanishing base. J. W. Burnham. VI:3, 47-55 N67 MACK, Richard bk The widening stream..., [w] photographs by W. Bullock. Review by M. Mann. IV:10, 63 Je66 MACK, Rose Mary x PhoenAM, "Fourth Arizona annual." H. Wood. I:1, 13 Je62 McKAY, Arthur F. Canada’s Arthur McKay: a retrospective in Saskatchewan. T. Fenton. VII:4, 38-41 D68 il: "Epic theme" (1960), "Image of time" (1961), "Mandala" (1962), "The edge" (1961), "Mandala #1" (1967)(col), "Enigma" (1963), "Image of antiquity" Looking at Canadian art. T. Fenton. VII:1, 55-60 Se68 il: "Effulgent image" (1961) McKAY, David x CalPal, w T. Polos. JM. II:3, 53 Se63 McKENZIE, Richard x Burr Gal (LA), group. AS. I:5, 16 [O]62 il: "Celebration" McKINNEY, Velm x RichAC, "Painting, drawing - 63." JCM. II:8, 43 F64 McLARTY, William James (Jack) 1919- x Fountain Gal (Portland), group. P. Burnham. I:5, 16 [O]62 x PorAM. A. Rocchia. II:5, 52 N63 McLAUGHLIN, John 1898- Formal art. J. Coplans. II:12, 42-6 Su64 il: "#12-1962" John McLaughlin, Hard Edge, and American painting. J.Coplans. II:7, 28-31 Ja64 il: "#12-1963" (col, cover), "#9-1961" (col), untitled oil (col), untitled lithograph, "26-1961", "#4-1961", "#12-1961", untitled lithograph, "#10- 1962" Reply. W. Hopps. II:9, 4 Mr64 West Coast art: three images. P. Leider & J. Coplans. I:12, 21-5 Je66 x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 il: "#12, 1961" x LagBAA, "Five hard-edge painters." CS. IV:4, 56 D65 x Landau Gal (LA). CP. II:4, 41 O63 il (p 42): untitled lithograph x Landau Gal (LA). FAD. IV:9, 14 My66 il: "1-1966" x Lytton, "The search." E. Kurzen. V:4, 60 D66 x PavGal, "California Hard-Edge painting." CW. II:11, 14 My64 x Robles Gal (LA), "Southern California original Hard Edge painters." DF. III:9, 12 Je65 il: untitled oil x USC, "New dimensions in lithography." BH. III:4, 44 Ja65 McLEAN, Richard x Berkeley Gal (Berk), group. JCM. II:8, 45 F64 x Berkeley Ga [ (Berk), w K. Moss. EMP. II:10, 13 Ap64 il: "Run-run" x Berkeley Gal (Berk), w R. Bechtle. E.M. Polley. III:8, 47 My65 x Berkeley Gal (SF). K. Stiles. V:4, 66 D66 il: "Ayrshires II" x RichAC, "Twelfth annual oil and sculpture." BB. I:8, 45 F63 il: "Offering" x RichAC, group. JCM. II:3, 49-50 Se63 x SFAI, "East Bay realists." J. Monte. V:2, 56-7 O66 il: "Mr. and Mrs. Arthur Vincent on their way to Biarritz for spring and summer" McLEAN, Robert x Berkeley Gal (Berk), w C. Gill. JCM. II:3, 46-9 Se63 x Mills, "From the Berkeley Gallery." JCM. II:6, 50-2 D63 x RichAC, "Print-sculpture annual." JCM. II:5, 47 N63 McLEARY, Kindred 1901-ca. 1953 New Deal murals in New York. F.V. O’Connor. VII:3, 41-9 N68 il: "Lower East Side" (1939) MACLEOD, Grover x Quill Gal (SF). JM. I:7, 49 [D]62 McMENAMIN, James Reviews: Los Angeles. I:8, 18-20 F63; I:10, 50-2 Ap63; I:11, 53 My63; I:12, 14-18 Je63 McMILLAN, Jerry x PasAM. F.A. Danieli. V:7, 62 Mr67 il: "Bag" (photograph) McMILLAN, Putnam Dana, collection x SBMA. HVB. II:8, 10-12 F64 il: see Kokoschka McNEIL, George x Wise Gal (NY). B. Rose. VI:3, 58-9 N67 il: "Secret" adv, il: [no title given]. VI:1, 8 Se67 McNUTT, Mary Lee x Evans Gal (LA). FAD. II:9, 17 Mr64 il: "Morning" (watercolor) MACOUILLARD, Louis x Maxwell Gal (SF), group. EMP. II:1, 12 Jy63 il: "Samoan Gothic" McPHEE, Carol x Stuart Gal (LA), "Exquisite torsi." NM. III:7, 10 Ap65 x Stuart Gal (LA), "The new breed." WW. III:8, 16 My65 McPHERSON, James x Hollis Gal (SF), w J. O’Connor. JM. I:11, 16 My63 McQUILLEN, Melissa Letter. VI:5, 5-6 Ja68 (see S. Tillim) McWILLIAM, Frederick Edward x Landau Gal (LA). CP. I:11, 50 My63 il: "Icon" (bronze) MADDOX, Jay x Barnes Gal (LA), group. F. Danieli. VII:2, 68 O68 MA DENA, José x Elson-Robyns Gal (LA), group. ME. II:10, 52 Ap64 MADIGAN, E. M. Letter. IV:8, 4 Ap66 (see W. Berman, H. Stevenson, F. Gallo) MAFFEI, Joan 1937- x Ceeje Gal (LA). DM. I:7, 18 [D]62 il: "Still life with Tippy" x Ceeje Gal (LA), "Ten sculptors." FAD. II:4, 41 O63 il: "Man in boat" (wood)[2 views] x Ceeje Gal (LA), "Drawing show." BS. II:11, 14-16 My64 x Ceeje Gal (LA). HJW. III:7, 12 Ap65 il (p 15): "Portrait of Carlo" x LBMA, group. CS. IV:7, 17 Mr66 MAGALHAES, Aloisio 1927- x SFMA, "New art of Brazil." F. Martin. I:5, 46-9 [O]62 il: "Image 3" MAGAR, Anthony Anthony Magar, Forrest Myers at Dwan. D. Factor. V:4, 54-5 D66 phot: installation view il: "For Liz" (painted steel) x Park Place (NY), "Invitational show." L. R. Lippard. II:11, 53 My64 x Park Place (NY), w D. Fleming. D. Adrian. IV:7, 52 Mr66 phot: installation view x WMAA, "Sculpture and print annual." D. Adrian. V:7, 55-6 Mr67 MAGDALEN Mary, Sister Contributors [biographical note]. por I:3, 44 Ag62 Without reservation. phot I:3, 22 Ag62 MAGILL, Ami x Artcetera Gal (SF). JCM. II:7, 15 Ja64 MAGLOFF, Joanna C. x Lanyon Gal (Palo Alto), w A. Acton. JM. II:10, 11 Ap64 il: "Departure" [As author] Peter Voulkos. il II:2, 29 Ag63 Reviews: San Francisco. I:10, 11 Ap63; I:11, 10-18 My63; I:12, 44-54 Je63; II:1, 11-16 Jy63; II:3, 45-53 Se63; II:5, 47-52 N63; II:6, 50-4 D63; II:7, 9-15 Ja64; II:8, 43-6 F64 Sidney Gordin. il II:2, 40 Ag63 Three California artists: Keith Boyle, Robert McChesney, Tom Holland. J.C. Magloff (Boyle, Holland) and A. Temko (McChesney). il (pt col) II:5, 38-40 N63 MAGNASCO, Alessandro x Maxwell Gal (SF), group. PDF. II:5, 48 N63 il: "Two monks" MAGRITTE, Rene [Rene François Ghislain] 1898-1967 Breton’s Surrealism. A. Michelson. V:1, 72-7 Se66 il: "Hegel’s vacation", "La chambre d’ècoute" The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Les sens propre" (gouache and collage) René Magritte. S. Gablik. IV:4, 30-3 D65 il: "The plagiarism" (col, cover), "Exterior view", "Interior view", "View from above and below", "Seated personage", [drawing, no title given], "The Arch of Triumph" (col), "Preliminary sketches for ‘State of grace’", "State of grace", "The anger of the gods", "Song of the storm", "The rape" Surrealism as art. S. Tillim. V:1, 66-71 Se66 il: "L’empire des lumières" Reply (correction). G. de Menil. V:5, 4 Ja67 Surrealist painting re-examined. M. Kozloff. V:1, 5-9 Se66 il: "The wind and the song" This is not René Magritte. R. Shattuck. por V:1, 32-5 Se66 il: Magritte, "This is not a derrick" (drawing), "The human condition, I", "The human condition", "The promenades of Euclid", "The false mirror", "Rape", "Les mots et les images" [4 sheets], "Personal values", "Blank signature"; page from "Dictionnaire petit Larousse" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "Threatening weather", "The acrobat’s ideas" x Evans Gal (LA), "Surrealists." JH. I:11, 47 My63 il: "Les idées claires" repr, il: untitled drawing. IV:5, 60 Ja66 adv, il: ["The rape"]. V:3, 67 N66; V:4, 69 D66 adv, il: [no title given](col). V:8, rear cover Ap67; V:9, rear cover My67; V:10, rear cover Su67 MAIER-AICHEN, Hans x Marina City (Chi), "New horizons in sculpture. " W. Halstead. VI:2, 63-4 O67 il: "Pillar" (enamelled masonite) MAILER, Norman 1923- Angel-hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 MAILLOL, Aristide 1861-1944 The sculpture of Matisse, part II: old problems and new possibilities. A. Elsen. VII:2, 22-33 O68 il: "Méditeranée" (in plaster, as exhibited in 1905) The sculpture of Matisse, part III: primitivism, partial figures and portraits. A. Elsen. VII:3, 26-35 N68 il: "Ile de France" (bronze, 1910) x Feigen/Palmer Gal (LA), w M. Chagall. EK. IV:3, 13 N65 il: "Smiling together" (from ‘Daphne [sic] & Chloe’, woodcut) adv, il: "La baigneuse" (bronze). IV:1, 2a Se65 MAINE bk Maine and its role in American art, ed. by G. A. Mellon and E. F. Wilder. Review by P. Leider. II:3, 57 Se63 MAJDRAKOFF, Ivan 1927- x Arleigh Gal (SF), group. J. Monte. III:7, 44 Ap65 il: "Road sign" x Cellini Gal (SF), group. PDF. II:10, 13-15 Ap64 MAJOROWICZ, Roger L. 1931- x Feingarten Gal (LA). JH. I:9, 53 Mr63 il: "Royal couple" (olive woodcarving) MAKANNA, Philip x Dilexi Gal (SF). J. Monte. IV:10, 20 Je66 il: "Big white" (lacquer, aluminum, steel) x Dilexi Gal (SF), w F. Williams. P.D. French. VI:4, 65-6 D67 x SFMA, " [SFAI] 84th annual." K. Stiles. IV:2, 42-3 O65 MAKOVIC, Tina x World House (NY), group. D. Adrian. IV:5, 56-7 Ja66 MALCOLMSON, Harry Sculpture in Canada. VI:2, 40-2 O67 il: see I. Baxter, Bladen, Blazeje, M. Cooke, L. Levine, Molinari, R. Murray, Willar Reply. G. Molinari. VI:6, 4 F68 MALEVICH, Kazimir Severinovich 1878 -1935 A confusion in Buffalo. M. Kozloff. VI:9, 50-3 My68 il: "Suprematist composition" The Constructivist ethos: Russia 1913-1932 (part I). R. Hunt. VI:1, 23-9 Se67 il: "The guardsman" The Constructivist ethos: Russia 1913-1932 (part II). R. Hunt. VI:2, 26-32 O67 phot: "Lying in state of Kasimir Malevich" il: "Architektoniki" The trouble with Russian painting. R. Pincus-Witten. VI:1, 47-50 Se67 il: "Dancing couple" x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 MALKINE, Georges 