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R Personal dates will be expanded and upgraded gradually. We
welcome corrections and additions. RABIN, Oskar x Arleigh Gal (SF). J. Monte. IV:4, 48-50 D65 il: "Urban landscape" RABINOVICH, Marilyn x Maxwell Gal (SF), w A. Blatas. EMP. I:9, 18 Mr63 il: "From the night" RADAKOVICH, Svetosar x LBMA, "Arts of Southern California, XII: sculpture." VS. I:7, 9 [D]62 x PavGal, "Artist as craftsman - craftsman as artist." JF. II:6, 12 D63 RAFFAELE, Joseph 1933- Allusive structure: a conversation with Joe Raffaele. R. Pincus-Witten. V:4, 20-1 D66 il: "Eyes, mouth, fish; watch; canyon; operation" [2 views] x Gugg, "The photographic image." R. Pincus-Witten. IV:7, 47 Mr66 x Stable Gal (NY). R. Pincus-Witten. IV:4, 51 D65 il: "Lipsticks, braces" x Berkeley Gal (SF) [misspelled Raffael]. P.D. French. VII:3, 65 N68 il: untitled collage RAHMI, Bedri 1913- x Ankrum Gal (LA), w B. Kussoy. SCS. I:10, 52 Ap63 RAINER, Yvonne adv, por VI:7, inside rear cover Mr68 RALPH, Dick x Paideia Gal (LA). BH. III:3, 45 D64 RAMLEY, John x Prism Gal (SF). AB. I:2, 43 Jy62 RAMOS, Adolph R. x Herald Gal (SF), group. M. Mann. IV:4, 58 D65 RAMOS, Mel 1935- Filthy pictures. B. Rose. III:8, 20-5 My65 il: "Peek a boo blonde" x Berkeley Gal (SF), w P. Layton. P.D. French. VI:1, 69 Se67 x LACMA, "Six more." DF. II:3, 13-14 Se63 x Lanyon Gal (Palo Alto), group. JCM. II:3, 52 Se63 x SFAI, "Some new art in the Bay Area." PL. II:1, 7 Jy63 x Stuart Gal (LA). SRS. IV:4, 16 D65 il (p 15): "Velveeta" x Stuart Gal (LA). J. Livingston. VI:4, 63-4 D67 il: "The white hood" RANDELL, Richard Kenneth 1929- x Marks Gal (NY), group. R. Pincus-Witten. IV:10, 55 Je66 x Marks Gal (NY). R. Pincus-Witten. V:6, 61 F67 il: "Red, yellow, blue klacker" x Marks Gal (NY). R. Pincus-Witten. VI:10, 55 Su68 il: "Yellow meander" (fiberglass & epoxy) adv, il: [no title given]. VI:7, 16 Mr68 adv, il: [no title given]. VI:8, 15 Ap68 adv, il: [no title given](col). VII:4, rear cover D68 RANDOM selection x U British Columbia (Vancouver), "Random sample, N=42." A. Balkind. VI:9, 68-9 My68 phot (p 70): installation view RANKINE, V. V. adv, il: [no title given]. IV:8, 12 Ap66 RANSOM, William x PasAM, w K. Neubert. DM. I:9, 51 Mr63 il: "Horseplay" RAPHAEL [Raffaello Sanzio] 1483-1520 x CalPal, "Master drawings from Chatsworth." JM. II:4, 9-11 O63 il: "Studies of a man’s head and hand" (black chalk) RAPHAEL, Joseph adv, il: [no title given]. VI:10, 14 Su68 RAPOPORT, Sonya x Bolles Gal (SF). PDF. III:4, 48 Ja65 il: "Billboard" x CalPal, group. EMP. I:12, 46-9 Je63 il: "Rose rouge" x SFAI, "The square drawing." PDF. II:11, 46 My64 RASMUSSEN, Henry 1909- x OM, "East Bay Artists’ Association exhibition." JCM. II:7, 13 Ja64 x StanU. EMP. II:8, 45 F64 RATHFON, Carole Reviews: Los Angeles. IV:9, 15 My66 RAUH, Fritz adv, il: [no title given]. II:12, 88 Su64 RAUSCHENBERG, Robert 1925- Conformity in the arts. L. D. Longman. I:1, 21 Je62 The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66 il: "Express" (o/c w silkscreen) The many colorations of black and white. M. Kozloff. II:8, 22-5 F64 il: "Crocus" Pop art in Canada. J. B. Lord. II:9, 28-31 Mr64 il: "Manuscript" Present-day art and ready-made styles. D. Bannard. V:4, 30-5 D66 Present-day styles and ready-made criticism. P. Plagens. V:4, 36-9 D66 il: "Buffalo II" The second generation. B. Rose. IV:1, 53-63 Se65 il: "Eleanor Ward’s black painting" (newspaper on canvas), "Interior" The serial attitude. M. Bochner. VI:4, 28-33 D67 il: "White painting" (house paint on canvas) Theatre and engineering. S. Whitman & B. Kluver. phot por V:6, 26-33 F67 x Castelli Gal (NY). R. Pincus-Witten. VII:4, 55-6 D68 phot: installation view, "White