PAALEN, Wolfgang 1905-1959

Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. VI:9, 24-31 My68

il: "Fumage" (oil, candle burns, soot on canvas)

PACHECO, José

Letter. I:11, 2 My63

PACIFIC cultures

The art of Easter Island. D. Gebhard. il map I:10, 32-5 Ap63

Melanesian art. E.M. Polley. il (pt col) II:4, 19-23 O63

Reply. A. Nicoloff. II:6, 2 D63

x AIC. W. Halstead. VI:8, 66-7 Ap68

il: "Lintel fragment, Maori"

x CalPal, "Australian aboriginal bark painting." EMP. II:4, 16 O63

x Emerson Gal (Encino), "Roy James Hedlund collection, Melanesian art." FAD. IV:6, 18 F66

x LACMHS, "Primitive art of New Guinea." HJW. III:8, 14-16 My65

il: "Skull, West Georgia" (tita-nut gum, mother-of-pearl, fiber)

x MAGLA, "Arts of New Guinea." CO. III:3, 12-14 D64

il: "Dance mask" (painted rattan basketwork)

x PasAM, "Director’s choice." CP. I:9, 48 Mr63

il: "19th century mask-shield, Sepik River, New Guinea"

x SFMA, "Decorative art of the young Balinese." PDF. II:10, 17 Ap64

x SFVSC, "Polynesia." FAD. IV:6, 18 + 58 F66

il: "Easter Island male figure" (wood)

see also: Primitive (tribal) art

PADOVANO, Anthony John 1933-

Looking at American sculpture. B. Rose. III:5, 29-36 F65

il: "Taxi I" (painted steel)

adv, il: [no title given]. VI:7, 12 Mr68

PADULA, Fred

x SFMA. M. Mann. III:4, 50 Ja65

PAGE, Addison Franklin 1911-

Reg Butler. il por II:5, 32-3 N63

PAGLIACCI, Aldo

x Parsons Gal (LA). AS. I:2, 8 Jy62

PAINT

Color, paint and present-day painting. D. Bannard. il (pt col) IV:8, 34-7 Ap66

PAINTING, California

x Downey Mus (Downey), California artists." GN. II:5, 16 N63

x LBMA, "Early modern paintings by California artists." ME. il II:8, 12 F64

x Pomona, "Scenes of grandeur: 19th century landscape paintings of California." DM. il I:7, 17 [D]62

x SBMA, "California pictorial, 1800-1900." DG. il I:5, 11 [O]62

see also: Abstract Expressionism in California

Los Angeles

San Francisco

PAINTING, California, recent

x Art Unlimited (SF), "Inmate paintings from Vacaville." EMP. I:11, 15 My63

x de Young, "Phelan awards." PL. il I:12, 45 Je63

x MAGLA, "Phelan awards." RGW. II:1, 52 Jy63

see also: appropriate headings listed under "California" in the subject guide

PAINTING, decorative

Gauguin and the decorative style. S. Tillim. il V:2, 36-8 O66

see also: Art Nouveau

PAINTING, Dutch

The age of Rembrandt. P.D. French. il V:5, 40-5 Ja67

x LJMA, "Dutch and Flemish painting of the northern Renaissance." JC. III:1, 14 Se64

il (ppl2-13): see Hals the younger, Ostade, Rubens

x Shickman Gal (NY), "17th century Dutch paintings." S. Tillim. il VI:5, 57 Ja68

PAINTING, French

x CalPal, "French paintings from French museums, XVII-XVIII centuries." P.D. French. VI:5, 65 Ja68

bk French painting from Fouquet to Poussin, by A. Chatelet & J. Thuiller. Review by D. B. Goodall. II:9, 55-6 Mr64

PAINTING, French, nineteenth-century

Ideal interlude: the first retrospective of the Salons de la Rose-Croix. R. Pincus-Witten. il VII:1, 51-4 Se68

Muse and ego. M. Cope. il II:4, 32-5 O63

The re-hanging of the Met’s 19th-century galleries. G. Laderman. il phot VI:6, 33-5 F68

see also: The Academy

Barbizon School

Impressionism

Neo-Impressionism

PAINTING, French, recent

x Burr Gal (LA), "Three French painters." JH. I:7, 20 [D]62

x Gal Juarez (LA), "Young French painters." SRS. IV:8, 17 Ap66

PAINTING, Los Angeles, recent

"Four" from L. A. F.A. Danieli. il V:3, 58-9 N66

x LAAA, "30 friends." CP. il I:7, 18 [D]62

x LAAA, "Naturalism." BH. II:10, 52 Ap64

x LBMA, "Critics’ choice." CS. il IV:10, 17-18 Je66

x PavGal, "Eight figurative painters from Los Angeles." IED. il I:7, 17 [D]62

see also: appropriate headings listed under "California" in the subject guide

PAINTING, New York

The many colorations of black and white. M. Kozloff. il II:8, 22-5 F64

The second generation. B. Rose. il IV:1, 53-63 Se65

x Marlborough-Gerson Gal (NY), "The New York painter." B. Rose. il VI:3, 57-8 N67

see also: Abstract Expressionism

New York School

PAINTING, New York, recent

x Ferus Gal (LA), "New York group." DF. II:9, 13 Mr64

see also: New York: recent art

PAINT1NG, recent

x CalPal, "Fifth annual Hallmark international art awards." FM. il I:4, 44 Se62

x MAGLA, "Fifth international Hallmark art award exhibition." AS. il I:5, 11 [O]62

x SFMA, "Society for the Encouragement of Contemporary Art, 5th selection." KS. II:7, 11 Ja64

see also: other categories under "Painting" and appropriate headings in subject guide for specific movements, styles and places

PAINTING, Russian

The trouble with Russian painting. R. Pincus-Witten. il VI:l, 47-50 Se67

adv, il: [icon, no title given]. I:6, 8 [N]62

see also: Constructivism

Russia: recent art

PAINTING, San Francisco, recent

x CalPal, "Winter invitational." JM. il I:8, 46 F63

x CalPal, "Fifth winter invitational." KS. il II:9, 45-7 Mr64

x CalPal, "Painters behind painters." P.D. French. il VI:1, 67-9 Se67

x RichAC, "Painting, drawing - 63." JCM. il II:8, 43 F64

x RichAC, "Richmond annual." EMP. III:5, 12 F65

x SBMA, "Painters of the San Francisco Bay Area." LR. I:2, 12 Jy62

x SFAI, "The edge." JM. II:11, 46 My64

x SFMA, "81st painting annual." JC. il I:2, 40 Jy62

x SFMA, "Arts of San Francisco." EMP. il I:3, 35 Ag62

x SFMA, "Small format paintings." KS. il II:7, 9 Ja64

see also: California: recent art

Painting, California, recent

Sacramento: recent art

San Francisco: recent art

West Coast: recent art

PAINTING, Surrealist

Surrealist painting re-examined. M. Kozloff. il V:l, 5-9 Se66

see also: Automatic painting

Biomorphism

PAINTING, twentieth-century

x MoMA, "Art in the mirror." R. Pincus-Witten. il V:6, 61 F67

x PasAM, "A view of the century." NM. il III:4, 12 Ja65

see also: other categories under "Painting" and appropriate headings in subject guide for specific movements styles and places

PAINTING, United States

The Fleischman collection. W. E. Steadman, Jr. il (pt col) II:9, 36-9 Mr64

x CalPal, "American painting." JC. I:5, 42 [O]62

x CalPal, "The Halpert collection." KS. il II:9, 47-9 Mr64

x FAGSD, "Twentieth century realists number four." JR. II:10, 51 Ap64

x PorAM, ["Neuberger collection"]. A. Rocchia. II:5, 52 N63

x SFMA, "Colorists 1950-1965." J. Monte. il IV:5, 50-1 Ja66

see also: Eight, The

Impressionism

other categories under "Painting"

categories under "United States"

appropriate headings in the subject guide for specific movements, styles and places

PAINTING, United States, primitive (naive)

x de Young, "101 masterpieces of primitive painting." EMP. il I:5, 39 [O]62

x de Young, "Primitive American watercolors." KS. il III:6, 46 Mr65

x MAGLA, "101 masterpieces of American primitive painting from the Edgar William and Bernice Chrysler Garbisch collection." CP. il I:4, 8 Se62

see also: Primitive (naive) art

PAINTING, United States, recent

How to murder an avant-garde. B. Rose. il IV:3, 30-5 N65

United States section, VII São Paulo Bienal. il (pt col) III:9, 19-38 Je65 (for main entries see Sao Paulo Bienal and individual artists referenced)

x Aspects Gal (NY), "Four painters in search of a tradition." S. Tillim. il V:7, 54-5 Mr67

x Ellin Gal (LA), "Modern American painters." RGW. il I:10, 47 Ap63

x Gugg, "The photographic image." R. Pincus-Witten. il IV:7, 47 Mr66

x SBMA, "Some paintings to consider." JC. III:4, 12-14 Ja65

x SFMA, "Directions - American painting." JM. il II:5, 43-4 N63

bk Art: USA: Now, ed. by L. Nordness, text by A. S. Weller. Review by P. Leider. I:12, 55 Je63

see also: United States: recent art

other categories under "Painting"

appropriate headings in the subject guide for specific movements, styles and places

PAKLIKOWSKA-WINNICKA, Wanda

x Toporow Gal (LA), group. AS. I:9, 51 Mr63

Letter. II:1, 2 Jy63

PALAU, Marta

x KPFK Gal (LA). EK. IV:4, 18 D65

PALMER, Mike

Letter. I:5, 2 [O]62 (see Photography, San Francisco)

PALMER, Phil 1911-

Letter. I:5, 2 [O]62 (see Photography, San Francisco)

x Toren Gal (SF). M. Mann. IV:10, 59 Je66

il: "On Slide Ranch" (photograph)