1901- The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Shape and silhouette" (oil on cardboard) MALLARY, Robert 1917- An interview with Robert Mallary. N. Robb. II:7, 37-9 Ja64 il: "Le Marseillaise" (polyester), untitled polyester x SFMA, "Sculpture for São Paulo." KS. III:1, 44 Se64 adv, por II:4, 5 O63 MALLORY, Margaret, collection x SBMA, w A. Story collection. H. von Breton. IV:7, 18 Mr66 MALOTT, James x Bolles Gal (SF), group. EMP. I:7, 46-8 [D]62 MALYVINE, Filip A. The trouble with Russian painting. R. Pincus-Witten. VI:1, 47-50 Se67 il: "Girls" MANCINI, John x Locke Gal (SF). PDF. II:10, 18 Ap64 Reply. J. Mancini. III:1, 4 + 57 Se64 x Nut Tree Gal (SF). EMP. III:6, 48 Mr65 il: "Urban landscape #3" MANDELBAUM, Ellen Dada, Surrealism and their heritage: 3. Surrealist composition: surprise syntax. VI:9, 32-5 My68 il: [drawing of] thigh bones of mice; see also Bellmer, J. Bennett, Breton and others, Calder, Dali, Giacometti, Mesens, Miró, (see P. Leider & I. Sandler for other sections) MANET, Edouard 1832-1883 Filthy pictures. B. Rose. III:8, 20-5 My65 il: "Luncheon on the grass" Manet in Philadelphia. C. Greenberg. V:5, 22-6 Ja67 il: "Asparagus", "Young woman reclining in Spanish costume" (watercolor), "The escape of Rochefort", "Gypsy with a cigarette", "The Kearsage at anchor in Boulogne Harbor", " Madame Manet", "Marguerite de Conflans", "Théodore Duret", "Portrait of the painter Guillaudin on horseback", "The reader", "The ragpicker," "Blue Venice" Muse and ego. M. Cope. II:4, 32-5 O63 il: "Still life" The re-hanging of the Met’s 19th-century galleries. G. Laderman. VI:6, 33-5 F68 MANGOLD, Robert 1937- "Systemic" painting. R. Pincus-Witten. V:3, 42-5 N66 il: "Gray-orange curved area" (oil on wood, 2 panels) x Fischbach Gal (NY). R. Pincus-Witten. VI:5, 59 Ja68 phot: installation view xThibautGal (NY). L. R. Lippard. II:9, 18-19 Mr64 il: "Orange side" adv, il: [no title given]. IV:2, 50 O65 MANN, Margery Books. III:1, 53-4 Se64; IV:10, 60-3 Je66 Letter. I:10, 2 Ap63 (see C. Mattox) Photography. il II:1, 56 Jy63; II:3, 60 Se63; II:4, 51 O63; II:5, 53 N63; II:6, 54-6 D63; II:8, 47 F64; II:9, 54 Mr64; II:10, 53 Ap64; II:11, 20 My64; III:1, 50-1 Se64; III:3, 52-4 D64; III:4, 50 Ja65; III:5, 43-4 F65; III:6, 50 Mr65; III:7, 48-9 Ap65; III:9, 46-7 Je65; IV:2, 47-8 O65; IV:4, 57-8 D65; IV:5, 59 Ja66; IV:7, 58 Mr66; IV:8, 59 Ap66; IV:9, 58 My66; IV:10, 59 Je66; V:3, 61 N66; V:4, 67 D66; V:7, 67-9 Mr67; VI:2, 67-70 O67; VI:8, 72-3 Ap68; VI:10, 74 Su68 Reply (to II:3). W. Jackson. II:5, 60 N63 Reply (to II:4). B. Katz. II:6, 2 D63 Reply (to II:11). M. Mann. III:1, 4 Se64 Reply (to III:1). F. D. Siemens. III:4, 4 Ja65 Note (correction to III:1). III:4, 4 Ja65 Reply (to IV:2). N. E. Matthews. IV:6, 4 F66 [As photographer] x UCD. M. Mann. II:6, 56 D63 MANNERISM x Pomona, "Mannerist art." ET. II:8, 9-10 F64 il: see Bellange, Fiorentino, Parmigianino, Pontormo bk Mannerism, by A. Hauser. Review by H. Wohl. IV:10, 60-3 Je66 MANNO, John 1922- x i Gal (LJ), group. II:3, 17 Se63 MANSO, Leo 1914- x Fried Gal (NY). E. Wasserman. VI:9, 63-4 My68 il: "OM" MANTZ, Ree x Ruthermore Gal (SF). JC. I:3, 40 Ag62 MANZU, Giacomo 1908- x Landau Gal (LA), group. DF. II:7, 43 Ja64 il: "Cardinal" (bronze) x Rosenberg (NY). D. Adrian. IV:6, 52 F66 il: "Death by violence I" (bronze) MARCA-RELLI, Conrad 1913- x Marlborough-Gerson (NY), group. E. Wasserman. VI:2, 57 O67 x WMAA. E. Wasserman. VI:4, 59-60 D67 il: "Reclining figure" (painted canvas collage), "Pamplona" (oil and canvas collage) MARCKS, Gerhardt 1889- x UCLA, "Drawings by sculptors." AS. I:6, 42-4 [N]62 MARCUS, Irving E. 1929- x Belmonte Gal (Sac), group. EMP. I:11, 16 My63 x Candy Store Gal (Folsom), group. E.M. Polley. IV:8, 56 Ap66 MARDEN, Brice 1938- x Bykert Gal (NY). E. Wasserman. VI:7, 57-8 Mr68 il: "For Otis Redding" (oil & wax on canvas) MARECAK, Edward x The Barn (SFe), group. J. Hugo. I:6, 20 [N]62 MAREY, Etienne Jules 1830-1904 Imagery and illusion. J. Kline. I:5, 24-9 [O]62 il: [chronophotographs] The serial attitude. M. Bochner. VI:4, 28-33 D67 il: strip of film of a running dog MARGOLIS, Howard 1927- x Berkeley Gal (Berk), group. JCM. I:12, 45-6 Je63 x Berkeley Gal (Berk), group. JCM. II:8, 45 F64 x Berkeley Gal (Berk), w G. McCauley. EMP. II:9, 51 Mr64 MARIESCHI, Michele 1696-1743 x Sabersky Gal (LA), "Venice yesterday and today." RGW. I:11, 47 My63 il (p 49): "Grand Canal" (etching) MARIN, John 1870-1953 Gothic parallels. S. Tillim. V:5, 15-19 Ja67 How to murder an avant-garde. B. Rose. IV:3, 30-5 N65 il: "Manhattan" (watercolor) Letter. S. Reich. II:4, 2 O63 Marin - Wyeth - Hopper: three major retrospectives at the University of Arizona. S. Reich. I:11, 37-40 My63 il: "Alpine district, New Jersey" (watercolor)(col), "Taos Canyon, New Mexico" (watercolor), "Region, Weehawken, New Jersey" (oil) x LJMA, w M. Hartley. M. Hagberg. IV:8, 18 + 58 Ap66 il: "Boat and sea in greys" MARIN, Sutter 1926- x Artists’ Co-op (SF), group. J. Coplans. I:1, 41 Je62 MARINA, Miguel x Bear Gal (SB). HVB. II:1, 48 Jy63 MARINI, Marino 1901- adv, il: "Due cavalieri". IV:7, 5 Mr66 MARINO, Jane Klein Paragraphs on conceptual art. S. LeWitt. V:10, 79-83 Su67 il: untitled drawing MARIONI, Thomas adv, por IV:9, 58 My66 MARISOL [Marisol Escobar] 1930- x SFMA, "Americans 1963." JM. III:1, 43-4 Se64 il: "Mona Lisa" x Stable Gal (NY). L. R. Lippard. II:11, 54 My64 il (p 52): "Baby girl" MARK, David x Artists’ Co-op (SF), w P. Bowler. JM. II:3, 53 Se63 x Pantechnicon (SF). HG. I:12, 54 Je63 x Pantechnicon (SF). JC. II:1, 16 Jy63 MARKS, Henny x Emerson Gal (Encino), group. FAD. IV:4, 56 D65 MARKS, Robert Fay x CSCLA, "Plastics, L.A." J. Livingston. VI:9, 65-6 My68 MARLEY, Wallace C. x LBMA, "The character of Korea." CS. IV:3, 44 N65 MARMER, Nancy Matisse and the strategy of decoration. il (pt col) IV:7, 28-33 Mr66 A memorial exhibition: David Smith. il IV:5, 42-5 Ja66 Reviews: Los Angeles. III:2, 11-20 N64; III:3, 11-16 + 45 D64; III:4, 11-18 Ja65; III:5, 39-40 F65; III:6, 12-14 Mr65; III:7, 10 Ap65; III:8, 12-14 My65; III:9, 9-11 Je65; IV:2, 10-11 O65; IV:3, 10-12 N65; IV:4, 13-14 D65 MARQUESTE, Laurent-Honoré 1848-1920 The sculpture of Matisse, part II: old problems and new possibilities. A. Elsen. VII:2, 22-33 O68 il: "Galatea" (1884) MARQUIS, Robert B. Architecture. I:3, 42 Ag62 MARSH, John x Triangle Gal (SF), group. HG. I:12, 54 Je63 MARSH, Reginald 1898-1954 The Fleischman collection. W. E. Steadman, Jr. II:9, 36-9 Mr64 il: "Eyes tested" (Chinese ink with watercolor wash) New Deal murals in New York. F.V. O’Connor. VII:3, 41-9 N68 il: mural panel in dome of New York Custom House (fresco, 1937) x FAGSD, "20th century realists." M. Hagberg. IV:8, 17-18 Ap66 il (p 58): "Old pier" (ink & wash) MARSICANO, Nicholas 1914- x CalPal, "Fifth annual Hallmark international awards." FM. I:4, 44 Se62 il (p 46): "The dream" x MAGLA, "Fifth international Hallmark art award exhibition." AS. I:5, 11 [O]62 il: "The dream" MARTIN, Agnes Agnes Martin: recent paintings. A. Michelson. V:5, 46-7 Ja67 il: "The lake", "The feast", "Pilgrimage" "Systemic" painting. R. Pincus-Witten. V:3, 42-5 N66 il: "The city" x SFMA, "Directions - American painting." JM. II:5, 43-4 N63 x SFMA, "Art - an environment for faith." J. Monte. IV:6, 48-9 F66 x Wilder Gal (LA). SRS. IV:6, 15 F66 il: "Leaf" x Wilder Gal (LA). J. Livingston. VI:4, 62 D67 il: "The journey" (acrylic, pencil on canvas) MARTIN, Anthony x Batman Gal (SF). JC. I:6, 19 [N]62 MARTIN, Etienne 1913- Art since 1950: international. [SeWF]. I:4, 28 Se62 il: "Lanleff" x Lefebre Gal (NY). D. Adrian. IV:6, 55 F66 il: "Tête aux mains" MARTIN, Fletcher 1904 The thirties revived. E. Stevens. IV:10, 43-7 Je66 il: "Mine rescue" (study for unexecuted mural) MARTIN, Fred 1927- Angel-hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 il: "Home and highway", "Market and pain" (both collage) "Making it" with funk. J. Monte. V:10, 56-9 Su67 x Dilexi Gal (LA), group. RGW. I:10, 48 Ap63 x Dilexi Gal (SF). J. Monte. V:9, 69 My67 x Lanyon Gal (Palo Alto). EMP. III:2, 52 N64 il: [no title given] x RichAC, "11th annual exhibition, watercolors and graphics." EMP. I:6, 18 [N]62 x SFMA, "The construction as an object of illusion." PL. I:5, 40 [O]62 x SFMA, group. EMP. I:6, 14 [N]62 phot: [installation view] x SFMA, group. JC. I:9, 11-12 Mr63 il: "Art" (mixed media) [As author] Art and power, esthetics and history, and the August exhibitions at the San Francisco Museum of Art. il I:5, 46-9 [O]62 (article includes reply by G. Culler w rejoinder by F. Martin) Reply. A.A. Sanders. I:7, 2 [D]62 Reviews: San Francisco. I:3, 34-40 Ag62; I:4, 44 Se62; I:5, 46-9 [O]62 MARTIN, Fred, & de Forest, Roy Letter. I:7, 2 [D]62 (see Assemblage) MARTIN, John 1758-1854 Romantic art in England. J. Lanes. VI:10, 27-31 Su68 il: "The seventh plague of Egypt" MARTIN, Keith x