PALOMINO, Ernest

x New Mission Gal (SF), group. JC. I:5, 42 [O]62

il: "Mrs. Go"

x New Mission Gal (SF), group. JM. I:12, 45 Je63

il: "Relaxing clay"

PAN Yu Lin

x Gal Lamoi (Honolulu). J. S. Eagle. I:4, 50 Se62

PANKIN, Ned

x The Colony (Sausalito). EMP. II:1, 16 Jy63

il (p 14): "Big Sur" (line and wash)

PAOLOZZI, Eduardo 1924-

British art today. J. Coplans. I:7, 27-31 [D]62

il: "Town tower" (bronze, gun metal and brass)

Some new British sculptors. A. Forge. III:8, 31-5 My65

il: "Medea" (welded aluminum)

x AIC, "Sculpture: a generation of innovation." W. Halstead. VI:2, 64-6 O67

x Pace Gal (NY). D. Adrian. IV:7, 50-1 Mr66

il (p 49): "Marok-miosa" (polished aluminum)

x Pace Gal (NY). S. Tillim. VI:5, 54-6 Ja68

il: "Leyny" (stainless steel)

x SFMA, "Drawing international." JC. I:2, 39-40 Jy62

il (p 42): "Grinning pistol"

adv, il: "Akapotik Rose" (welded aluminium). III:8, 11 My65

adv, il: "Tortured life", "Wittgenstein in New York" (screen prints, col). V:6, 36C F67

adv, il: [no title given]. V:10, 100 Su67

adv, il: [no title given]. VI:10, inside rear cover Su68

PARC, Julio Le

see Le Parc, Julio

PARIS, François de

x Hidden Village Gal (Monterey). JC. I:9, 45 Mr63

PARIS, Harold Persico 1925-

Casting in the Bay Area. J. A. Pugliese. phot II:2, 11-14 Ag63

Reply. H. Paris. II:3, 2 Se63

Harold Paris. II:2, 45 Ag63

il: "Voice and seat" (cast iron)

Sculpture in California. J. Coplans. II:2, 3-6 Ag63

il: "Child" (bronze)

Sculpture steals the show in the 83rd annual. J. Monte. II:11, 22-4 My64

il: "Blue hour #1"

West Coast art: three images. P. Leider & J. Coplans. I:12, 21-5 Je66

Work in progress. J. Pugliese. II:7, 34-6 Ja64

il: [lithographic sketch], [wall sculpture](7 views showing progressive stages of work)

x Berkeley Gal (Berk), "Thirty sculptors." JCM. II:3, 46-9 Se63

x Bolles Gal (SF), w A. Ippolito. J. Coplans. I:1, 36 Je62

il (p 38): "Mem wall II"

x Lanyon Gal (Palo Alto), group. JM. II:4, 16 O63

x Mills. J. Monte. V:8, 67 Ap67

il: "Room" (detail)

x SFAI, "Bay Area sculpture." KS. III:6, 44-6 Mr65

x SFMA, "The molten image." EMP. I:3, 35 Ag62

x SFMA, "82nd annual exhibition of the San Francisco Art Institute." JM. I:11, 11 My63

il: "Portrait of Dr. Gachet, after V. V. G." (bronze)

x UC, "All-campus faculty show." JCM. II:5, 48-51 N63

PARIS, John Ayrton 1785-1856

Imagery and illusion. J. Kline. I:5, 24-9 [O]62

il: "Thaumatrope"

PARIS Biennale

The City of Paris award. A. A. Boulle. il II:6, 42 D63 (see E. Gronborg for main entry)

The 1963 Paris Biennale. H. B. Chipp. il II:2, 7-10 Ag63 (see author entry for all cross-references)

Sculpture in California. J. Coplans. II:2, 3-6 Ag63 (see author entry for all cross-references)

x Art Unlimited (SF), "Paris Biennale sculptors, ’63." KS. II:9, 49 Mr64

phot: view of installation

x PasAM, "Paris Biennale artists." J. Livingston. il VI:7, 65 Mr68

PARK, David 1911-1960

David Park. P. Mills. I:2, 36 Jy62

il: "Man in a T-shirt" (col, cover), "Bather and ocean" (col)

x CrAG. E.M. Polley. IV:10, 50 Je66

x OM, retrospective. FM. I:3, 35-6 Ag62

x UC. EMP. III:3, 48 D64

il (p 47): "Sink"

PARKER, Jeryl

x Triangle Gal (SF), group. HG. I:12, 54 Je63

adv, il: [no title given]. II:10, 56 Ap64

PARKER, Keith C.

x ITT, "Phalanx 3." W. Halstead. IV:7, 55-6 Mr66

il: "Great woman" (m/m)

PARKER, Raymond 1922-

Art since 1950: American. [SeWF]. I:4, 32 Se62

il: untitled

The second generation. B. Rose. IV:1, 53-63 Se65

il: untitled oil

x Dwan Gal (LA), group. AS. I:4, 8 Se62

il: untitled

x Dwan Gal (LA). DF. I:7, 12 [D]62

x Kantor Gal (LA). JH. I:9, 53 Mr63

x Kantor Gal (LA), group. FD. II:1, 51 Jy63

x MoMA, "Art of the real." P. Leider. VII:1, 65 Se68

x SFMA. J. Monte. V:8, 65-7 Ap67

il: "No. 175"

PARKER, Robert Andrew 1927-

x Burr Gal (LA), w M. Stix. A. Secunda. I:1, 8-11 Je62

x Ryder Gal (LA). ME. II:7, 45-7 Ja64

PARKER, Warren

x Vido Gal (Sac), w V. Heady. EMP. II:9, 53 Mr64

PARKINSON, Ariel 1926-

x Ankrum Gal (LA), w H. Lieberman. CP. I:6, 48 [N]62

PARKS, Gordon

x OM, "Ideas in images." M. Mann. II:9, 54 Mr64

PARKS, James

Reviews: Los Angeles. I:12, 13 Je63

PARMIGIANINO [Girolamo Francesco Maria Mazzuoli] 1503-1540

x Pomona, "Mannerist art." ET. II:8, 9-10 F64

il: "Saint Barbara"

PARSHALL, Douglass 1899-

Letter. II:1, 2 Jy63 (see S. Reich)

x LagBAA, group. IED. II:1, 52 Jy63

x LBMA, "California Watercolor Society, 42nd annual." VS. I:7, 12-14 [D]62

il: "Sculptured cliff"

x StaMonAG. SCS. I:11, 53 My63

PARSONS, Bruce

Looking at Canadian art. T. Fenton. VII:1, 55-60 Se68

il: "Bridge" (1967)

PARSONS, Neil

Letter. VI:9, 4 My68 (see D. Flavin)

PASADENA Art Museum, Pasadena, California

Disaster in Pasadena. A. Rogatnick. VI:7, 24-7 Mr68

phot: [model of Pasadena Art Museum, 2 views]

il: [plan of Pasadena Art Museum], [4 drawings of Pasadena Art Museum]; see also Lichtenstein

The Pasadena Art Museum. II:12, 24-6 Su64

il (pt col): see Diebenkorn, S. Francis, Klee, Picasso

x PasAM, "Director’s choice." BS. il (p 13) II:8, 10 F64

PASCHKE, Ed 1939-

x HyPAC, "Non plussed some." W. Halstead. VI:10, 64-5 Su68

il: "Cine joy"

PASCIN, Jules [Julius Pincas] 1885-1930

Jules Pascin: UCLA and others will host the Berkeley-organized exhibition. P.D. French. V:6, 41-5 F67

il: "Two girls in an armchair", "Three young girls", "Woman, dog and child" (watercolor), "The outdoor cafe" (drawing), "The Pascin circus", "Two half-nude girls", "The prodigal son", "Cinderella", "Young woman with a bottle of wine", "Madame Julie, the Martinique"

x Pinkus Gal (LA), "Drawings, watercolors, prints by modern masters." RGW. I:7, 10 [D]62

bk Pascin, by A. Werner. Review by P. Leider. II:4, 49 O63

PASHGIAN, Helen

x Evans Gal (LA). EK. IV:5, 18 + 47 Ja66

il: "Opening series #3"

PASKIEWICZ, John

x AIC, "70th annual exhibition of painting and sculpture by artists of Chicago and vicinity." W. Halstead. V:9, 64-5 My67

PASMORE, Victor 1908-

British art today. J. Coplans. I:7, 27-31 [D]62

x Marlborough Gal (NY). R. Pincus-Witten. VI:5, 59 Ja68

il: "Relief construction in black, silver and mahogany"

PASSAIC, New Jersey

The monuments of Passaic. R. Smithson. il phot VI:4, 48-51 D67

PASTI, Matteo de’ d.1467/1468

The Morgenroth collection of medals and plaquettes. A. Moir. II:10, 28-31 Ap64

il: "Portrait of Sigismondo Malatesta" (bronze), "Portrait of Isotta degli Atti" (bronze)[2 views]

PASTO, Tarmo A.

x Studio C Gal (Berk). E.M. Polley. IV:6, 50 F66

PASTOR, Tony

x Bognar Gal (LA). SRS. IV:9, 17 My66

adv, il + por: [no title given]. IV:8, 60 Ap66

PATEL, Pierre

x LACMA, "Treasures of Versailles." W. Osmun. I:12, 9-10 Je63

PATTERSON, Ambrose

x SeAM, "Northwest annual." C. Bullitt. I:8, 50-3 F63

PATTERSON, Marion

x OM, "Oaxaca, Mexico." M. Mann. V:3, 61 N66

il: "Woman of Oaxaca" (photograph)

PAUL, David

Anti form. R. Morris. VI:8, 33-5 Ap68

il: untitled (rubber matting)

PAUL, Jacqueline

x CalPal. M. Mann. II:10, 53 Ap64

x SFMA, "Our San Francisco." M. Mann. III:4, 50 Ja65

PAVIA, Belbello da.

x UC, Illuminated manuscripts." EMP. II:1, 8 Jy63

il: "Presentation of Pentecost"

PAVIA, Phillip G. 1912-

The Club. I. Sandler. phot IV:1, 27-31 Se65

x Jackson Gal (NY). D. Adrian. V:6, 56 F67

il: "Fallen matador" (marble)

x SFMA. J. Monte. V:8, 67 Ap67

PAXTON, Steve

Theater and engineering. S. Whitman & B. Kluver. por V:6, 26-33 F67

PAZ, Leonard 1933-

x LAAA, "New members." HJW. II:4, 45 O63

x LAAA, group. CO. II:9, 15 Mr64

PEACOCK, Brian

x Gal de Tours (SF), w D. Tindle. PDF. II:9, 53 Mr64

il: "Birth of St. Francis"

PEAKE, Channing

x Bear Gal (SB). HVB. II:10, 49 Ap64

il (p 50): "The stallion" (collage)

PEALE, Charles Wilson 1741-1827

The Fleischman collection. W. E. Steadman, Jr. II:9, 36-9 Mr64

il: "Mordecai Gist" (col)

PEARLSTEIN, Philip 1924-

Filthy pictures. B. Rose. III:8, 20-5 My65

il: "Two nudes on tan drape"

Philip Pearlstein and the new Philistinism. S. Tillim. IV:9, 21-3 My66

il: "Two female nudes on red and white drapes", untitled oil, "Models in the studio", untitled oil, untitled oil

Unconventional realists. G. Laderman. VI:3, 42-6 N67

il: "The artist’s daughters"

x Ceeje Gal (LA). DF. III:8, 48 My65

il: "Two female nudes"

x Ceeje Gal (LA). E. Kurzen. V:2, 54 O66

il: "Man and woman lying on a couch" (pencil)

x Frumkin Gal (NY). M. Kozloff. VI:4, 52-4 D67

il: "Two models with blue drape"

adv, il: "Nude on blue drape". III:2, 60 N64

PEARSALL, Ralph

x Hobbs Gal (SF), w L. Gutierrez. EMP. I:7, 46 [D]62

PEARSON, John

x SFMA, "The construction as an object of illusion." PL. I:5, 40 [O]62

PEARSON, Louis

adv, il: stainless steel sculpture. III:6, inside rear cover Mr65

PECHSTEIN, Max 1881-1955

x Hatfield Gal (LA), "Pechstein, Münter, Jawlensky." CP. I:12, 13 Je63

il: "Intermezzo"

adv, il: "Sailboats". IV:1, 66 Se65

PECK, Gloria B.

Letter. II:3, 2 Se63 (see P. Leider & J. Coplans)

PEDERSEN, Aage

x PasAM. AS. I:11, 48 My63

il: "Figure image IV" (drypoint)

PEEL, Donald

x U Oregon (Eugene, Ore.), "9 Pacific Northwest artists/3 dimensions/1966." D. K. Hall. V:2, 58-9 O66

PELADAN, Joséphin d. 1918

Ideal interlude: the first retrospective of the Salons de la Rose-Croix. R. Pincus-Witten. VII:1, 51-4 Se68

PENFOLD, Gerde

x LAAA, "New members." HJW. II:4, 45 O63

PEREIRA, William L. 1909-

Surrealism and architecture. K. von Meier. V:l, 60-5 Se66

phot: "Los Angeles County Museum of Art"

PERKINS, Constance

The Occidental College Gallery. phot II:12, 36 Su64

Reviews: Los Angeles. I:3, 4-12 Ag62; I:4, 6-18 Se62; I:5, 8-16 [O]62; I:6, 40-52 [N]62; I:7, 8-20 [D]62; I:8, 17-18 + 41-4 F63; I:9, 46-53 Mr63; I:10, 51-2 Ap63; I:11, 43-53 My63; I:12, 13-17 + 43 Je63; II:1, 47-52 Jy63; II:3, 20 Se63; II:4, 41-5 O63; II:5, 17-18 N63; II:6, 14-16 D63; II:10, 47-51 Ap64

PERKOFF, Ann

x SBMA, w R. Thomas, C. Pierson. JH. II:3, 18 Se63

PERKOFF, S. Z.

Reviews: Los Angeles. I:7, 20 [D]62

PERLS, Frank 1910-

A guide to the galleries. II:12, 75-80 Su64

PERNISH, Paul

x Bolles Gal (SF), group. PDF. II:3, 52 Se63

x Bolles Gal (SF). J. Monte. IV:7, 54 Mr66

il: "Camels" (acrylic and lacquer)

x Bolles Gal (SF). P.D. French. VI:4, 66 D67

PERRY, Charles

x SFMA, group. J. Monte. IV:4, 48 D65

PERU

adv, il: "Chavin gold plaque of a feline headed fish." VII:4, 5 D68

PETERDI, Gabor 1915-

x Original Prints (SF). KS. II:10, 18 Ap64

x SJSC. JM. I:6, 19 [N]62

x Sabersky Gal (LA). E. Kurzen. V:5, 65 Ja67

PETERS, Ken

Looking at Canadian art. T. Fenton. VII:1, 55-60 Se68

il: "And he put a bullet through his head" (m/m, 1965)

PETERS, Michael

x Barnes Gal (LA), group. F. Danieli. VII:2, 68 O68

il: untitled (pen, ink on paper)

adv, il: [no title given]. VII:3, 24 N68

PETERSEN, Roland Conrad 1926-

x Gump’s Gal (SF). WH. I:4, 47 Se62

x RichAC," 11th annual exhibition, watercolors and graphics." EMP. I:6, 18 [N]62

repr, il: [no title given](col). I:5, 36 [O]62

PETERSON, Ronald Orrin

x U Oregon (Eugene, Ore.), "9 Pacific Northwest artists/3 dimensions/1966." D. K. Hall. V:2, 58-9 O66

phot: view of installation

PETIT, Helen

Letter. I:3, 2 Ag62 (see H. Matisse)

PETLIN, Irving

Irving Petlin: a "prohibitively alienating" first New York show. M. Kozloff. V:9, 53-4 My67

il: "Story of white bread", "Sunny pages", "Little box of earth from the trail", "Study for the blow II (burning of Los Angeles)" (oil on paper)

x Nelson Gal (LA). FAD. IV:8, 15 Ap66

il: "Kennedy civic"

[As reviewer]

Reviews: Los Angeles. III:8, 16-18 + 48 My65; III:9, 12 Je65; IV:2, 13-15 O65; IV:5, 13-16 Ja66

PETO, John F. 1854-1907

Harnett, Peto, Haberle. A. Frankenstein. IV:2, 27-33 O65

il: "Old time letter rack", "Still life (patch painting)", "Lincoln and the Phleger stretcher", "Old souvenirs"

Joe Goode and the common object. P. Leider. IV:7, 24-7 Mr66

il: "Old friends", "Things to adore: my studio door", "The cup we all race 4"

The new Whitney: the show. B. Rose. V:3, 51-5 N66

il: "Ordinary objects in the artist’s creative mind"

PETTA, Joseph, Jr.

x Woodside Gal (SF), group. J. Monte. V:3, 64 N66

il: "Scarab box" (m/m)

PETTET, William 1942-

x Wilder Gal (LA). S. R. Snyder. V:5, 64 Ja67

PETTIBONE, Richard

The cool school. P. Leider. II:12, 47-52 Su64

il: "Untitled"

The value of didactic art. B. Rose. V:8, 32-6 Ap67

il: "Hopper collection"

x ACLJ, "Third annual exhibition of California painting and sculpture." HTH. I:9, 47 Mr63

il: "Type 51"

x Ferus Gal (LA). WW. IV:6, 15-16 F66

x Van Nuys Savings & Loan Assn (Van Nuys), "First annual Pacific art classic." HJW. III:2, 18 N64

PETTIBONE, Shirley Young 1936-

Assemblage. D. Factor. II:12, 38-41 Su64

"Four" from L.A. F.A. Danieli. V:3, 58-9 N66

il: "Clouds" (silk screen on canvas, 2 panels)

Shirley Pettibone. II:2, 30 Ag63

il: "Untitled" (various media)

x Aura Gal (LA). CP. II:1, 47 Jy63

il: "No. 1"

[As reviewer]

Reviews: Los Angeles. II:1, 51-2 Jy63; II:4, 45 O63

PEVSNER, Antoine 1886-1962

Sculpture’s vanishing base. J. W. Burnham. VI:3, 47-55 N67

il: "Construction for an airport"

PEVSNER, Naum Neemia

see Gabo, Naum

PHILIPP, Werner 1897-

x Howard’s Gal (SF). EMP. I:3, 40 Ag62

PHILIPPART, Bertrand

x Evans Gal (LA). EK. IV:8, 16 Ap66

il (p 18): "Roses"

PHILLIPS, Gifford 1918-

Letter. III:4, 4 Ja65 (see M. Kozloff)

PHILLIPS, Gifford & Joan, collection

Collecting in Los Angeles. G. Nordland. II:12, 12-18 Su64

phot: "View of the Phillips collection" [3 views]

The Phillips collection - Diebenkorn, Woelffer, Mullican: a discussion. F. Wight. il (pt col) I:10, 23-8 Ap63

x UCLA. DF. I:8, 14 F63

il: see W. de Kooning, Matisse, Oliveira, Stankiewicz

PHILLIPS, Matt

Letter. VII:4, 4 D68 (see Degas)

PHILLIPS, Peter 1939-

adv, il: [no title given]. IV:4, 9 D65

adv, il: [no title given, 1st il, Kornblee adv]. IV:10, 10 Je66

adv, por: [no title given]. IV:9, 46 My66

PHILLIPS Gallery, Washington, D. C.