SBMA, w C. Suares. JM. I:10, 50-1 Ap63 il: untitled collage MARTIN, M. Reviews: San Francisco. III:2, 46-50 N64 MARTIN, Tony x SFMA, "Arts of San Francisco: theatre for walkers, touchers, watchers and listeners." EMP. I:4, 47 Se62 MARTINEZ, Alfredo Ramos 1872-1946 x Hatfield Gal, w J. Chinas. SCS. I:8, 42 F63 MARTINEZ, Heron x ACLJ, "Mexican folk art." DY. II:1, 52-3 Jy63 il: "Nacimento" (Acatlan, Puebla) MARTINEZ, Jesus A. x LAAA, "Art now." WW. III:6, 52 Mr65 MARTOS, Mr. & Mrs. Dominic Letter. II:1, 2 Jy63 (see S. Rodia) MARY, Sister Magdalen see Magdalen Mary, Sister MARY Corita, Sister [Corita Kent, 1918-] x Comara Gal (LA). DM. I:6, 48 [N]62 il: "The Holy" x LagBAA. HJW. III:3, 45 D64 il: "Peache bread" (serigraph) x Roberts Gal (Encino). FAD. IV:6, 18 F66 MARYAN [pseud of Pinchas Burstein] 1927- x Frumkin Gal (NY). D. Adrian. V:5, 58-9 Ja67 il: "Personage after Vermeer" x Stuart Gal (LA). NM. III:3, 16 D64 il (p 18): "Personage #4" adv, il: "Personage". III:5, 7 F65 MASON, Alden 1919- x Capitol Mus (Olympia, Wash.), "First annual Governor’s invitational art show." A. Rocchia. II:9, 53 Mr64 il: "A table of symbols" x Woodside Gal (SF), w L. Feito. J. Monte. IV:5, 52 Ja66 adv, il: "Guardian of the white bee". III:9, 6 Je65 MASON, John 1927- Abstract Expressionist ceramics. J. Coplans. V:3, 34-41 N66 il: "Plaque" (stoneware)(col), grey and brown stoneware vase, "Raku pot" (earthenware) John Mason. II:2, 33 Ag63 il: "Cross form #2" (ceramic) John Mason, ceramic sculptor. P. M. Laporte. I:8, 34-5 F63 il: "Palm Springs spa" (ceramic), "Doors for Sterling Holloway residence" (ceramic), "Doors for Sterling Holloway residence" (rear view), "Bath house, Fred Lyman residence" (ceramic), "Detail (back wall and ceramic spout) from Fred Lyman residence" Sculpture. D. McClellan. II:12, 69-74 Su64 il: untitled sculpture (fired clay) Sculpture in California. J. Coplans. II:2, 3-6 Ag63 West Coast art: three images. P. Leider & J. Coplans. I:12, 21-5 Je66 x ACLJ, "Fourth annual of California painting and sculpture." JR. II:7, 43 Ja64 x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 x Ferus Gal (LA). CP. I:12, 14 Je63 il: "Triple crown form" x i Gal (LJ), group. JR. II:3, 17 Se63 x LACMA. J. Wechsler. V:6, 65 F67 il: untitled, untitled (both ceramic) x LBMA, "Arts of Southern California, XII: sculpture." VS. I:7, 9 [D]62 il: untitled (ceramic) x UCLA, "The artist’s environment: West Coast." HTH. I:10, 42 Ap63 il: untitled (ceramic) MASON, Roy x Cowie Wilshire Gal (LA), group. CP. I:12, 17 Je63 MASSEY, James Two showings of younger Los Angeles artists. F.A. Danieli. V:2, 24-6 O66 il: "Strikly" MASSON, André 1896- Dada, Surrealism and their heritage: 1. A beautiful exhibition. P. Leider. VI:9, 22-3 My68 il: "The villagers" (oil & sand on canvas) Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. por VI:9, 24-31 My68 il: "Bison on the brink of a chasm" (ink) The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Chevalier" (automatic drawing, pen and ink) Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67 il: "Le château hanté", "Multiplication" (ink) Surrealist painting re-examined. M. Kozloff. V:1, 5-9 Se66 il: "Battle of fishes" (m/m on canvas) Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "Automatic drawing" (ink on paper), "Woman", "Meditation on an oak leaf" (tempera, pastel, sand on canvas) x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 MAST, Joe x CalPal, group. EMP. I:12, 46-9 Je63 MASTER of the Sullen Stare x UCSB, "The Francis Minturn Sedgwick collection." DG. I:6, 39-41 [N]62 il: "Portrait of a gentleman" MATHENY, Robert 1929- x LJMA. M. Hagberg. IV:3, 44 N65 MATISSE, Henri 1869-1954 Gothic parallels. S. Tillim. V:5, 15-19 Ja67 Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67 il: "Bathers by a river (woman at a spring)" Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67 il: "La perruche et la sirène" Man: glory, jest and riddle, part III. J. Coplans & P. Leider. III:4, 30-3 Ja65 il: "La musique" (col, cover), "Woman with the hat" Reply (correction). G. M. Smith. III:7, 4 Ap65 Matisse and the strategy of decoration. N. Marmer. IV:7, 28-33 Mr66 il: "Interior with black fern" (col, cover), "Seated blue nude III" (gouache decoupée), "Still life with self-portrait", "The open window, Collioure", "The blue window", "Tiari (with necklace)" (bronze), "The dream" (col), "Nude in studio" (pen and ink), "The pink nude", "Checker game and piano music", "White plumes", "lnterior" (Chinese ink), "Oranges", "Snow flowers" (gouache decoupée) The sculpture of Matisse, part I: a new expressiveness in sculpture. A. Elsen. VII:1, 20-9 Se68 phot by H. Purrmann: Matisse in his studio with "The serf", ca. 1908 il: copy after Barye’s "Jaguar devouring a hare" (1899-1901), copy after Puget’s "Ecorché" (1903), "Study of a foot" (1900), "The serf" [6 views and details](1900-03); see also: Barye, Bourdelle, Puget, Rodin The sculpture of Matisse, part II: old problems and new possibilities. A. Elsen. VII:2, 22-33 O68 il: "Madeleine #1" (1901), "Madeleine II" (1903), "Young girl" [2 views](1906), "Standing nude with arms raised" (1906), "Reclining figure with chemise" (1906), "Reclining nude" (1907), "Woman leaning on her hands" (1905), "Figure with a cushion" (1918), "Seated nude with arms over her head" (1908), "Olga" (1910), "Decorative figure" (1908), "Serpentine" (1909), "Seated nude" (1922-25), "Nude in an armchair" (1924), "Venus in a shell" (ca. 1930), "Venus in a shell" (1932), "Standing nude (Katia)" (1950)(all preceding bronze); "Carmelina" (painting, 1903); see also Becquet, A. Boucher, Bourdelle, Dalou, Degas, Delaplanche, Franceschi, Gérome, Idrac, Maillol, Marqueste, Pradier, and Greece, ancient The sculpture of Matisse, part III: primitivism, partial figures and portraits. A. Elsen. VII:3, 26-35 N68 il: "Two negresses" [2 views](1908), "Venus" (1918), "Small torso (crouching nude)" (1908, 1928), "Seated nude, arms behind her back" (1909), "Torso without arms or head" (1909), "Crouching nude" (1906), "Torso with head (la vie)" (1906), "Small crouching nude without an arm" (1908?), "Little torso" (ca. 1929), "Head of a young girl" (1906), "Head of a child" (1905 or 1906), "Head of a young girl with upswept hair" (1906), "Small head", "Head of a young girl with necklace" (1907), "Jeannette I" (1910), "Jeanette II" (1910-11), "Jeanette III" (1910-11?), "Jeanette IV" (1911?), "Jeanette V" (1911?), "Buste ancien" (1900), "Henriette I" (1925), "Henriette II" (1927), "Henriette III" (1929), "Tiari" (1930)(all preceding bronze); "Self portrait" (oil on canvas, 1906); see also Brancusi, Duchamp-Villon, Maillol, Picasso The sculpture of Matisse, part IV: the backs and monumental decorative sculpture. A. Elsen. VII:4, 24-32 D68 phot: "The altar at Vence" with "The Crucifixion" il: "Back IV" (1930)(col, cover), "Small bas relief, standing nude" (1908), "Back I" (1909), "Back I" (right hand, detail), "Back II" (right hand, detail), "Back III" (right hand, detail), "Back IV" (right hand, detail), "Back I" (side view), "Back II" (1913), "Back III" (1916-17), "Back IV" (1930), "Back III" (side view), "The Crucifixion" (1950)(all preceding bronze); "Study of a model’s back" (pen & ink, ca. 1910), "Bather" (oil on canvas, 1909), "Bathers by a river" (oil on canvas, 1916/17); see also Bartholomé, Dalou, Michelangelo, Rouault Showpiece. C. Skinner. III:2, 39 N64 il: "Bouquet" x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 il: "Odalisque with Moorish chair" (ink) x SFMA. J. Coplans. I:1, 39 Je62 il (p 40): "Seated blue nude" Reply. H. Petit. I:3, 2 Ag62 x UCLA, "Mr. and Mrs. Gifford Phillips collection." DF. I:8, 14 F63 il: "Nu debout" adv, il: "Femme assise devant la fenêtre". IV:1, 1 Se65 adv, il: "Still life: flowers" (ink). VI:7, 20 Mr68 MATISSE, Paul 1933- x Wise Gal (NY), group. R. Pincus-Witten. phot VI:4, 55-6 D67 MATSYS, Quentin 1465-1530 The Los Angeles County Museum of Art. R. F. Brown. II:12, 20-2 Su64 il: "Madonna in adoration" MATTA ECHAURREN, Roberto Sebastián Antonio 1912- Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. por VI:9, 24-31 My68 il: "Paysage flammifère" (crayon & pencil on paper) An interview with Matta. M. Kozloff. IV:1, 23-6 Se65 il: "The hanged one", "Le vertige d’Eros", untitled oil on canvas, "Automate" Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67 il: "Being with" Matta’s "cube" in Minneapolis. S. Simon. V:7, 40-2 Mr67 il: "Diagram, Le Honni Aveuglant", "Le fond (Le Honni Aveuglant)", "Le Honni Aveuglant", "Grimall" (detail from "L’heure de la verité") Surrealism as art. S. Tillim. V:1, 66-71 Se66 il: "Listen to living" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "Rain", "Vertigo of Eros" x Feigen-Palmer Gal (LA), group. NM. III:8, 14 My65 x Perls Gal (LA). JLH. II:1, 44 Jy63 il: "Automatic" adv, il: [no title given]. II:10, 7 Ap64 adv, il: "Genocide". VI:5, 20 Ja68 adv, il: "Le lit du printemps". VI:6, 7 F68 MATTHEW, Neil E. Letter. IV:6, 4 F66 (see A. Sinsabaugh) MATTHEWS, Richard A. Two showings of younger Los Angeles artists. F.A. Danieli. V:2, 24-6 O66 il: "O.A." (bronze, stainless steel, walnut, acrylic) MATTHIASDOTTIR, Louisa x Schoelkopf Gal (NY), "Figurative painting of the fifties." G. Laderman. VI:5, 57 Ja68 il: "Young girl with book" MATTOX, Charles 1910- American sculpture at the Los Angeles County Museum of Art. P. Leider. V:10, 6-11 Su67 il: "Tom tom series #3" (painted fiberglass) Charles Mattox. II:2, 21 Ag63 il: "2 x 4 / ironer = Y" Charles Mattox: three machines. J [ohn] C [oplans]. I:7, 32-3 [D]62 il: "Rotating color fields #4", "Switcher-bitcher", "Double twister" Reply. M. Mann. I:10, 2 Ap63 Kinetic sculpture at Berkeley. P. Leider. IV:9, 40-5 My66 il: "Rotating pentagonal shapes" (motorized fiberglas & metal) New work by Charles Mattox. IV:6, 38-9 F66 il: "Oscillator #5", "Orbiting rotating ball", "Act of love" [3 views], "Blue seven" [2 views] Polychrome sculpture. J. Monte. III:2, 40-3 N64 il: "Untitled kinetic sculpture" Sculpture in California. J. Coplans. II:2, 3-6 Ag63 x Lanyon Gal (Palo Alto), group. JM. II:4, 16 O63 x Lanyon Gal (Palo Alto), group. JCM. II:7, 11 Ja64 x Lanyon Gal (Palo Alto). KS. III:5, 10 F65 il: "Red rotor and eye" x Quay Gal (SF). P.D. French. VI:6, 57 F68 il: "Cat’s cradle" x SFAI, "The edge. JM. II:11, 46 My64 x SFMA. EM. I:10, 11 Ap63 phot: [installation view] adv, il: "Moiré effect". II:5, 4 N63 adv, il: [no title given]. V:9, 70 My67 MAURER, Alfred Henry 1868-1932 x PorAM, "American painting and sculpture, 19th and 20th century." A. Rocchia. I:10, 19-20 Ap63 il: "George Washington" adv, il: [no title given]. VI:5, 19 Ja68 MAURER, Oscar x OM. M. Mann. III:7, 49 Ap65 il: "Ruins" MAWBY, Anthea x Jonson Gal (Albuquerque, N.M.). J. Oppenheimer. I:7, 51 [D]62 MAYAKOVSKY, Vladimir Vladimirovich 1893-1930 The Constructivist ethos: Russia 1913-1932 (part I). R. Hunt. VI:l, 23-9 Se67 il: poster for ROSTA (detail) The Constructivist ethos: Russia 1913-1932 (part II). R. Hunt. VI:2, 26-32 O67 MAYO, Williamson 1913- x Maxwell Gal (SF), w F. de Erdely. PDF. II:10, 15 Ap64 adv, il: "Sunday in Tahiti". II:8, 8 F64 MAYTORENA, Jesus Serna x CrAG, group. EMP. II:6, 52 D63 MAZUR, Michael adv, il: [no title given]. VII:4, 14 D68 MEADOR, Joshua x Gal de Tours (SF). PDF. II:5, 52 N63 il (p 50): "Mendocino coast" x Gal de Tours (LA), group. BH. III:5, 42 F65 MEADOWS, Bernard 1915- British art today. J. Coplans. I:7, 27-31 [D]62 il: "Standing armed figure" (bronze) MEATYARD, Ralph Eugene 1925- x de Young, Contemporary photographs from the George Eastman House collection 1900-1964." M. Mann. IV:5, 59 Ja66 il: "Romance from Ambrose Bierce #3" (photo) MECKSEPER, Friedrich 1936- x Locke Gal (SF), w M. Avati. KS. III:2, 52 N64 MEDALS The Morgenroth collection of medals and plaquettes. A. Moir. il II:10, 28:31 Ap64 MEDVEDEV, Igor 1931- x Quay Gal (SF), w J. Clark, J. Monte. IV:5, 52 Ja66 MEEKER. Dean Jackson 1920- x Maxwell Gal (SF), w P.A.Konty. EMP. I:11, 16 My63 il: "Daedalus" (intaglio) x PasAM. DM. I:6, 52 [N]62 MEFFERD, Boyd 1941- x Nelson Gal, Kansas City, MO, "Magic theater." J. Livingston. VII: 1, 66-7 Se68 il: "Strobe-lighed floor" adv, il: electronics. VI:1, 14 & 15 Se67 adv, il: [no title given]. VI:3, 10 N67 adv, il: [no title giveni. VI:9, 9 My68 MEHRING, Howard 1931- Post Painterly Abstraction. J. Coplans. II:12, 4-9 Su64 il: "Double red" adv, il: [no title given]. VI:8, 14 Ap68 MEINKE, Mary x Hollis Gal (SF), w M. Fong. JM. I:10, 17 Ap63 MEISEL, Alan x Barrios Gal (Sac), group. EMP. II:4, 16 O63 MELCHERT, James 1930- Abstract Expressionist ceramics. J. Coplans. V:3, 34-41 N66 il: silver glazed pot, "Leg pot" James Melchert. II:2, 35 Ag63 il: "Plate" (clay, iron, epoxy) The 1963 Paris Biennale. H. B. Chipp. II:2, 7-10 Ag63 il: "Door F" (clay, wood, lead) Sculpture in California. J. Coplans. II:2, 3-6 Ag63 Sculpture steals the show in the 83rd annual. J. Monte. II:11, 22-4 My64 il: "God shelf" (mixed media) x Berkeley Gal (Berk), "Thirty sculptors." JCM. II:3, 46-9 Se63 x Hansen Gal (SF), w J. Grant. PDF. III:3, 48 O64 il: "Red and yellow jar" (fired clay) x Hansen Gal (SF), "Casting show," J. Monte. IV:10, 49 Je66 il: "The game" (m/m) x Reed College (Portland), "California ceramic sculpture." D. K. Hall. V:8, 68 Ap67 il: "May 3, 1943" (ceramic) x RichAC, "Twelfth annual oil and sculpture." BB. I:8,45 F63 il: "Untitled" (clay and lead) x SFAI, "Work in clay by six artists." JC. I:8, 46 F63 x StanU, "California Craftsmen’s Council exhibit." JCM. II:7, 13-15 Ja64 adv, por VI:7, 7 Mr68 MELENDY, Antonio x Melendy Gal (LA). FAD. III:3, 45 O64 MELIES, George 1861-1938 Breton’s Surrealism. A. Michelson. V:1, 72-7 Se66 phot: set for "Voyage à travers l’impossible" MELLON, Gertrude A., and Wilder, Elizabeth F,. editors bk Maine and its role in American art. Review by P. Leider. II:3, 57 Se63 MELLOW, James Robert 1926- hk The best in ARTS: ARTS yearbook 6, ed. by J. R. Mellow. Review by P. Leider. I:8, 55 F63 MEMLING, Hans 1430?-1495 The Fine Arts Gallery of San Diego. W. Beach, II:12, 33 Su64 il: "Young man with folded hands" MENDELOWITZ, Daniel Marcus 1905- x Maxwell Gal (SF), w L. Talbot. EMP. I:8, 50 F63 x StanU. JM. I:10, 17 Ap63 MENDJISKY, Serge x Plaisir de France (LA). BH. III:3, 45 D64 MENIL, George de Letter (correction). V:5, 4 Ja67 (see R. Magritte) MEO, Yvonne Cole x Le Dilettante (LA). MB. IV:3, 14 + 43 N65 MEREDITH, James x FAGSD, "All-California exhibition." M. Hagberg. IV:9, 18 My66 MERIDA, Carlos b.l891 adv, il: [no title given]. IV:5, 6 Ja66 MERKIN, Richard Marshall 1938- adv, por VI:7, 7 Mr68 MERRIFIELD, Edward x Feingarten Gal (LA), group. E. Kurzen. V:3, 62 N66 il: "International Icon" MERRILD, Knud 1894-1954 Abstract Expressionism. H. T. Hopkins. II:12, 59-63 Su64 x LACMA. FAD. IV:6, 14-15 F66 il: "Decay anti resurrection" (oil flux on canvas mounted on composition board) MERRILL, Emerald x Emerson Gal (LA). FAD. IV:9, 17 My66 MERRITT. G. H. x Labaudt Gal (SF), w R. Kan. HG. I:12, 53 Je63 il: "Periptery #1" MERTENS, Stella 1896 x Gal Scott-Faure (LJ). M. Hagberg. IV:3, 44 N65 MESCHES, Arnold 1923- x Ankrum Gal (LA), group. MB. IV:3, 12 N65 x Perls Gal (LA), group. RGW. I:11, 44-7 My63 x PhoenAM, "Of time and the image." H. von Breton, III:1, 48-9 Se64 x StaMonAG. HJW. III:7, 12 Ap65 il: untitled oil x Westside Jewish Community Center (LA), "Californians collect Californians," JH. I:12, 16 Je63 il: "Man listening to music" adv, il: [no title given](col). II:9, rear cover Mr64 adv, il: "#38, June 6, 1968". VII:3, 17 N68 MESENS, F, L. T. 1903- Dada, Surrealism and their heritage: 3. Surrealist composition: surprise syntax. E. Mandelbaum. VI:9, 32-5 My68 il: "Les caves du Vatican" (m/m) Surrealist painting re-examined, M. Kozloff. V:1, 5-9 Se66 il: "L’invasion" (collage) METAL casting Casting in the Bay Area. J.A.Pugliese. phot II:2, 11-14 Ag63 Sculpture in California. J. Coplans. il II:2, 3-6 Ag63 x Hansen Gal (SF), "Casting show." J. Monte. il IV:10,49 Je66 see also: Sculpture, San Francisco, recent METALWORK x CalPal, "Metal arts guild." EMP. I:7, 45-6 [D]62 adv, il: [chalice]. V:3, 7 N66 see also: Armor, Japanese Brasses, English Bronzes, ancient Bronzes, Chinese Ireland Jewelry Medals Metal casting METROPOLITAN Museum of Art. New York The re-hanging of the Met’s 19th-century galleries. G. Laderman. il VI:6, 33-5 F68 Tiepolo acquisitions at the Met. S. Tillim. il V:4, 48-9 D66 METSU, Gabriel l629?-1667 The age of Rembrandt. P.D. French. V:5, 40-5 Ja67 il: "Woman playing the viola da gamba" METZINGER, Jean 1883-1956 adv, il: "Cat". II:12, 86 Su64 METZKER, Ray K. 1931- x MoMA. F. Wasserman. VI:5, 67 Ja68 il: untitled MEXICO Masterworks of Mexican art: modern. C. Wolfe. il II:6, 36 D63 see also: Folk art, Mexican Pre-Coluinbian art MEXICO: recent art x KPFK Gal (LA), group. EK. IV:8, 16-17 Ap66 x Zora Gal (LA), "Nueva Presencia." JH. I:8, 20 + 41 F63 x Zora Cal (LA), "Nueva Presencia drawings." FAD. il II:6, 12 D63 see also: Mexico City: reviews MEXICO CITY: reviews Reviews: Mexico City. T. Joysmith. I:2, 14 Jy62; I:5, 18 [O]62 MEYER, Charles 1940- Charles Meyer. II:2, 22 Ag63 il: "Untitled" MEYER, Nan x Herbert/Palmer Gal (LA). E. Kurzen. V:6, 65 F67 il: "#7" (acrylic on vinyl) MEYERHOLD, Vsevolod Emilievich b.l874 The Constructivist ethos: Russia 1913-1932 (part I). R. Hunt. VI:1, 23-9 Se67 phot: scene from "The magnificent cuckold", scene from "Tarelkin’s death" MEZA, Guillermo 1917- In memoriam: MacKinley Helm. H. von Breton. II:1, 55 Jy63 il: "MacKinley Helm" x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 il: "Giantess" (pen and ink) MICHAELIS, Cecil x Gump’s Gal (SF), group. EMP. I:5, 45 [O]62 MICHAUX, Henri 1899- 10 x 10: "concrete reasonableness." A. Michelson. V:5, 30-1 Ja67 MICHEL, Karl Jugendstil Expressionism in German posters. P.D. French. IV:6. 27-32 F66 il: "Faust" (col) MICHELANGELO, derived from The Morgenroth collection of medals and plaquettes. A. Moir. II:10, 28-31 Ap64 il: "Deposition from the Cross" (bronze)