Washington scene. B. Rose. VI:3, 57 N67

PHOENIX, Arizona: reviews

Reviews: Phoenix. pt il phot I:1, 13 Je62; I:2, 44 Jy62; II:1, 16 Jy63 (for author entries see H. Wood, H. von Breton)

Phoenix. H. von Breton. il III:1, 48-9 Se64; IV:5, 49 Ja66

see also: Arizona: reviews

PHOENIX Art Museum, Phoenix, Arizona

Phoenix. H. von Breton. IV:5, 49 Ja66

phot: "The Phoenix Art Museum", "Roy Wayland Far West art gallery"

il: see H. Rousseau

Reviews: Phoenix. H. von Breton. il III:1, 48-9 Se64

Showpiece: [Labille-Guiard, "Madame Adelaide"]. J. Harithas. il III:4, 36 Ja65

adv, il: "Artist’s rendering of the Phoenix Art Museum and the new wing" (col). II:12, rear cover Su64

PHOTOGRAPHY

Letter. M. White. II:6, 2 D63

Walker Evans: photography as representation. S. Tillim. il V:7, 14-18 Mr67

x AIC, "Photography before 1914." W. Halstead. il VII:2, 69-70 O68

x Columbia U (NY), "The people protest." E. Wasserman. VI:5, 69-70 Ja68

x de Young, "Photography in the fine arts, III." M. Mann. il II:1, 56 Jy63

x de Young, "Photography in the fine arts, IV." M. Mann. il III:6, 50 Mr65

x Kaiser, "Group 10." M. Mann. II:11, 20 My64

x LBMA, "Photography from five years of space." CS. IV:4, 57 D65

x MAGLA, "Photography in the fine arts, III." MH. il I:12, 18 + 43 Je63

x MoMA, "Photography as printmaking." E. Wasserman. il VI:10, 71-4 Su68

x OM, "Ideas in images." M. Mann. il II:9, 54 Mr64

x Riverside Mus (NY), "The concerned photographer." E. Wasserman. il VI:5, 67-9 Ja68

x SBMA, "Photography in the fine arts, II." LR. il I:4, 15-16 Se62

x SFAI, "The experience." M. Mann. V:3, 61 N66

x SFMA, "The Henry F. Swift collection of photographs of the f/64 group." M. Mann. II:5, 53 N63

x SFMA, "The bitter years." M. Mann. II:8, 47 F64

x SFMA, "The photographer and the American landscape." M. Mann. il IV:2, 47-8 O65

Reply. N. E. Matthews. IV:6, 4 F66

x Zellerbach Building (SF), "Portfolio 66." M. Mann. V:3, 61 N66

bk The bitter years, 1935-41: rural America as seen by the photographers of the Farm Security Administration, edited by E. Steichen. Review by P. Leider. I:8, 55 F63

bk Photographers on photography, ed. by N. Lyons. Review by A. Bardo. V:7, 65-6 Mr67

bk Photography in the twentieth century, ed. by N. Lyons. Review by E. Wasserman. VI:6, 68 F68

see also: Film

PHOTOGRAPHY: reviews

Photography. This department appears in many issues; see author entries for M. Mann and E. Wasserman

PHOTOGRAPHY, early

Imagery and illusion. J. Kline. il I:5, 24-9 [O]62

PHOTOGRAPHY, San Francisco

Photography. M. Mann. VI:10, 74 Su68

x Friends of Photography Gal (Carmel). M. Mann. VI:2, 67-8 O67

x SFAI, "Faculty exhibition." AB. I:9, 15 Mr63

x SFMA, "Photography section, arts of the Bay Area." JC. I:3, 35 Ag62

Replies. M. Palmer & P. Palmer, w rejoinder by J. Coplans. I:5, 2 [O]62

x SFMA, "Arts of San Francisco: photographs of dance theatre." EMP. I:4, 47 Se62

x SFMA, "Arts of the Bay Area: photography." JC. I:5, 42 [O]62

x SFMA, "Arts of the Bay Area, photography." AB. I:6, 16 [N]62

x SFMA, "Our San Francisco." M. Mann. III:4, 50 Ja65

PHOTOGRAPHY and art

x Gugg, "The photographic image." R. Pincus-Witten. il IV:7, 47 Mr66

Reply (correction). C. Adams. IV:9, 4 My66

see also: Realism

PHOTOGRAPHY of works of art

Photographing a Henry Moore sculpture. il III:1, 25-7 Se64

bk Form and space, by E. Trier. Review by P. Leider. I:6, 55 [N]62

see also: Reproduction of works of art

PIACENTINI, Marcello

Surrealism and architecture. K. von Meier. V:1, 60-5 Se66

phot: "The Palace of Italian Civilization"

PICABIA, Francis 1879-1953

Jackson Pollock and the modern tradition, part IV. W. Rubin. V:9, 28-33 My67

il: "La Sainte Vièrge"

Music and Surrealism. N. Slonimsky. V:1, 80-5 Se66

il: frontispiece to Satie’s ballet, "Relâche"

The Picabia/Breton axis. R. Hunt. V:1, 16-20 Se66

phot: Stasia Napierkowska

il: "Francis Picabia - funny guy" (handbill), "I see again in memory my dear Udnie", "Culotte tournante", "Le beau charcutier" (o/c w combs), "Lampe" (watercolor), "The City of New York glimpsed through the body" (watercolor), "Conversation", untitled collage, " Idyll" (gouache), "Le vert avec le noir et le rouge", illustration for "391"

x Acosta Gal (LA), "Some aspects of Surrealism." AS. I:6, 44-6 [N]62

il: "Personages"

PICASSO, Pablo 1881-

The Armory Show. K.T. Steinitz. II:3, 38-9 Se63

il: "Woman’s head" (bronze)

Chicago. W. Halstead. VI:2, 66 O67

phot: "Head", as installed in Civic Center Plaza, Chicago

Cubism, Abstract Expressionism, David Smith. D. Bannard. VI:8, 22-32 Ap68

il: "Cubist composition", "Woman’s head", "Guernica", "Study for Guernica" (pencil & paper), "Study for Guernica"

The Hodes collection. W. Halstead. V:l, 56-9 Se66

il: untitled drawing (ink on graph paper)

Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67

il: "Ma jolie"

The Ludington collection. G. Nordland. II:10, 34-7 Ap64

il: "Woman’s head", "Still life, table and window"

The many colorations of black and white. M. Kozloff. II:8, 22-5 F64

The Pasadena Art Museum. II:12, 24-6 Su64

il: "Cubist composition"

Picasso as Surrealist. R. Rosenblum. V:l, 21-5 Se66

il: "Head of a young girl", "Seated woman", "Woman in an armchair", "Bust of a young girl", "Harlequin", "Seated woman", "Nude on a black couch", "Sleeping peasants" (gouache), "Reclining nude", "Bather with a ball", "Plaster bust and compote", "The poet’s attic", "Two girls reading", "Two figures on the beach" (pen and ink)

Picasso since 1945. C. Greenberg. V:2, 28-31 O66

il: "Charnel house", "Guernica", "Le déjeuner sur l’herbe", "Les enfants", "The artist and his model", "Chaise et hibou" (col), "Femme d’Alger ‘L’", "Tête de femme assise #3"

The sculpture of Matisse, part III: primitivism, partial figures and portraits. A. Elsen. VII:3, 26-35 N68

il: "Woman’s head" (bronze, 1909)

adv, il: "Lock" (tapestry). VII:2, 10 O68

Sculpture’s vanishing base. J. W. Burnham. VI:3, 47-55 N67

Surprise, invention, economy in the sculpture of Picasso. A. Elsen. VI:3, 17-23 N67

il: "The cat", "Guitar" (sheet metal and wire), "Guitar" (painted metal), "The pregnant woman" (second version), "The pregnant woman" (first version), "Woman with a pram", "Woman in the garden", "Death’s head", "Bust of a woman", "Man" (wood), "Head of a bearded man" (metal cut-out folded and painted), "The flowering water can", "The goat" [2 views], "Head of a woman (Alice Derain)", "Figure", "Woman in a long dress" [all bronze except as noted]

Toward a critical framework. W. Rubin. V:l, 36-55 Se66

il: "Ma jolie", "Crucifixion" (oil on wood)

x AIC, "Picasso in Chicago." W. Halstead. VI:10, 63-4 Su68

il: "Portrait of Dora Maar"

x LACMA, "The grape and wine in graphic art." VA. I:7, 10 [D]62

il: "Bacchanale" (lithograph)

x LACMA. F.A. Danieli. V:5, 62-3 Ja67

il: "The king of clowns" (3-color linoleum cut)

x Landau Gal (LA). DF. II:7, 43 Ja64

x Perls Gal (LA), group. SNH. III:8, 12 My65

x SBMA, "Putnam Dana McMillan collection." HVB. II:8, 10-12 F64

repr, il: "Femme nue assise". II:3, 58 Se63

adv, il: "Flaçon et livres". I:10, 3 Ap63

adv, il: "Tête de femme". II:3, 9 Se63

adv, il: "Verre, bouquet, guitare, bouteille". III:1, 7 Se64

adv, il: "Trois baigneuses". IV:6, 6 F66

adv, il: "Tête (blue bone)". IV:6, 7 F66

adv, il: "Nature morte aux cerises". IV:7, 7 Mr66

adv, il: lithograph from Il Bisonte print workshop, Florence, Italy. V:6, 70 F67

adv, il: "Peace". VI:3, 6 N67

PICCILLO, Joseph

adv, il: [no title given]. VI:7, 14 Mr68

PICHE, Roland 1938

Some new British sculptors. A. Forge. III:8, 31-5 My65

il: "Sunset and deposition" (fibreglass)

PICKETTE, Walter

x The Contemporaries (SFe), group. J. Hugo. I:6, 20 [N]62

x Contemporaries Gal (SFe). F. C. Smith. II:1, 18 Jy63

il: "Untitled II"

PICO, Juan

adv, il: "Bronze". II:2, 63 Ag63

PIENE, Otto 1928-

Sculpture’s vanishing base. J.W.Burnham. VI:3, 47-55 N67

PIERCE, Earl 1924-

x Quay Gal (SF). JM. II:3, 53 Se63

PIERSON, Conway 1927-

x Raku Gal (LA). RGW. I:11, 53 My63

il: "Bronze vessel"

x SBMA, w R. Thomas, A. Perkoff. JH. II:3, 18 Se63

PILLIN, Polia 1909-

x Williams Gal (SF). JM. I:5, 45 [O]62

PINCUS-WITTEN, Robert

Allusive structure: a conversation with Joe Raffaele. il V:4, 20-1 D66

A Caillebotte exhibition at Wildenstein. il VII:3, 55-6 N68

The era and aura of Aubrey Beardsley. il V:8, 49-52 Ap67

George Segal as realist. il V:10, 84-7 Su67

Ideal interlude: the first retrospective of the Salons de la Rose-Croix. VII:1, 51-4 Se68

il: see Aman-Jean, Delville, Khnopff, la Rochefoucauld, Osbert, Point, Sarluis, Schwabe

Ingres: Harvard’s Fogg Museum mounts a splendid centennial exhibition. il V:9, 46-8 My67

Kokoschka at eighty. il (pt col) V:5, 48-50 Ja67

New York. il IV:4, 51-3 D65; IV:5, 54-6 Ja66; IV:6, 55-7 F66; IV:7, 47-50 Mr66; IV:8, 51-2 Ap66; IV:9, 53-4 My66; IV:10, 52-5 Je66; V:6, 61 F67; V:7, 50-2 Mr67; V:9, 58 My67; VI:4, 55-6 D67; VI:5, 58-9 Ja68; VI:6, 48-51 F68; VI:7, 58-9 Mr68; VI:8, 63-5 Ap68; VI:9, 58-61 My68; VI:10, 51-5 Su68

A note on Golub. il VI:10, 46-7 Su68

Sound, light and silence in Kansas City. V:5, 51-2 Ja67

phot: see Gesner

il: see Artschwager, Bollinger, Morley

"Systemic" painting: a well-chosen view is presented by Lawrence Alloway. V:3, 42-5 N66

il: see D. Fleming, Gourfain, Held, Huot, Mangold, A. Martin, Novros, Poons, Zox

Reply. R. Kraus. V:4, 4 D66

Thek’s tomb. il por VI:3, 24-5 N67

The trouble with Russian painting: a survey of Russian art at the Gallery of Modern Art. VI:1, 47-50 Se67

il: see Bakst, Chemesov, Golovin, Goncharova, Grigoriev, Larionov, Malevich, Malyvine, Roerich, Serov, Venetsianov

Reply (correction). R. Pincus-Witten. VI:2, 4 O67

PINKERTON, Clayton 1931-

x Berkeley Gal (Berk), group. JCM. I:12, 45-6 Je63

x Berkeley Gal (Berk), w M. Yarowsky. JCM. II:5, 48 N63

il: "We used to kiss when the trains went by"

x CalPal, "Winter invitational." JM. I:8, 46 F63

il: "Rider"

x de Young. JC. I:10, 13 Ap63

il: "Ace"

x Robles Gal (LA), group. EK. IV:9, 16 My66

x SFMA, "Arts of San Francisco." P.D. French. VI:2, 58 O67

PINNEY, Frederick E.

Photographing a Henry Moore sculpture. III:1, 25-7 Se64

phot: "Three-part reclining figure"

PINTO, James

x Simone Gal (LA). JH. II:9, 15 Mr64

x Simone Gal (LA). NM. IV:3, 12 N65

PIPPIN, Horace 1888-1946

Hicks/Kane/Pippin. C. W. Millard. V:7, 43-5 Mr67

il: "Amish letter writer", "John Brown going to his hanging"

PISSARRO, Camille 1830-1903

Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67

il: "Place de Théâtre Français"

x Center for Inter-American Relations (NY). J. Lanes. VI:8, 62 Ap68

il: "Carnival dance" (sepia, pencil)

x de Young, "Collection of Dr. & Mrs. T. Edward Hanley." P.D. French. VI:7, 66 Mr68

il: "Two peasant women in a field" (pencil)

bk Pissarro, by J. Rewald. Review by P. Leider. II:7, 52 Ja64

PISTOLETTO, Michelangelo 1933-

adv, il: [no title given]. V:9, 12 My67

PITSEOLAK

x UC, Lowie, "Canadian Eskimo prints." EMP. I:5, 42 [O]62

il: "Playing kickball with demons" (stonecut print)

PIZA, Arthur Luis

x Robles Gal (LA), group. DM. I:9, 51-3 Mr63

PIZZUTO, Eugene 1925-

x Marylhurst Coll (Portland). A. Rocchia. I:11, 18 My63

PLAGENS

adv, il: [no title given]. V:8, 12 Ap67

PLAGENS, Peter

A Georgia O’Keeffe retrospective in Texas. il (pt col) IV:9, 27-31 My66

Jack Stuck’s "Bathers". il phot V:2, 27 O66

Letter. VI:1, 4 Se67 (see M. Fried)

Louis Kahn’s new museum in Fort Worth. il phot por VI:6, 18-23 F68

Present-day styles and ready-made criticism: in which the formal contribution of Pop art is found to be Minimal. V:4, 36-9 D66

phot: see Warhol

il: see L. Bell, Foulkes, Frankenthaler, Judd, Rauschenberg, F. Stella, Warhol

Reviews: Los Angeles. IV:6, 16 F66; IV:7, 14-17 Mr66; IV:8, 14-16 Ap66

A Sam Francis retrospective in Houston. il (pt col) VI:5, 38-43 Ja68

PLANTIER, Marc du

x Thomas Gal (LA). JH. I:7, 18 [D]62

PLASTICS in art

Plastics West Coast. P.D. French. il phot VI:5, 48-9 Ja68

Sky gate. R. Bolomey. il III:2, 22-5 N64

x CSCLA, "Plastics, L. A." J. Livingston. VI:9, 65-6 My68

phot: installation view

x MtStM, "New images, new materials." CO. il IV:4, 14-16 D65

see also: Art and technology

PLATEAU, Joseph 1801-1883

Imagery and illusion. J. Kline. I:5, 24-9 [O]62

il: [phenakistiscope]

PLUMB, John

British art today. J. Coplans. I:7, 27-31 [D]62

PLYMELL, Charles

x Batman Gal (SF), w J. Cross. JM. I:10, 14 Ap63

POINT, Armand

Ideal interlude: the first retrospective of the Salons de la Rose-Croix. R. Pincus-Witten. VII:1, 51-4 Se68

il: "Study for La Sirène" (pastel, 1897), "Poster for the Fifth Salon" (lithograph, with Leonard Sarluis, 1896)

POLAND: recent art

A central European miscellany. E. F. Fry. il IV:8, 23-6 Ap66

x Toporow Gal (LA), "Four Polish artists." AS. I:4, 16-18 Se62

POLIFKA, Bernice

x LAAA, "New members." HJW. II:4, 45 D63

POLITEAU, Gerry

x Gal de Silva (SB), "The Siegrist family." HVB. II:3, 18 Se63

POLITICS and art

Problems of criticism, IV: the politics of art, part I. B. Rose. VI:6, 31-2 F68

see also: Censorship

Subsidy of art

United States Government

POLLACK, Lew and Weber, architects

Architecture. E. G. Burger & P. Coplans. IV:8, 56-7 Ap66

il: [model for UC Arts Center competition]

POLLACK, Reginald Murray 1924-

x Gump’s Gal (SF). EMP. I:5, 45 [O]62

x Gump’s Gal (SF). EMP. I:12, 53 Je63

il: "Winter landscape"

x Landau Gal (LA), group. HTH. I:4, 16 Se62

x Lytton, "The search." E. Kurzen. V:4, 60 D66

POLLEY, Elizabeth M.