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MICHELSON, Annette Agnes Martin: recent paintings. il V:5, 46-7 Ja67 Books. phot VI:10, 67-71 Su68 Breton’s Surrealism. il phot V:1, 72-7 Se66 (see A. Breton for main entry) New York. il phot VI:9, 54-8 My68 Correction. VI:10, 4 Su68 10 x 10: "concrete reasonableness". V:5, 30-1 Ja67 phot: installation view, "10 x 10", Dwan Gal (NY) il: see Andre, R. Morris, Smithson MIETH, Hansell x SFMA, "Arts of the Bay Area: photography." JC. I:5, 42 [O]62 MIKAMI, Takahiko x Galaxy Gal (Phoenix). M. Miller. I:10, 20 Ap63 x Winblad Gal (SF). KS, III:5, 14 F65 MIKI, Tomio 1937- Japan. Y. Tono. V:5, 53-5 Ja67 phot: set for Teshigahara’s film, "Another’s face" [2 views] il: "Ear with cane" (m/m). "Ear #120", "Ear" x Matsuya Dept. Store (Tokyo), "From ‘space’ to ‘environment’," Y. Tono. V:8, 71-4 Ap67 MIKKELSEN, Alden x Barrios Gal (Sac), group. EMP. I:12, 54 Je63 MILKOWSKI, Antoni 1935- Distillation: a joint showing. E. C. Goossen. V:3, 31-3 N66 il: "Little Salem #I" (steel) adv, il: [no title given]. V:9, 11 My67 adv, il + por: [no title given]. VI:9, 12 My68 MILLAIS, Sir John Everett 1829-1896 Romantic art in England. J. Lanes. VI:10, 27-31 Su68 il: "The rescue" MILLARD, Charles W. Hicks/Kane/Pippin. il V:7, 43-5 Mr67 MILLER, Barse I904- x LagBAA, group. IED. II:1, 52 Jy63 MILLER, Henry 1891- Are we going anywhere? por II:1, 27-30 Jy63 il: untitled watercolor, "The hat and the man" (col), "Val’s birthday gift" (col), "Clown", untitled watercolor, untitled watercolor, "Really the blues" (col), "Banjo self portrait" (col) (all watercolor) x PhoenAM, "Of time and the image." H. von Breton. III:1, 48-9 Se64 MILLER, Kenneth Hayes 1876-1952 x Marlborough-Gerson (NY), "The New York painter." B. Rose. VI:3, 57-8 N67 il: "The shopper" MILLER, Marlan Reviews: Arizona. pt il I:10, 20 Ap63; II:1, 16 Jy63; II:7, 16 Ja64 Winslow Homer, Yankee painter. il (pt col) II:5, 21-4 N63 Reply (correction). W. L. Steadman, Jr. II:6, 2 D63 MILLER, Richard A. 1922- Richard A. Miller: "primary" realist. S. Tillim. V:10, 47-50 Su67 il: "Sandy sitting" (plaster for bronze), "Two torsos: four views" (graphite on hydrocal), "Only the dead know Brooklyn" (canvas & plaster), "Rome" (plaster), "Three girls sitting" (bronze), "Various figures", "Mary: walking sequence" (bronze), "Quintet of self" (graphite on hydrocal) MILLER, Wayne x Focus Gal (SF). M. Mann. VI:8, 73 Ap68 MILLET, Jean François 1814-1875 Barbizon revisited. J. Isaacson. I:6, 32-6 [N]62 il: "Man with a hoe" MILLHAUSER, Edgar x Hobbs Gal (SF). JC. I:6, 19 [N]62 MILLICK, Jack 1924- x SFAI, "Natural and supernatural." KS. III:5, 12 F65 il: "The Maharaja of Mysore" MILLIER, Arthur x Ankrum Gal (LA). ME. II:7, 47 Ja64 il: "High noon" (etching) [As author] Dalzell Hatfield (1884-1963). por II:3, 59 Se63 Letter. III:1, 57 Se64 (see F. de Erdely) Reviews: Los Angeles. II:7, 45 Ja64 MILLS, Paul Chadbourne 1924- David Park. il (col) I:2, 36 Jy62 The new Oakland Museum. J. M. Brown & P. Mills. III:3, 26-30 D64 il: see Oakland Museum for complete list MILLS, P’lla x LAAA, "The human figure." CP. I:10, 51 Ap63 MILNER, Frank 1917- x Quay Gal (SF). JM. II:10, 18 Ap64 adv, il: [no title given]. II:8, 48 F64 MINEI, Franco x Ryder Gal (LA). MB. III:7, 14 Ap65 MINIMAL art Anti form. R. Morris. il VI:8, 33-5 Ap68 Art and objecthood. M. Fried. il (pt col) phot V:10, 12-23 Su67 Entropy and the new monuments. R. Smithson. phot il IV:10, 26-31 Je66 Notes on sculpture. R. Morris. il IV:6, 42-4 F66 Notes on sculpture, part 2. R. Morris. il V:2, 20-3 O66 Notes on sculpture, part 3. R. Morris. il V:10, 24-9 Su67 Paragraphs on conceptual art. S. LeWitt. il phot V:10, 79-83 Su67 Present-day art and ready-made styles. D. Bannard. il phot V:4, 30-5 D66 Scale and the future of modernism. S. Tillim. il VI:2, 14-18 O67 The shape of the art environment. A. Kaprow. il phot VI:10, 32-3 Su68 Systems esthetics. J. Burnham. il phot VII:1, 30-5 Se68 10 x 10: "concrete reasonableness". A. Michelson. il phot V:5, 30-1 Ja67 Toward the development of an air terminal site. R. Smithson. il phot plan V:10, 36-40 Su67 The value of didactic art. B. Rose. il phot V:8, 32-6 Ap67 x Dwan Gal (NY), "Scale models and drawings." R. Pincus-Witten. V:7, 52 Mr67 x Feigen Gal (NY), "Macrostructures." A. Goldin. il V:8, 59-60 Ap67 see also: Earth art MINOMURA, Yoshio adv, por V:4, 10 D66 MINSCHEW, William x Comara Gal (LA). E. Kurzen. V:4, 60 D66 il: "Mariner IV/3 phase" (silk screen on plexiglass w illumination) MIRO, Joan 1893- Dada, Surrealism and their heritage: 1. A beautiful exhibition. P. Leider. VI:9, 22-3 My68 il: "Landscape with rooster" (oil on burlap) Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. por VI:9, 24-31 My68 il: "Animated forms" Dada, Surrealism and their heritage: 3. Surrealist composition: surprise syntax. E. Mandelbaum. VI:9, 32-5 My68 il: "Composition" (m/m) The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Animated landscape" Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67 il: "The harlequin’s carnival", "The poetess" (gouache on paper) Jackson Pollock and the modern tradition, part IV. W. Rubin. V:9, 28-33 My67 il: "The birth of the world" Man: glory, jest and riddle, part III. J. Coplans & P. Leider. III:4, 30-3 Ja65 il: "Portrait of a lady in 1820" Surrealism as art. S. Tillim. V:1, 66-71 Se66 il: "Bleu II", "Dutch interior" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "Nude", "The harlequin’s carnival", "Tilled field", "The poetess" (gouache on paper) x AIC, "Sculpture: a generation of innovation." W. Halstead. VI:2, 64-6 O67 x Acosta Gal (LA), group. JP. I:12, 13 Je63 il: "Magie" (watercolor & gouache) x CalPal, "Contemporary French tapestry." J. Monte. IV:6, 47 F66 il: "Spanish dancer" (hand-woven tapestry) x Kantor Gal (LA), "Two sketchbooks by Joan Miró." AS. I:5, 8-9 [O]62 il: [drawing, no title given](cover), [six drawings, no titles given] x MAGLA, "Los Angeles businessmen collect art - Rembrandt to Picasso." GN. I:2, 12 Jy62 il: "Little girl in the woods" x P. N. Matisse (LA). WW. IV:2, 13 O65 x Perls Gal (LA), group. SNH. III:8, 12 My65 x Silagy Gal (LA), group. EK. IV:9, 17 My66 il: untitled gouache bk Creation Miró, by Y. Taillandier. Review by P. Leider. II:3, 57 Se63 adv, il: "Nude". I:5, 5 [O]62 adv, il: "La Chevelure défaite à la fuite des Constellations". III:8, 7 My65 adv, il: "Petite fille dans les étoiles". VI:3, 6 N67 adv, il: color lithograph. VI:8, 74 Ap68 MISCHO, Ivan x Ravinia Festival (Chi), group. W. Halstead. VII:2, 69 O68 il: "Stax" (acrylic on wood, free standing) MITCHELL, Joan 1926- The second generation. B. Rose. IV:1, 53-63 Se65 il: "Memory of an island", "October island" x Jackson Gal (NY). M. Kozloff. VI:10, 50 Su68 il: "Chamrousse" x Mills. JCM. I:11, 18 My63 il: untitled photograph x SFMA, "Directions - American painting. " JM. II:5, 43-4 N63 il: "The green book of Barbara Guest" adv, il: "River I" (col). VI:8, rear cover Ap68 MITSUDA, Reiko x Hale Gal (LA), "Eight from Japan." BH. II:11, 16 My64 MIX, Walter x Comara Gal (LA). RGW. I:8, 17 F63 MIYAMOTO, Musashi 1584-1645 Art treasures from Japan. K. von Meier. IV:4, 37-40 D65 il: "Hotei watching a cockfight" (ink on paper) MIYASAKI, George Joji 1935- x CalPal, group. EMP. II:4, 11-12 O63 x Kantor Gal (LA), group. DM. I:4, 12-15 Se62 x Lanyon Gal (Palo Alto). JCM. II:1, 11 Jy63 il: "June passed" x Lanyon Gal (Palo Alto), group. EMP. II:8, 45 F64 x RichAC, "11th annual exhibition, watercolors and graphics." EMP. I:6, 18 [N]62 x SFMA, "Arts of San Francisco: prints." EMP. I:4, 47 Se62 x Stuart Gal (LA), group. MB. IV:3, 12-13 N65 adv, il: "Red circle". I:11, 9 My63 adv, il: [no title given](col). II:10, 3 Ap64 MIYASHIRO, Ron Assemblage. D. Factor. II:12, 38-41 Su64 il: "Concord #12" MIZDAL, Richard Letter. VI:9, 4 My68 (see D. Flavin) MIZUKAMI, Seiho x Hale Gal (LA), "Eight from Japan." BH. II:11, 16 My64 "MODERNO" (unknown Italian artist) The Morgenroth collection of medals and plaquettes. A. Moir. II:10, 28-31 Ap64 il: "Hercules wrestling the Nemean lion" (bronze) MODIGLIANI, Amedeo 1884-1920 The Ludington collection. G. Nordland. II:10, 34-7 Ap64 il: "Woman’s head" x PC, "Masters of modern Italian art." A. Hudson. VI:7, 60-1 Mr68 il: "Portrait of Frank Haviland" (oil on cardboard) x Pomona + Scripps, "Portraits from the Museum of Modern Art." DM. I:11, 43-4 My63 bk Modigliani the sculptor, by A. Werner. Review by P. Leider. II:3, 57 Se63 adv, il: "Portrait of Morgan Russell". III:5, 48 F65 adv, il: "Femme au chignon", "Standing nude". VI:3, 6 N67 MODI-VITALE, Lydia adv, il: "Still life with doves." II:6, 8 D63 MODZELEVICH, Efraim x Ryder Gal (LA). GN. I:2, 10 Jy62 x Ryder Gal (LA). SCS. I:8, 44 F63 adv, il: [no title given]. I:1, 3 Je62 MOESLE, Robert x Cable Car Gal (SF). JM. I:5, 45 [O]62 x Gal de Silva (SB). JM. I:12, 18 Je63 x Gal de Silva (SB). HVB. II:9, 15 Mr64 x Gal de Silva (SB). HVB. IV:3, 14 N65 il: "Oh, say can you see" x Horse’s Mouth (Saratoga). A. Bloomfield. I:1,41 Je62 MOFFITT, John F. Letter. VI:10, 4 Su68 (see D. Flavin) MOGENSEN, Paul 1941- Paragraphs on conceptual art. S. LeWitt. V:10, 79-83 Su67 il: "Copperopolis" x Bykert Gal (NY). E. Wasserman. VI:9, 61-2 My68 il: no title (red gold leaf acrylic lacquer on masonite) MOHRBUTTER, Alfred Jugendstil Expressionism in German posters. P.D. French. IV:6, 27-32 F66 il: "Krefeld art exhibition" MOIR, Alfred Kummer 1924- The drawing collection at the Santa Barbara Museum. il I:12, 35-7 Je63 The Morgenroth collection of medals and plaquettes. il II:10, 28-31 Ap64 MOKADY, Shlomo x Heller Gal (LA), group. AS. I:2, 8-10 Jy62 il: "Figure" MOLINARI, Guido 1933- Sculpture in Canada. H. Malcolmson. VI:2, 40-2 O67 il: "Homage to Samuel Beckett" (m/m) Reply. G. Molinari. VI:6, 4 F68 adv, il: "Minimal paintings of 1956". V:9, 5 My67 MOLLA adv, il: [no title given]. II:3, 11 Se63 MONDRIAN, Pieter Cornelis 1872-1944 Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. por VI:9, 24-31 My68 The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66 il: "Composition in blue and yellow" Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67 il: "Composition 7", "Pier and ocean" (crayon, pencil, wash) The Los Angeles County Museum of Art. R. F. Brown. II:12, 20-2 Su64 il: "Composition in white, red & yellow" The many colorations of black and white. M. Kozloff. II:8, 22-5 F64 Mondrian at Santa Barbara. J. Coplans. III:6, 28-31 Mr65 il: "Composition in pink, blue and white" (col, front cover), "Place de la Concorde" (col), "Church façade" (charcoal, paper), "Dunes I", "Farm near Duivendrecht", "Composition in gray", "Composition with blue" Serial imagery. J. Coplans. VII:2, 34-43 O68 il: "Haystacks" (1891)[3 paintings], "Haystacks" (ca. 1908)[3 paintings], "Farm at Duivendrecht" (ca. 1905-08)[4 paintings] Toward a critical framework. W. Rubin. V:l, 36-55 Se66 il: "Composition No.7" The visual revolution of Structurist art. C. Biederman. III:7, 34-8 Ap65 x UStTh, "Six painters." K. von Meier. V:9, 59-60 My67 il: "Composition" (charcoal on paper) MONET, Claude 1840-1926 Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67 il: "Nympheas" [installation view, Orangerie, Paris], "Hoar-frost" On frontality. R. E. Krauss. VI:9, 40-6 My68 Serial imagery. J. Coplans. VII:2, 34-43 O68 The visual revolution of Structurist art. C. Biederman. III:7, 34-8 Ap65 adv, il: "Le pont du chemin de fer à Argenteuil". I:12, 5 Je63 adv, il: "Argenteuil". III:2, 4 N64 MONROE, Marilyn 1926-1962 x S. Janis Gal (NY), "Homage to Marilyn." R. Pincus-Witten. VI:6, 48-9 F68 il: "Myself exercising" (watercolor) MONTANES, José x Orlando Gal (Encino). FAD. IV:3, 43-4 N65 MONTE, James 1937- New paintings by James Monte. E. Freeman. V:2, 52-3 O66 il: [no title given], untitled oil, untitled oil, untitled oil x Arleigh Gal (SF). K. Stiles. IV:2, 44 O65 il: untitled oil x de Young, "Phelan awards." PL. I:12, 45 Je63 il: "Redline" x Hobbs Gal (SF), group. EMP. II:5, 48 N63 x Quay Gal (SF), group. JCM. II:8, 46 F64 x SFMA, " [SFAI] 84th annual." K. Stiles. IV:2, 42-3 O65 [As author] Bengston in Los Angeles: the County Museum presents the artist’s first retrospective. il (pt col) VII:3, 36-40 N68 Jeremy Anderson retrospective at the San Francisco Museum. il V:6, 50-1 F67 "Making it" with funk. V:10, 56-9 Su67 il (pt col): "Funk show questionnaire"; see also Baden, Ballaine, Bitney, J. Brown, Geis, M. Henderson, R. Hudson, Linder, Wiley Polychrome sculpture: the San Francisco Art Institute "takes the temperature" of a new sculptural development. III:2, 40-3 N64 il: see Hellyer, R. B. Howard, Locks, Mattox, Moyer Reviews: Los Angeles. II:8, 12-16 F64 Reviews: San Francisco. I:3, 40 Ag62; I:5, 45 [O]62; I:6, 13-19 [N]62; I:7, 41-51 [D]62; I:8, 45-50 F63; I:9, 17-18 + 43-5 Mr63; I:10, 17 Ap63; I:11, 10-18 My63; I:12, 44-54 Je63; II:1, 7-8 Jy63; II:3, 49-53 Se63; II:4, 9-16 O63; II:5, 43-4 N63; II:6, 48-54 D63; II:7, 6-15 Ja64; II:9, 47-51 Mr64; II:10, 9-18 Ap64; II:11, 45-50 My64; III:1, 43-7 Se64; III:3, 46-8 D64; III:5, 9-12 F65; III:6, 44-6 Mr65 San Francisco. il III:7, 41-4 Ap65; III:8, 43-6 My65; III:9, 41-3 Je65; IV:3, 45-8 N65; IV:4, 47-50 D65; IV:5, 50-2 Ja66; IV:6, 47-9 F66; IV:7, 53-4 Mr66; IV:8, 53-5 Ap66; IV:9, 55-7 My66; IV:10, 19-20 + 49 Je66; V:2, 56-7 O66; V:3, 64-5 N66; V:6, 66-7 F67; V:8, 65-7 Ap67; V:9, 67-9 My67 Sculpture steals the show in the 83rd annual. II:11, 22-4 My64 il: see Acton, Conner, Glavin, R. Hudson, Locks, Melchert, Paris, D. Remington Three San Francisco artists: Bernice Bing, Lori Lawyer, Victor Moscoso. il II:1, 31-3 Je63 MONTE, James, and Coplans, John, jt artists adv, il: ["The conflict of harmony and invention, after Antonio Vivaldi"]. II:11, 9 My64 (see note, III:1, 57 Se64) MONTENEGRO, Enrique 1917- x Landau Gal (LA), group. HTH. I:4, 16 Se62 MONTENEGRO, Roberto x CrAG, group. EMP. II:6, 52 D63 il: "Jaguar" MOON, Courtenay x Robles Gal (LA). BH. III:1, 16-18 Se64 il: "Chair disintegrating" x Robles Gal (LA), w T. Bang. J. Livingston. VI:5, 61 Ja68 adv, il: "Chair disintegrating". II:12, 87 Su64 MOON, Jeremy 1934- Recent British painting at the Tate. K. Champa. VI:7, 33-7 Mr68 il: "Spring voyage" MOORE, Bob x Metz Gal (LA), w L. Hougotts. CP. II:3, 20 Se63 MOORE, Charles Architecture. D. Gebhard. III:8, 52-3 My65 phot: "Talbert house" il: "Talbert House" (plan) MOORE, Craig x Barrios Gal (Sac), group. EMP. I:11, 16 My63 MOORE, Dick x Art Unlimited (SF), group. EMP. I:7, 49 [D]62 MOORE, Henry 1898- Art since 1950: international. [SeWF]. I:4, 28 Se62 il: "Reclining figure III" British art today. J. Coplans. I:7, 27-31 [D]62 il: "Upright motif bone figure" (bronze) The La Jolla Museum of Art. D. J. Brewer. II:12, 32 Su64 phot: view of exhibition, "Henry Moore" Photographing a Henry Moore sculpture. III:1, 25-7 Se64 il: [24 photographs of "Three-part reclining figure" by] Arthur B. Abrams, S. R. Ackerman, Victor Berkowitz, Lawrence N. Bessel, George Dodge, Douglass E. Douglass, John D. Frost, Humberto Garcia, Franklin D. Halberg, Richard W. Husted, Julius Jortner [2 views], Milton B. Levine, Paul Odor, Frederick E. Pinney, Michael Porter, Terry Riback, Erwin E. Rodemsky, Earl Scott, Julius Shulman, Harvey Singer, Philip Twersky, David Weinstein, S. Windman x AIC, "Sculpture: a generation of innovation." W. Halstead. VI:2, 64-6 O67 x Landau Gal (LA), "Sculpture." CP. I:11, 44 My63 il: "Seated women" (in process of being uncrated) x Marlborough-Gerson Gal (NY), "The English eye." R. Pincus Witten. IV:6, 55 F66 x SBMA. HVB. II:5, 11-12 N63 il: "Girl seated against square wall" (bronze) phot: "View of Henry Moore exhibition (as installed at the La Jolla Art Center)" [2 views] x U Chicago. W. Halstead. VI:8, 67 Ap68 il: "Nuclear energy" (bronze) [3 views] adv, il: [no title given]. V:3, 17 N66 adv, il: "Two pieces no 7, pipe" (bronze, 1966). VII:1, 16 Se68 MOORE, Robert x Bednarz Gal (LA). EW. III:7, 14 Ap65 il (p 16): "Utmost simplicity" MOORE et al, architects New forms in architecture. J. Jacobus. IV:9, 35-9 My66 phot: "Sea Ranch Condominium" (interior) il: "Tabert House" (section) MORAN, Thomas 1837-1926 Gothic parallels. S. Tillim. V:5, 15-19 Ja67 il: "Giant Blue Spring, Yellowstone" (watercolor) x UCR. HJW. II:1, 48 Jy63 il: "Mountain of the Holy Cross, Colorado" Reply. R. G. Carrott. II:5, 2 N63 adv, il: "La Rita, New Mexico". VI:3, 16 N67 MORANDI, Giorgio 1890-1964 Morandi: a critical note and a memoir. S. Tillim. por VI:1, 42-6 Se67 il: "Landscape" (drawing), "Still life", "Landscape" (watercolor), "Italian landscape", "Still life", "Still life" x PC, "Masters of modern Italian art." A. Hudson. VI:7, 60-1 Mr68 il: "Still life", "Bottles and fruit dish" MORAY, S. E. Letter. I:11, 2 My63 (see Spain: recent art) MOREAU, Gustave 1826-1898 Muse and ego. M. Cope. II:4, 32-5 O63 il: "Salome dancing before Herod" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "The chimeras" MOREHOUSE, William 1929- Plastics West Coast. P.D. French. VI:5, 48-9 Ja68 phot: installation view, Hansen Gal (SF) x Bolles Gal (SF). PDF. II:5, 47-8 N63 il: "North" x CalPal, "Painters behind painters." P.D. French. VI:1, 67-9 Se67 x de Young, "Phelan awards." PL. I:12, 45 Je63 il: "#303 x Harbor Gal (Oak). EMP. III:6, 46-8 Mr65 MORELLET, François 1926- Beyond vertigo: Optical art at the Modern. B. Rose. III:7, 