East Bay. il III:8, 46-7 My65

Man: glory, jest and riddle, parts I & II. III:4, 26-9 Ja65

il: see Burne-Jones; Etruria; Gérome; La Tour; Nepal; Sculpture, Spanish; Tiepolo

Melanesian art. II:4, 19-23 O63

il: "Sacred figure" (col, cover), "Spirit figure", "Lintel from façade of men’s house", "Sacred objects" (col), "Mortuary mask", "Head used in promoting growth of yam crops", "Ancestral clan figures", "Polychrome clan cult figures"

The rasa of Indian art. III:1, 20-4 Se64

il: "Dancing Shiva with eight arms", "Shiva and Devi standing as Uma-Maheshvara", "Section of Stupa railing" (red sandstone), "Female torso (Tara)" (basalt), "Head of a Bodhisattva" (red sandstone), "Short-horned buffalo" (bronze), "Kubera, the God of Wealth" (red sandstone), "Elephant fighting a lion" (brush drawing)

Reviews: San Francisco. I:2, 38-9 Jy62; I:3, 34-40 Ag62; I:4, 43-8 Se62; I:5, 39-45 [O]62; I:6, 13-19 [N]62; I:7, 41-51 [D]62; I:8, 45-50 F63; I:9, 10-18 + 43-5 Mr63; I:10, 10-19 Ap63; I:11, 10-18 My63; I:12, 44-54 Je63; II:1, 6-16 Jy63; II:4, 11-16 O63; II:5, 44-51 N63; II:6, 48-54 D63; II:7, 9-15 Ja64; II:8, 41-5 F64; II:9, 47-53 Mr64; II:10, 9-17 Ap64; II:11, 46-50 My64; III:2, 46-52 N64; III:3, 48-51 D64; III:4, 47-8 Ja65; III:5, 10-14 F65; III:6, 44-8 Mr65

San Francisco. il IV:3, 48-9 N65; IV:5, 52-3 Ja66

San Francisco - East Bay. il IV:4, 50 D65; IV:6, 49-50 F66; IV:8, 55-6 Ap66; IV:9, 57 My66; IV:10, 49-50 Je66

The sculptor of Autun. il I:8, 23-6 F63 (for main entry see Gislebertus)

Tom Holland at Richmond. il phot V:3, 60 N66

POLLOCK, Betty

x Agora Gal (SF), group. [M. Mann]. III:1, 50-1 Se64

POLLOCK, Charles

x Henri Gal (Wash., D.C.), group. B. Rose. VI:3, 57 N67

il: untitled

x Sachs Gal (NY), group. E. Wasserman. VI:3, 62 N67

POLLOCK, Jackson 1912-1956

Anti form. R. Morris. VI:8, 33-5 Ap68

il: "One"

The biomorphic forties. L. Alloway. IV:1, 18-22 Se65

il: "Drawing" (blue ink on paper), "Composition"

Cubism, Abstract Expressionism, David Smith. D. Bannard. VI:8, 22-32 Ap68

il: untitled oil

Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. por VI:9, 24-31 My68

il: untitled abstraction

The dilemma of Expressionism. M. Kozloff. III:2, 32-5 N64

il: "Ocean greyness"

Evaluations and re-evaluations. S. Tillim. VI:10, 20-3 Su68

il: "Number 27"

The figure and the figurative in Abstract Expressionism. S. Tillim. IV:1, 45-8 Se65

il: "Pasiphae"

The genesis of Jackson Pollock: 1912 to 1943. F. V. O’Connor. V:9, 16-23 My67

il: "Land, sea, sky" (painted ceramic), "Mural sketch" (detail), "Menemsha Pond", "Night pasture", "Untitled", "Untitled painting", "Mine scene" (lithograph), "Birth", "Head", "Painting", "Stenographic figure", "Male and female"

Reply. W. Rubin, w rejoinder by F. V. O’Connor. V:10, 4-5 Su67

An interview with Friedel Dzubas. M. Kozloff. IV:1, 49-52 Se65

Jackson Pollock. M. Fried. IV:1, 14-17 Se65

il: "Number 1", "White cockatoo" (oil and duco on canvas), "Cutout", "Out of the web"

Jackson Pollock and the modern tradition. W. Rubin. V:6, 14-22 F67

Contents: I. The myths and the paintings. II. The all-over compositions and the drip technique.

phot: "Jackson Pollock in his studio" [2 views]

il: "Night ceremony", "The blue unconscious", "Circumcision", "Shimmering substance", "Eyes in the heat (I)", "The wooden horse" (oil, Duco, collage on duck mounted on board), "Drawing" (m/m on paper), "Mural on Indian red ground", "Black and white frieze" (Duco on paper), "Autumn rhythm"

Reply. H. Rosenberg, w rejoinder by W. Rubin. V:8, 6-7 Ap67

Further reply. H. Rosenberg, w further rejoinder by W. Rubin. V:9, 4 My67

Reply (correction). H. Geldzahler. V:8, 7 Ap67

Reply. J. VeFoley. V:8, 7 Ap67

Reply. S. Mueller. V:8, 7 Ap67

Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67

Contents: III. Impressionism and the classic Pollock. IV. Color and scale; affinities with the late Monet.

il: " Full fathom five" (detail)(col, cover), "Number 8" (Duco & aluminum paint on canvas on composition board), "Lavender mist", "Greyed rainbow", "Full fathom five" (col); see also Cham, Degas, Matisse, Matta, Monet, Pissarro, Renoir

Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67

Contents: V. Cubism and the later evolution of the all-over style.

il: "Composition", "One", "Number 17", untitled, "Shimmering substance", "Mural", untitled; see also Arman, Dubuffet, M. Ernst, Gottlieb, Guston, Johns, Masson, Matisse, Miró, Mondrian, Ossorio, Picasso, Poons, Sobel, Tobey, Tomlin

Correction. V:9, 4 My67

Jackson Pollock and the modern tradition, part IV. W. Rubin. V:9, 28-33 My67

Contents: VI. An aspect of automatism.

il: "Untitled abstraction", "Galaxy", "Moon vessel", "No. 8", "Black and white", "No. 32" (detail), "Number one" (detail); attributed to Pollock, [2] painting [s] offered for sale... and withdrawn; see also M. Ernst, Hofmann, Miró, Onslow-Ford, Picabia

Correction. V:10, 5 Su67

Reply (amplification). W. Rubin. VI:1, 5 Se67

John D. Graham: the painter as esthetician and connoisseur I. Sandler. VII:2, 50-3 O68

il: "Moon woman cuts the circle" (1943)

Lee Krasner in mid-career. E. Wasserman. VI:7, 38-43 Mr68

The many colorations of black and white. M. Kozloff. II:8, 22-5 F64

New York School: the first generation. P. Leider. IV:1, 3-13 Se65

il: "Search", "Four opposites" (oil, Duco and aluminum paint on canvas)(col), "Black and white - Number 20" (Duco)

The second generation. B. Rose. IV:1, 53-63 Se65

The thirties revived. E. Stevens. IV:10, 43-7 Je66

il: "Landscape with train", "Landscape with factory"

Toward a critical framework. W. Rubin. V:1, 36-55 Se66

il: "White horizontal", "Mural on red ground" (Duco)

x Dwan Gal (LA), group. AS. I:4, 8 Se62

il (p 10): untitled (ink on rice paper)

x Kantor Gal (LA), group. A. Secunda. I:1, 8 Je62

il: "No. 19"

x PasAM, "A view of the century." NM. III:4, 12 Ja65

x UStTh, "Six painters." K. von Meier. V:9, 59-60 My67

il: "Search for a symbol"

adv, il: "Composition no. 16". IV:6, 6 F66

adv, il: "Composition, 1941". IV:7, 6 Mr66

adv, il: "Ritual". VI:7, 13 Mr68

POLLOCK, Mrs. Jackson

see Krasner, Lee

POLOS, Theodore

x CalPal, w D. McKay. JM. II:3, 53 Se63

POMODORO, Arnaldo 1926-

x Landau Gal (LA). HTH. I:7, 10 [D]62

il: "Scatola #5" (bronze), "Radar #3" (bronze)

POMODORO, Gio 1930-

x Landau Gal (LA), "Sculpture." CP. I:11, 44 My63

adv, il: "Crowds #1" (bronze). V:9, 7 My67

POMONA College Art Gallery, Claremont, California

The Pomona College Gallery. M. Cope. II:12, 36 Su64

il: see Bicci

POND, Clayton

x Jackson Gal (NY), E. Wasserman. VII:3, 64 N68

il: "The kitchen sink in my former studio" (1968)

PONIATOWSKA, Marie-Anne

x CalPal. PDP. II:11, 50 My64

x Evans Gal (LA), group. DM. I:4, 16 Se62

x Evans Gal (LA), group. CP. I:5, 16 [O]62

il: "Oiseau mort #6"

x Evans Gal (LA). VA. II:6, 14 D63

il: "Le vol éternel" (conte crayon and pencil)

PONTORMO, Jacopo da [Jacopo Carrucci] 1494-1557

x Pomona, "Mannerist art." ET. II:8, 9-10 F64

il: "Reclining male nude"

POOLE, Richard

x Paideia Gal (LA), group. RGW. I:7, 20 [D]62

x Paideia Gal (LA). RGW. II:1, 52 Jy63

x Ryder Gal (LA), group. BH. III:5, 40-2 F65

il: "The women"

x Ryder Gal (LA). EK. IV:6, 18 F66

POONS, Larry 1937-

The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66

Jackson Pollock and the modern tradition, part III. W. Rubin. V:8, 18-31 Ap67

il: "Rosewood"

Larry Poons. J. Coplans. III:9, 33-5 Je65

il: "Away out on the mountain" (col), untitled drawing, "Han-San cadence"

Larry Poons. M. Kozloff. III:7, 26-9 Ap65

il: "Night on Bald Mountain" (col, cover), "Nixe’s mate", "Sicilian chance", "Northeast grave", "Cold Mt. break-down", "East India Jack"

New paintings by Larry Poons. K. S. Champa. VI:10, 39-42 Su68

il: "Brown sound" (col, cover), untitled, untitled (col), untitled, "Fliegende", "Brown sound"

Present-day art and ready-made styles. D. Bannard. V:4, 30-5 D66

il: "Enforcer"

The serial attitude. M. Bochner. VI:4, 28-33 D67

il: "Art of the fugue I"

"Systemic" painting. R. Pincus-Witten. V:3, 42-5 N66

il: "Mary Queen of Scots"

x Castelli Gal (NY). R. Pincus-Witten. V:7, 50-1 Mr67

il: "Rosewood"

x Ferus Gal (LA), "New York group." DF. II:9, 13 Mr64

adv, il: [no title given]. III:9, 7 Je65

POP art

Anti-sensibility painting. I. C. Karp. il II:3, 26-7 Se63

Cézanne and Lichtenstein: problems of "transformation". E. Loran. il II:3, 34-5 Se63 (see author entry for all cross-references)

Further observations on the Pop phenomenon. S. Tillim. phot IV:3, 17-19 N65

The inert and the frenetic. M. Kozloff. il IV:7, 40-4 Mr66

An interview with Allen Jones. J. Coplans. il III:7, 19-21 Ap65

An interview with Robert Mallary. N. Robb. il II:7,37-9 Ja64

Joe Goode and the common object. P. Leider. il IV:7, 24-7 Mr66

The new paintings of common objects. J. Coplans. il chronology I:6, 26-9 [N]62

Oldenburg, Lichtenstein, Warhol: a discussion. B. Glaser. il IV:6, 20-4 F66

Pop art in Canada. J. B. Lord. il II:9, 28-31 Mr64

Pop art, USA. J. Coplans. il (pt col) II:4, 27-30 O63

Reply. A. J. Schneider. II:7, 2 Ja64

Present-day art and ready-made styles. D. Bannard. il phot V:4, 30-5 D66

Present-day art and ready-made criticism. P. Plagens. il phot V:4, 36-9 D66

Saint Andy. P. Leider. il phot III:5, 26-8 F65

San Francisco. J. Monte. V:3, 64 N66

The value of didactic art. B. Rose. il phot V:8, 32-6 Ap67

x LACMA, "Six painters and the object," and "Six more." DF. il II:3, 13-14 Se63

x Occidental Coll (LA), "Edge of Pop." WW. III:6, 18 + 51 Mr65

x Pomona, "Recent American painting." EW. il III:7, 10 Ap65

POPE, Betty Carney

x Artists’ Co-op (Sac). EMP. II:5, 51 N63

x Artists’ Co-op (Sac). E.M. Polley. IV:10, 50 Je66

POPOVA, Liubov 1889-1924

A confusion in Buffalo. M. Kozloff. VI:9, 50-3 My68

il: "Set for The magnificent cuckold" (as reconstructed)

The Constructivist ethos: Russia 1913-1932 (part I). R. Hunt. VI:1, 23-9 Se67

phot: scene from "The magnificent cuckold"

PORTA, Giovanni Baptista della

Imagery and illusion. J. Kline. por I:5, 24-9 [O]62

il: [camera obscura]

PORTER, David

x Burr Gal (LA). RGW. I:12, 18 Je63

PORTER, Eliot 1901-

x American Foundation of Arts Gal (Carmel), w R. Garrod. JC. I:9, 45 Mr63

x de Young. M. Mann. III:9, 46 Je65

il: "Lichens, New Mexico" (color photograph)

x SFMA, "The photographer & the American landscape." M. Mann. IV:2, 47-8 O65

PORTER, Fairfield 1907-

Unconventional realists. G. Laderman. VI:3, 42-6 N67

il: "Iced coffee"

x Nagy Gal (NY). D. Adrian. V:9, 56 My67

il: "Iced coffee"

PORTER, Katherine Page

x Hale Gal (LA), w G. Viacrucis. SCS. I:8, 18 F63

PORTER, Michael

Photographing a Henry Moore sculpture. III:1, 25-7 Se64

phot: "Three-part reclining figure"

PORTLAND, Oregon: reviews

Reviews: Portland. (Title of this department is "Portland" in II:9). pt il I:1, 13-14 Je62; I:2, 44-6 Jy62; I:4, 50 Se62; I:5, 16 [O]62; I:6, 52 [N]62; I:7, 51 [D]62; I:9, 45 Mr63; I:10, 19-20 Ap63; I:11, 18 My63; II:1, 17-18 Jy63; II:3, 54 Se63; II:5, 52 N63; II:9, 53 Mr64 (for author entries see P. Burnham, N. A. Koch, A. Rocchia)

see also: Northwest: recent art

Oregon headings

PORTRAITS

x Pomona + Scripps, "Portraits from the Museum of Modern Art." DM. I:11, 43-4 My63

see also: Erotic art

Figure in art

Realism

POSADA, José Guadalupe 1851-1913

Masterworks of Mexican art: modern. C. Wolfe. II:6, 36 D63

x CrAG. EMP. III:5, 12 F65

il (p 14): "Calavera revolucionaria" (engraving)

POSEY, Ernest

x Gal Van der Voort (SF). P.D. French. VII:3, 65-6 N68

il: "#165-68" (1968)

POST, George 1906-

Emblems of sorrow. M. Fuller. II:5, 34-7 N63

il: "Freighters along the Embarcadero" (watercolor)

POST PAINTERLY Abstraction

Abstract illusionism. B. Rose. il (pt col) VI:2, 33-7 O67

Distillation: a joint showing. E. C. Goossen. il V:3, 31-3 N66

Light as surface: Ralph Humphrey and Dan Christensen. M. Kozloff. il (pt col) VI:6, 26-30 F68

On frontality. R. E. Krauss. il (pt col) VI:9, 40-6 My68

Post Painterly Abstraction. J. Coplans. il (pt col) II:12, 4-9 Su64

Present-day art and ready-made styles. D. Bannard. il phot V:4, 30-5 D66

Scale and the future of modernism. S. Tillim. il VI:2, 14-18 O67

Shape as form: Frank Stella’s new paintings. M. Fried. il (pt col) V:3, 18-27 N66

"Systemic" painting. R. Pincus-Witten. il V:3, 42-5 N66

Reply. R. Krauss. V:4, 4 D66

The visual revolution of Structurist art. C. Biederman. il III:7, 34-8 Ap65

bk 3 American painters, by M. Fried. Review by P. Leider. IV:2, 44-5 O65

see also: Color

POSTERS

American Art Nouveau posters. C. Steen. il IV:7, 17 Mr66

Four Russian posters. III:6, 26-7 Mr65

il: "Ideological diversion", "Shame on the monsters of the Pentagon", "American proposal for disarmament", "Treasure the honor of your father, serve the honor of your fatherland"

Jugendstil Expressionism in German posters. P.D. French. il (pt col) IV:6, 27-32 F66

x Locke Gal (SF). EMP. II:5, 51 N63

x Moore Gal (SF), "The joint show." P.D. French. il VI:2, 60-1 O67

adv, il: [23] U.S. art posters. V:1, 93 Se66

adv, il: [37 U. S. art posters]. V:3, 8-9 N66

adv, il: [40U.S. art posters]. V:7, 7 Mr67

adv, il: [9 San Francisco posters](col). V:9, 15 My67

adv, il (col): "Seven serigraphs by seven artists." VII:4, 20 D68

adv, il: [51 U. S. art posters]. VI:2, 6-7 O67

adv, il: [19 List art posters]. VI:4, 14 D67

adv, il: [11 U. S. art posters]. VI:6, rear cover F68

adv, il: [12 posters by various artists]. VI:8, 17 Ap68

adv, il: [6 posters by various artists]. VI:9, 17 My68

see also: Banners

Multiple-originals

Prints

POTTER, G. Kenneth 1926-

x Maxwell Gal (SF). JM. I:5, 45 [O]62

x Villa Montalvo (SF), group. JCM. II:7, 15 Ja64

POTTS, Don 1936-

Another category: "eccentric abstraction". D. Antin. V:3, 56-7 N66

x Hansen Gal (SF). J. Monte. IV:9, 56-7 My66

il (p 53): "Bananas have no bones" (wood, leather)

x RichAC, "Print-sculpture annual." MM. III:2, 46 N64

adv, il + por: [no title given]. IV:7, 11 Mr66

POUCETTE

x Acosta Gal (LA). LR. I:2, 7 Jy62

x Calhoun Gal (Dallas). R. Askew. I:6, 20 [N]62

adv, il: [no title given]. I:2, 3 Jy62

POUSETTE-DART, Richard 1916-

New York School: the first generation. P. Leider. IV:1, 3-13 Se65

il: "Fugue #2" (col), "Savage rose"

POUSSIN, Nicholas 1594-1665

Rosenquist at the Met: avant-garde or Red Guard? S. Tillim. VI:8, 46-9 Ap68

il: "The rape of the Sabine women"

POWELL, Fred 1924-

Fred Powell. II:2, 52 Ag63

il: "Tidal pool # 12"

x Feingarten Gal (LA). MS. III:8, 48 My65

POWELL, Jack

x AIC, "70th annual exhibition of painting and sculpture by artists of Chicago and vicinity." W. Halstead. V:9, 64-5 My67

il: untitled

POWERS, John C.

Letter. IV:6, 4 F66 (see K. von Meier)

PRADIER, Jean-Jacques 1792-1852

The sculpture of Matisse, part II: old problems and new possibilities. A. Elsen. VII:2, 22-33 O68

il: "Psyche"

PRE-COLUMBIAN art

Collecting in Los Angeles. G. Nordland. II:12, 12-18 Su64

il: "Pre-Columbian statue, Rowan collection"