30-3 Ap65 il: "Screen painting" MORGENROTH, Sigmund, collection The Morgenroth collection of medals and plaquettes. A. Moir. II:10, 28-31 Ap64 il: unknown Venetian, "Fortuna riding a broken wheel"; see also Foppa; Giovanni; Guacialoti; Michelangelo, derived from; "Moderno"; Pasti MORISOT, Berthe 1841-1895 x Hatfield Gal (LA). JH. I:10, 48 Ap63 il: "Marthe Givaudan", "Study for girl among the tulips" MORLEY, Malcolm 1931- Sound, light and silence in Kansas City. R. Pincus-Witten. V:5, 51-2 Ja67 il: "S. S. Rotterdam" x Gugg, "The photographic image." R. Pincus-Witten. IV:7, 47 Mr66 il: "United States with skyline" (liquitex) adv, il: [no title given]. V:6, 10 F67 adv, il: "Regatta at Henley on Thames". VI:10, 14 Su68 MORREL, Marc x Graham Gal (NY), group. R. Pincus-Witten. IV:9, 54 My66 MORRIS, Carl 1911- x Feingarten Gal (LA). A. Secunda. I:1, 11 Je62 x Feingarten Gal (LA), group. JE. I:3, 12 Ag62 il: painting on rice paper x Feingarten Gal (SF), group. WH. I:4, 44-7 Se62 x Feingarten Gal (LA). RGW. II:6, 14 D63 il: "Migrant earth" x Feingarten Gal (LA), group. CO. III:7, 16 Ap65 x PorAM, w L. Bunce. P. Burnham. I:5, 16 [O]62 x PorAM, "Artist of Oregon annual exhibition." A. Rocchia. II:9, 53 Mr64 MORRIS, Hilda 1911- x Fountain Gal (Portland). N. A. Koch. I:2, 44 Jy62 MORRIS, Michael 1942- The Canada Council. D. P. Silcox. VI:2, 43-5 O67 il: "Plexus" x VAG. A. Balkind. VI:9, 70 My68 il: "The problem of nothing", "Footlight parade" (silkscreen) MORRIS, Richard Allen 1933- You’re still my hero, Richard. N. Baker. III:10, 1-9 Jy65 x ACLJ, "Fourth annual of California painting and sculpture." JR. II:7, 43 Ja64 x Art Works Gal (SD). A. Kietzmann. I:3, 42 Ag62 x LJMA. M. Hagberg. IV:3, 44 N65 x SDSC. A. Kietzmann. I:2, 46 Jy62 MORRIS, Robert Anti form. VI:8, 33-5 Ap68 il: untitled (254 pieces of grey felt), untitled (grey felt); see also Bollinger, Oldenburg, Paul, J. Pollock, Saret, Serra Reply, see A. Kaprow, "The shape of the art environment" Art and objecthood. M. Fried. V:10, 12-23 Su67 il: untitled (fiberglass), untitled (fiberglass, 8 sections) Earthworks and the new picturesque. S. Tillim. VII:4, 42-5 D68 il: "Earthwork" (m/m, 1968) Entropy and the new monuments. R. Smithson. IV:10, 26-31 Je66 il: untitled (lead) The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66 Looking at American sculpture. B. Rose. III:5, 29-3 6 F65 phot: installation view, Green Gal (NY), 1964 Notes on sculpture. IV:6, 42-4 F66 il: untitled sculpture (plywood), untitled drawing (ink on linen); see also Judd, J. McCracken Notes on sculpture, part 2. V:2, 20-3 O66 phot: see Andre, LeWitt il: untitled sculpture (fiberglass); see also Bernshouse, A. Smith Notes on sculpture, part 3: notes and nonsequiturs. V:10, 24-9 Su67 phot: see Flavin il: untitled (steel), untitled (fiberglass, 4 sections), untitled (fiberglass); see also Andre, L. Bell, Judd LeWitt, J. McCracken Reply. J. Baer. VI:1, 5-6 Se67 Reply (correction). D. Judd. VI:2, 4 O67 Paragraphs on conceptual art. S. LeWitt. V:10, 79-83 Su67 il: untitled (fiberglass), untitled (fiberglass, 4 sections) Present-day art and ready-made styles. D. Bannard. V:4, 30-5 D66 il: untitled (fiberglass) The shape of the art environment. A. Kaprow. VI:10, 32-3 Su68 il: untitled (254 pieces of grey felt) Systems esthetics. J. Burnham. VII:1, 30-5 Se68 phot: lakefill addition to Northwestern University campus il: drawing for "Earth project", Evanston, Illinois 10 x 10: "concrete reasonableness". A. Michelson. V:5, 30-1 Ja67 il: untitled (plywood) Towards the development of an air terminal site. R. Smithson. V:10, 36-40 Su67 il: model and cross-section for project in earth and sod (plaster) The value of didactic art. B. Rose. V:S, 32-6 Ap67 phot: plywood sculpture exhibition, Green Gal (NY), 1964 x Castelli Gal (NY). M. Kozloff. VI:10, 45 Su68 il: untitled (multicolored felt) x Dwan Gal (LA). DF. IV:9, 13 My66 il: untitled sculpture (fiberglass) x Dwan Gal (NY), group. R. Pincus-Witten. V:7, 52 Mr67 x Gugg, "Guggenheim international exhibition, 1967." R. Pincus Witten. VI:4, 55 D67 adv, il: [no title given]. IV:7, 12 Mr66 MORRIS, Ruby x Evans Gal (LA), group. DM. II:1, 52 Jy63 MORROW, Ken 1926- x Barrios Gal (Sac), group. EMP. I:10, 19 Ap63 MORSE, Samuel Finley Breese 1791-1872 The monuments of Passaic. R. Smithson. VI:4, 48-51 D67 il: "Allegorical landscape" MORSMAN, Ward x SFMA, w J. Barker. M. Mann. IV:2, 48 O65 MORTON, Burdette 1918- x Artists’ Co-op (SF), group. HG. I:12, 53 Je63 il: "Poet in landscape" MORTON, Douglas Looking at Canadian art. T. Fenton. VII:1, 55-60 Se68 il: "2 plus 2" (1966) MOSCOSO, Victor Three San Francisco artists: Bernice Bing, Lori Lawyer, Victor Moscoso. J. Monte. II:1, 31-3 My63 il: "Napa II", "Two conspirators with banjo", "Art thou virtuous" x Moore Gal (SF), "The joint show." P.D. French. VI:2, 60-1 O67 il: "The sparrow" (poster original) x Studio at 1458 Broadway (SF). PL. I:9, 15 Mr63 il: "Kafka’s men II" MOSER, Koloman Jugendstil Expressionism in German posters. P.D. French. IV:6, 27-32 F66 il: "Fifth Secession exhibition" MOSES, Edward Branco 1926- Assemblage. D. Factor. II:12, 38-41 Su64 Fifty California artists. R. Bogat. I:7, 23-6 [D]62 il: "Dr. Shirl and Mr. Chico" x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 x Ferus Gal (LA), group. FAD. III:1, 18 Se64 x Lytton, "Artist’s artists." J. Livingston. VI:2, 61-2 O67 MOSLEY, Aaron x CrAG, "Third biennial statewide crafts exhibition. " EMP. I:12, 50-3 Je63 il: four ceramic cups x RichAC, "Print-sculpture annual." MM. III:2, 46 N64 il (p 49): untitled sculpture (fiberglass & porcelain) MOSS, Irene adv, il: "Faces II". VII:3 24 N68 MOSS, Karla 1935- x Belmonte Gal (Sac), group. EMP. I:11, 16 My63 x Berkeley Gal (Berk), group. JCM. I:12, 45-6 Je63 il: "Very pink girl" x Berkeley Gal (Berk), w R. McLean. EMP. II:10, 13 Ap64 il: "Bird in my heart" MOSS, Melvin 1932- Melvin Moss. II:2, 20 Ag63 il: "Form two" (resinified plaster, hemp, wood) Polychrome sculpture. J. Monte. III:2, 40-3 N64 Three San Francisco sculptors: Arlo Acton, Robert Hudson, Melvin Moss. P. Leider. por III:1, 36-41 Se64 il: "Uccello I", "Malibu", "Lady baby", "Uccello II" (all polychromed wood and steel) x Berkeley Gal (Berk), "Thirty sculptors." JCM. II:3, 46-9 Se63 x Berkeley Gal (Berk), group. PDF. III:1, 44-6 Se64 x Bolles Gal (SF), w N. Sinton. AB. I:2, 43 Jy62 MOSSET, [Olivier? 1944-] adv, il: [no title given]. VII:4, inside rear cover D68 MOSTELLER, Mary see Volz, M., jt photographer MOTHERWELL, Robert 1915- An interview with Robert Motherwell. M. Kozloff. IV:1, 33-7 Se65 il: "A sculptor’s picture with blue", "Blue with China ink, homage to John Cage" (gouache and oil w collage on cardboard), "Elegy to the Spanish Republic XXXV B", "Jour la maison, nuit la rue" (col), "Pancho Villa, dead and alive" (gouache and oil w collage on cardboard), "At five in the afternoon", "The best toys are made of paper" (collage, m/m on cardboard) The many colorations of black and white. M. Kozloff. II:8, 22-5 F64 Motherwell: the echo of protest. S. Tillim. IV:4, 34-6 D65 il: "Little Spanish prison", "Western air", "Wall painting with stripes", "Irish elegy", "In brown and white" (collage), "Collage in yellow and white with torn elements" New York School: the first generation. P. Leider. IV:1, 3-13 Se65 x Dwan Gal (LA), group. AS. I:4, 8 Se62 x PasAM. A. Secunda. I:1, 7 Je62 il: "Two figures with cerulean blue stripe", "Je t’aime, IV" x SFMA. J. Monte. V:9, 67 My67 il: "In scarlet and black" x WMAA. E. Wasserman. VII:4, 59 D68 il: "In beige, with oval" (collage, 1968) MOUSE, Stanley, and Kelly, Alton, jt artists x Moore Gal (SF), "The joint show." P.D. French. VI:2, 60-1 O67 il: poster for Avalon Ballroom MOYER, Frances 1922- Polychrome sculpture. J. Monte. III:2, 40-3 N64 il: "Cabinet man" (mixed media) x Mills. JCM. I:12, 54 Je63 x RichAC, group. EMP. II:4, 12 O63 il: "Fracas" x SFAI, "Invention and tradition in contemporary sculpture." EMP. I:7, 42 [D]62 il: "Old time voyage" x Hollis Gal (SF), w P. Shoemaker. JM. I:9, 43 Mr63 il: "Lollipop tree" MOZESSON, Phiz x SFMA. M. Mann. II:5, 53 N63 il: photograph x SFMA, "Our San Francisco." M. Mann.III:4, 50 Ja65 MROUBO, Reltnee Letter. V:8, 7 Ap67 (see D. Novros) MUELLER, George 1929- Letter. J. Gaff. VI:7, 5 Mr 68 MUELLER, Stephen Letter. V:8, 7 Ap67 (see J. Pollock) MUENTER, Gabriele see Münter, Gabriele MUHL, Roger x Jefferson Gal (LJ), group. M. Hagberg. IV:3, 44 N65 il (p 43): "Paris l’Isle St. Louis" MUKAI, Shuji 1939- x Minami Gal (Tokyo). J. Yoshihara. II:3, 55 Se63 il: "Face and sign" (Gutai Theatre art,1962), untitled, 1963 MULGANNON, Janet Letter. II:11, 4 My64 (see L. Rivers) MULLEN, Michael 1937- Michael Mullen. II:2, 32 Ag63 il: untitled (polychromed fired clay) Sculpture. D. McClellan. II:12, 69-74 Su64 il: "Helmet" (terra