Masterworks of Mexican art: pre-Columbian. R. Altman. il II:6, 37-41 D63

Pre-Columbian art. P. Stafford. il II:5, 27-9 N63

x de Young, "Gold of the Andes, treasures of Peru." EMP. II:5, 44-7 N63

il: "Ceremonial gold hands" (Chimu, gold with relief ornament), "Lizard" (Mochica, gold)

x Franklin Gal (LA). CO. III:8, 50-1 My65

il (p 18): "Mixtec frog" (clay)

x PasAM, "Pre-Columbian masterworks." DG. I:7, l5-17 [D]62

x UC, Lowie, ["Rubbings from Maya stone carvings"]. E.M. Polley. IV:6, 49 F66

bk Sweat of the sun, tears of the moon, by A. Emmerich. Not reviewed. IV:2, 46 O65

il: "Aztec sun god, Tonatiuh"

repr, phot: Olmec head (basalt) being installed in the Seagram Plaza, New York. V:2, cover O66; V:2, 34 O66

adv, il: [no title given]. I:3, 47 Ag62; I:4, 55 Se62; I:5, 50 [O]62

adv, il: [no title given]. I:6, 53 [N]62

adv, il: [no title given]. I:8, 59 F63

adv, il: [no title given]. II:5, 4 N63

adv, il: [no title given]. V:3, 17 N66

adv, il: "Large Mayan limestone stele". VI:6, 7 F68

adv, il: [no title given]. VI:7, 10 Mr68

adv, il: "Chavin gold plaque of a feline headed fish." VII:4, 5 D68

see also: Folk art, Mexican

Indians of North America

Primitive (tribal) art

PRENDERGAST, Maurice Brazil 1859-1924

Gothic parallels. S. Tillim. V:5, 15-19 Ja67

il: "Piazza di San Marco" (watercolor)

x CrAG, "The immortal eight." EMP. III:2, 46 N64

x Hatfield Gal (LA), "American Impressionists." CO. III:3, 14-16 D64

adv, il: "Beach promenade" (col). II:3, 3 Se63

PRENTISS, Chuck 1942-

x Robles Gal (LA), group. J. Livingston. VI:2, 61 O67

x Robles Gal (LA). J. Livingston. VI:10, 61 Su68

il: untitled (m/m)

PRICE, Kenneth 1935-

Abstract Expressionist ceramics. J. Coplans. V:3, 34-41 N66

il: "Cup" (col), "Lizard cup", [two] cups, stoneware pot, green and brown stoneware plate [2 views]

American sculpture at the Los Angeles County Museum of Art. P. Leider. V:10, 6-11 Su67

il: "S. D. green" (painted clay)

5 Los Angeles sculptors at Irvine. J. Coplans. IV:6, 33-7 F66

il: "S. violet" (col), "BG red" (both polychromed fired clay), untitled drawing (gouache)

Fifty California artists. R. Bogat. I:7, 23-6 [D]62

il: "Yellow" (ceramic and paint)

Higgins, Price, Chamberlain, Bontecou, Westermann. J. Coplans. II:10, 38-40 Ap64

phot: view of installation, "New American sculpture", PasAM

Kenneth Price. H. T. Hopkins. II:2, 41 Ag63

il: "G orange" (fired and painted clay)

Sculpture. D. McClellan. II:12, 69-74 Su64

il: "G. G. white", "B. G. red"

Sculpture in California. J. Coplans. II:2, 3-6 Ag63

il (cover): untitled ceramic (col)

x Ferus Gal (LA). CW. II:10, 43-5 Ap64

il: "B. T. blue"

repr, il: "Kenneth Price (1935-2017 A. D.)". V:10, 96-7 Su67

PRIESMEIER, Dorothy

x Zora’s Brentwood Gal (LA). AS. I:4, 16 Se62

PRIMITIVE (naive) art

x ACLJ, "Twentieth century Latin American naive art." JR. il II:11, 12 My64

x Karamanduca Gal (SF), "Haitian primitives." KS. III:6, 48 Mr65

x M. Janis Gal (LA), "Primitives." ME. II:6, 9-10 D63

x Otis, "Icons, bultos, and retablos: a collection of primitive paintings and sculpture." CP. I:8, 41 F63

x Willoughby Gal (Pacific Palisades). CW. phot II:7, 48 Ja64

see also: Painting, United States, primitive (naive)

PRIMITIVE (tribal) art

x Chicago Arts Club (Chi), ["Raymond and Laure Wielgus collection of primitive art"]. W. Halstead. il V:4, 62-3 D66

x Franklin Gal (LA). VA. il II:11, 11 My64

x Franklin Gal (LA), "Forms and faces of primitive sculpture." CO. il III:6, 12 Mr65

x Franklin Gal (LA), "Myth and man in primitive art." WW. il IV:5, 16-17 Ja66

x UCLA, "Primitivism in modern graphic art." VA. il II:5, 12 N63

x Willoughby Gal (Pacific Palisades). CW. II:7, 48 Ja64

phot (p 46): view of installation

see also: Africa

Eskimos

Indians of North America

Pacific cultures

Pre-Columbian art

PRINT workshops

Note: see this heading in subject guide for complete list

PRINTS

The problem of the "original print". V. Allen. I:10, 53 Ap63

x Ach, "Old master prints." EMP. il I:9, 17 Mr63

x Ach, "Prints by Barbizon masters." EMP. il I:11, 15 My63

x Acosta Gal (LA), "Rare color lithographs." RGW. il I:11, 44 My63

x CalPal, "The woodcut since Gauguin." KS. II:9, 51 Mr64

x Kozlow Gal (Encino), "German Expressionist graphics." FAD. IV:4, 56 D65

x LACMA, "The grape and wine in graphic art." VA. il I:7, 10 [D]62

x PasAM, "Imprint." FAD. il III:3, 16 D64

x SFMA, "The Grunwald collection of prints." JC. I:9, 17 Mr63

x SFMA, "Prints by Kandinsky contemporaries." JCM. I:11, 15 My63

x UCLA, "Old master prints." VA. I:10, 45 Ap63

x UCLA, "Primitivism in modern graphic art." VA. il II:5, 12 N63

x USC, "Gamble etching collection." BH. III:3, 16-18 D64

x USC, "Old master prints from the National Gallery of Art." HJW. il III:7, 12 Ap65

bk A handbook of graphic reproduction processes, by F. Brunner. Review by P. Leider. I:9, 54 Mr63

see also: Banners

Multiple-originals

Posters

Print workshops

PRINTS, California, recent

x de Young, "California Society of Etchers." WH. I:4, 48 Se62

x E. Locke (SF), "Prints, the Californians, 1962." J. Coplans. I:1, 41 Je62

see also: Posters

PRINTS, Japanese

x R. E. Lewis (SF), "Japanese actor prints." WH. I:4, 48 Se62

x R. E. Lewis (SF), "Japanese actor prints." EMP. I:5, 42 [O]62

x PorAM. A. Rocchia. II:3, 54 Se63

x Sabersky Gal (LA), "Japanese woodblock prints." CP. II:3, 20 Se63

x Sabersky Gal (LA), "Modern Japanese graphics." E. Kurzen. V:6, 65 F67

PRINTS, recent

x Honolulu Academy of Arts (Honolulu), "IGAS prints, parts I and II." J. S. Eagle. I:3, 12 Ag62; also I:4, 50 Se62

x PorAM, "34th international exhibition of Northwest printmakers." A. Rocchia. I:11, 18 My63

adv, il: [40 col illustrations of prints by Anuskiewicz, B. Cohen, Davie, Denny, Dine, R. Hamilton, Hockney, Hodgkin, A. Jones, Paolozzi, Sedgley, R. Smith, V. Vasarely]. V:6, 36A-D F67

see also: Multiple-originals

Posters

PRINTS, San Francisco, recent

x Art Unlimited (SF), "Six printmakers." EMP. il II:1, 12-15 Jy63

x SFMA, "Arts of San Francisco: prints." EMP.I:3, 35 Ag62

x SFMA, "Arts of San Francisco:prints." EMP. il I:4, 47 Se62

see also:Posters

PRINTS, Southern California, recent

x L. A. Printmaking Society, group. AM. II:7, 45 Ja64

x LBMA, "Arts of Southern California XVI: prints." CS. IV:5, 47 Ja66

PRINTS, United States, recent

x LACMA, "American prints today - 1962." CP. I:6, 44 [N]62

x Otis, "Second annual invitational print exhibition." VA. I:11, 48 My63

see also: Multiple-originals

Posters

PRINZMETAL, I. H.

x Gal de Ville (LA). JH. II:9, 15 Mr64

PROBST, Joachim b.1881

x Grace Cathedral (SF). AS. I:2, 40 Jy62

il (p 43): "Study for the great descent"

x Raboff Gal (LA), group. SCS. I:9, 51 Mr63

il: "Vermont Madonna"

PROOM, Al 1933-

x Art Unlimited (SF), group. JCM. II:8, 45 F64

PRUNER, Gary 1940-

x Candy Store Gal (Folsom), group. E.M. Polley. IV:8, 56 Ap66

x UCD, "Young artists." EMP. I:9, 12 Mr63

il: untitled

PTASZYNSKI, William 1926-

x Evans Gal (LA). CO. IV:2, 15 O65

il: "Terranum #17" (watercolor)

PUDLO

x StanU, "Eskimo prints." EMP. I:10, 11-13 Ap63

il: [no title given](stone cut)

PUGET, Pierre 1620-1694

The sculpture of Matisse, part I: a new expressiveness in sculpture. A. Elsen. VII:1, 20-9 Se68

il: "Ecorché"

PUGLIESE, Joseph A.

Casting in the Bay Area. II:2, 11-14 Ag63

phot: "Peter Voulkos, untitled wax sculpture in preparation for casting", "Foundry at Berkeley" [4 views]

Reply (correction). H. Paris. II:3, 2 Se63

Work in progress. il II:7, 34-6 Ja64

(see Paris, H. P., for main entry)

PUVIS DE CHAVANNES, Pierre 1824-1898

Gauguin and the decorative style. S. Tillim. V:2, 36-8 O66

il: "The sacred grove"

The re-hanging of the Met’s 19th-century galleries. G. Laderman. VI:6, 33-5 F68

il: "The sacred grove", "Ave Picardia nutrix"

PYRON, Bernard

The Tao and Dada of recent American ceramic art. II:9, 41-3 Mr64

il: see C. Bailey, Ng, Sperry, Takaezu, Voulkos, Weinrib

QUAYTMAN, Harvey 1937-

x Marks Gal (NY). D. Adrian. V:5, 60-1 Ja67

il: "Swingline aluminum"

QUENNEL, Nicholas

see Daley, D., jt artist

QUENTIN, Bernard

adv, il: [no title given]. VI:6, 13 F68