cotta) MULLEN, Robert x Rivas Gal (LA). JH. I:12, 43 Je63 il: untitled sculpture adv, il: [no title given]. V:3, 14 N66 adv, il: bronze. VI:1, 10 Se67 MULLER, Jan x SFMA, "Colorists 1950-1965." J. Monte. IV:5, 50-1 Ja66 MULLER, Martin x Crash Gal (SF), w D. Sprinkling. JCM. II:3, 50 Se63 MULLER, Richard 1928- x Image Gal (Portland), group. P. Burnham. I:5, 16 [O]62 il: "One lake" x PorAM, "Artist of Oregon annual exhibition." A. Rocchia. II:9, 53 Mr64 MULLICAN, Lee 1919- The Phillips collection - Diebenkorn, Woelffer, Mullican: a discussion. F. Wight. I:10, 23-8 Ap63 il: "Medicine mesa", "Meditations of leaves in a pond" x Kantor Gal (LA), group. DM. I:4, 12-15 Se62 x MAGLA, "Tenth all city art festival." JH. I:3, 5-6 Ag62 il: "Icarus" x MtStM. JC. III:3, 14 D64 il: "Peaceable kingdom" x Rabow Gal (SF). JM. I:7, 46 [D]62 il: untitled x Rabow Gal (SF), group. PF. II:1, 8-11 Jy63 x SFMA. KS. III:6, 43-4 Mr65 il: "Earth rhythms", "California flying" MULTIPLE-ORIGINALS Three-dimensional prints and the retreat from originality. M. Kozloff. il IV:4, 25-7 D65 x SFMA, "Multiple editions." J. Monte. IV:6, 47-8 F66 phot: [installation view] adv, il: "7 objects in a box". V:4, 12 D66 adv, il: "Stamped indelibly" (portfolio). VI:4, 8 D67 see also: Banners Posters Prints MUNAKATA, Shiko 1903- The art of Shiko Munakata. V. Allen. II:9, 34-5 Mr64 il: "Homage to Shokei Kiln" (colored woodcut), "Buddha and the linden tree" (colored woodcut), "Badminton" (woodcut) MUNARI, Bruno 1907- adv, por V:1, 90 Se66 MUNCH, Edvard 1863-1944 The dilemma of Expressionism. M. Kozloff. III:2, 32-5 N64 il: "Girl under apple tree" Edvard Munch: the limits of content. L. Nochlin. IV:5, 34-8 Ja66 il: "Evening on Karl Johan Street, Oslo" (col), "Between clock and bed" (self-portrait)(col), "The kiss", "Death of Marat", "Village street, Elgersburg (boys, girls and ducks)", "Portrait of Consul Christen Sandberg", "The cry" (oil and tempera on board), "Military band on Karl Johan Street, Oslo", "Vampire", "The dance of life" Gauguin and the decorative style. S. Tillim. V:2, 36-8 O66 il: "The hands" (lithograph) x PasAM, "A view of the century." NM. III:4, 12 Ja65 x Perls Gal (LA), group. SNH. III:8, 12 My65 x Pomona, "The graphic work of Edvard Munch." VA. I:8, 14-17 F63 il: "Consolation" (etching), "Alpha and Omega" (lithograph), "Funeral visit" (color woodcut) x PorAM. A. Rocchia. II:3, 54 Se63 il: "Young girl in landscape" x UCLA, "Primitivism in modern graphic art." VA. II:5, 12 N63 il: "The last hour" (woodcut) adv, il: "Self portrait" (lithograph, 1895). VII:2, 15 O68 MUND, Marvin x Labaudt Gal (SF). PDF. II:5, 52 N63 MUNDT, Ernest Karl 1905- Reviews: San Francisco. I:10, 11 Ap63 MUNDY, Henry British art today. J. Coplans. I:7, 27-31 [D]62 x SFMA, "New accessions 1962-1963." JM. II:3, 49 Se63 MUNICIPAL Art Gallery, Los Angeles, California The Municipal Art Gallery. II:12, 34 Su64 phot: view of exhibition, "Arms and armor of ancient Japan"; view of All-City Outdoor Art Festival; "Master plan, Barnsdall Park Municipal Art Center" MUNOZ, Jose x Zora’s Gal (LA). RGW. II:3, 20 Se63 MUNOZ, Lucio x SFSC, "Contemporary Spanish painters." JM. I:8, 46 F63 MUNTER, Gabriele 1877-1962 Kandinsky. H. Kramer. I:11, 21-7 My63 il: "Village road, Murnau" x Hatfield Gal (LA), "Pechstein, Münter, Jawlensky." CP. I:12, 13 Je63 x Hatfield Gal (LA). II:3, 14 Se63 il: "Kandinsky at the tea table" adv, il: "Flowers". II:4, 4 O63 adv, il: "Aus Seehausen". III:6, 10 Mr65 MURPHY, Gerald 1888-1964 Pop art, USA. J. Coplans. II:4, 27-30 O63 il: "Razor" MURPHY, Gertrude Letter. I:10, 2 Ap63 (see San Francisco: recent art) MURPHY, Sheila Rousseau x de Young, "SFAI art bank show." A. Bloomfield. I:1, 36 Je62 MURRAY, Clark 1937- x StanU, "Current painting and sculpture of the Bay Area." JM. III:3, 47-8 D64 il: untitled x Wilder Gal (LA). FAD. IV:10, 15 Je66 il: "Blue" (steel lacquer) x Wilder Gal (LA). J. Livingston. V:8, 62-4 Ap67 il: untitled (steel) MURRAY, Elizabeth x Davis Studio (SF), "Rejected by the San Francisco annual." HG. I:12, 50 Je63 il: untitled MURRAY, Holt x Horse’s Mouth Gal (Saratoga), group. JCM. II:6, 50 D63 il: "#46" (red bronze) x RichAC, w D. Webb. FM. I:4, 44 Se62 MURRAY, Robert 1936- How to murder an avant-garde. B. Rose. IV:3, 30-5 N65 il: "Spring" (steel painted green) An interview with Robert Murray. B. Rose. V:2, 45-7 O66 il: "To" (aluminum painted red), "Saskatoon City Hall Sculpture" (steel painted black-green), "Duet" (steel painted orange), "Breaker" (aluminum plate painted deep blue epoxy), "Track" (aluminum painted deep red), "Watershed 2" (aluminum painted chrome yellow) Looking at American sculpture. B. Rose. III:5, 29-36 F65 il: "Chief" (steel painted yellow) New work by Robert Murray. J.H. Cone. VII:1, 36-9 Se68 il: "Pueblo" (1968)(col), "Mesa" (1968)(col), "Bank" (1968)(col), "Chief" (1964), "Plainfield" (1966), "Cumbria" (1967) (all painted aluminum or steel) Sculpture in Canada. H. Malcolmson. VI:2, 40-2 O67 il: "Cumbria" (painted steel) x Parsons Gal (NY). M. Kozloff. V:7, 52 Mr67 il: "Prairie" (aluminum painted red oxide) adv, il: [no title given]. VI:9, 19 My68 MUSEUMS and galleries Note: see this heading in the subject guide for complete list of museums and galleries see also: Art galleries, commercial MUSEUMS and galleries: architecture American sculpture at the Los Angeles County Museum of Art. P. Leider. il phot V:10, 6-11 Su67 Disaster in Pasadena. A. Rogatnick. il phot VI:7, 24-7 Mr68 Louis Kahn’s new museum in Fort Worth. P. Plagens. il phot por VI:6, 18-23 F68 The new Oakland Museum. J. Brown. il III:3, 26-8 D64 The new Whitney: the building. M. Brawne. il phot V:3, 46-50 N66 x Scripps, "Architecture, plan and environment." EW. III:7, 14 Ap65 MUSEUMS and galleries: problems and responsibilities American sculpture at the Los Angeles County Museum of Art. P. Leider. il phot V:10, 6-11 Su67 Art and power, esthetics and history, and the August exhibitions at the San Francisco Museum of Art. F. Martin. il I:5, 46-9 [O]62 (article includes reply by G. Culler, w re joinder by F. Martin) Beyond vertigo: Optical art at the Modern. B. Rose. il III:7, 30-3 Ap65 Comment [on the resignation of Dr. Richard F. Brown as Director of LACMA]. P. Leider. IV:4, 4 D65 How to murder an avant-garde. B. Rose. il IV:3, 30-5 N65 Man: glory, jest and riddle, parts I & II. E.M. Polley. il III:4, 26-9 Ja65 Man: glory, jest and riddle, part III. J. Coplans & P. Leider. il (pt col) III:4, 30-3 Ja65 The new Oakland Museum. P. Mills. il III:3, 29-30 D64 The new Whitney: the show. B. Rose. il V:3, 51-5 N66 Problems of "new directions" exhibitions. W. C. Seitz. phot II:3, 23-5 Se63 Recent British painting at the Tate. K. Champa. il (pt col) VI:7, 33-7 Mr68 Reviews: Portland. A. Rocchia. II:1, 17-18 Jy63 Reviews: Portland. A. Rocchia. II:3, 54 Se63 Rosenquist at the Met: avant-garde or Red Guard? S. Tillim. il VI:8, 46-9 Ap68 San Francisco. J. Monte. III:9, 41 Je65 West Coast art: three images. P. Leider & J. Coplans. il I:12, 21-5 Je63 x CalPal, "Winter invitational." JM. I:8, 46 F63 x FAGSD, "The Pacific Coast invitational." VS. il I:8, 8-10 F63 x LJMA, "Dutch and Flemish painting of the northern Renaissance." JC. il III:1, 14 Se64 x SFMA, "Recent painting, USA: the figure." PL. il II:4, 11 O63 x SFMA, "Americans 1963." JM. il III:1, 43-4 Se64 x SFMA, "Colorists." J. Monte. il IV:5, 50-1 Ja66 see also: Juries and juried exhibitions MUSEUMS and galleries, Southern California A museum portfolio. il (pt col) II:12, 19-36 Su64 Contents: The Los Angeles County Museum of Art, R. F. Brown; A note on the Contemporary Art Council, C. Wolfe; The Pasadena Art Museum; The Santa Barbara Museum of Art, T. W. Leavitt; The Huntington Library and Art Gallery, R. R. Wark; The J. Paul Getty Museum, A. Jones; The UCLA Art Galleries, H. Dorra; The UCSB Art Gallery, D. Gebhard; The La Jolla Museum of Art, D. J. Brewer; The Fine Arts Gallery of San Diego, W. Beach; The Municipal Art Gallery; The Long Beach Museum of Art, F. Black; The Pomona College Gallery, M. Cope; The Occidental College Gallery, C. Perkins MUSIC John Cage in Los Angeles. J. Cage. il por III:5, 17-19 F65 Music and Surrealism. N. Slonimsky. il phot V:1, 80-5 Se66 MUSSMAN, Toby The Surrealist film. V:l, 26-31 Se66 il: see Bunuel, Bunuel & Dali, Dulac & Artaud, Man Ray MUYBRIDGE, Eadweard [Edward James Muggeridge] 1830-1904 Imagery and illusion. J. Kline. I:5, 24-9 [O]62 il: [sequential photographs] MYERS, Forrest 1941- Anthony Magar, Forrest Myers at Dwan. D. Factor. V:4, 54-5 D66 phot: installation view il: "Laser’s daze" (m/m) Entropy and the new monuments. R. Smithson. IV:10, 26-31 Je66 il: "E/3" (aluminum & lacquer paint) x Park Place (NY), group. L. R. Lippard. II:11, 53 My64 MYERS, Mary Beich x Hale Gal (LA). JH. I:11, 53 My63 MYERS, Tom x CrAG. M. Mann. IV:4, 58 D65 |