paintings" x Dwan Gal (LA), group. HTH. I:6, 48 [N]62 il: "Blue exit" x Dwan Gal (LA). NM. III:9, 11 Je65 il: "New York bird calls for Oyvind Fahlström" (combine painting on canvas) x LACMA, "Six painters and the object." DF. II:3, 13-14 Se63 adv, il: "Express, 1963". II:4, 7 O63 adv, il: [no title given]. III:7, 8 Ap65 adv, il: "Booster" (col). V:8, 2-3 [fold-out cover] Ap67 adv, il: "Autobiography". VI:8, inside rear cover Ap68 adv, il: "Storyline I" (col). VI:9, 11 My68 adv, il & por: "White paintings 1951". VII:2, 18 O68 RAY, Man 1890- Freud and Duchamp: the Mona Lisa "exposed". J. J. Spector. VI:8, 54-6 Ap68 il: photo of Duchamp for label of "Belle Haleine" The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "Rayograph" A Man Ray retrospective in Los Angeles. C. I. Belz. V:4, 22-6 D66 il: "Needle and thread" (collage), "Cadeau" (replica), "Orchestra", "The rope dancer accompanies herself with her shadows" (aerograph), "Rayograph", "The turning point" (ink drawing), "Plage sage" (collage), "New York, 1920" (replica, m/m), "Emak Bakia" (m/m, replica), "Jeune fille" (collage)(col) The new Whitney: the show. B. Rose. V:3, 51-5 N66 il: "The rope dancer accompanies herself with her shadows" A succession of visitors. G. Nordland. II:12, 64-8 Su64 il: "Aerograph" Surrealism as art. S. Tillim. V:1, 66-71 Se66 il: untitled oil The Surrealist film. T. Mussman. V:1, 26-31 Se66 il: "L’étoile de mer" [2 stills] Surrealist painting re-examined. M. Kozloff. V:1, 5-9 Se66 il: "Imaginary portrait of Sade" x Cordier/Ekstrom (NY). D. Adrian. IV:4, 53-4 D65 il: "Serious man" x SBMA + UCSB, "Surrealism." KVM. IV:9, 12-13 My66 il: "La fortune" adv, il: "Untitled" (four-color lithograph). V:5, 10 Ja67 adv, il: "Les gens du monde" (1929), "The village (Ridgefield, NJ)" (1913). VII:4, 7 D68 RAY, Melville x Villa Montalvo (SF), group. JCM. II:7, 15 Ja64 RAYSSE, Martial 1936- x Dwan Gal (LA). DF. I:10, 47 Ap63 il: "And God created woman" x Dwan Gal (LA). J. Livingston. VI:1, 63 Se67 phot: installation view x Iolas Gal (NY). D. Adrian. V:5, 59-60 Ja67 il: "Proposition for escape: heart garden" (plexiglass, neon) adv, il: [no title given]. II:11, 7 My64 adv, il: [no title given]. V:10, 93 Su67 adv, phot: [installation view], Iolas Gal (NY). I:8, 3 F63 RAZA, Sayed x Lanyon Gal (Palo Alto), group. JM. I:7, 49 [D]62 REALISM Unconventional realists. G. Laderman. il VI:3, 42-6 N67 x BrM, "Triumph of realism." G. Laderman. il VI:4, 58-9 D67 x FAGSD, "20th century realists." M. Hagberg. il IV:8, 17-18 Ap66 see also:Erotic art Figure in art Landscape painting Photography and art Portraits Trompe 1’ oeil REBAY, Hilla [Hildegard Rebay von Ehrenwiesen] b.1890 x PorAM, "American painting and sculpture, 19th and 20th century." A. Rocchia. I:10, 19-20 Ap63 REBEYROLLE, Paul 1926- x Acosta Gal (LA), group. SCS. I:10, 48 Ap63 REDDY, Krishna x Plaisir de France (LA). HJW. III:4, 46 Ja65 REDERER, Franz x Hatfield Gal (LA). CO. III:4, 46 Ja65 il: "Chess players" adv, il: "Self portrait". III:2, 10 N64 REDINGER, Walter 1940- adv, il: fibreglass sculpture. VII:4, 16 D68 REDON, Odilon 1840-1916 The Armory Show. K.T. Steinitz. II:3, 38-9 Se63 il: "Woman’s head" Toward a critical framework. W. Rubin. V:1, 36-55 Se66 il: "The breath that impels beings is also in the spheres" (lithograph) x Gugg, "Rousseau, Redon & fantasy." R. Pincus-Witten. VII:3, 61 N68 adv, il: "Les saintes femmes". VII:3, 15 N68 REED, Paul Letter. J. Roberts. VI:9, 4 My68 adv, il: [no title given]. VI:3, 8 N67 REEP, Edward 1918- x Downey Mus (Downey), "California artists." GN. II:5, 16 N63 x Rivas Gal (LA). DG. I:7, 17 [D]62 il: "Lobster rake" REFREGIER, Anton 1905- The suppression of art. G. Nordland. II:5, 25-6 N63 REGNAULT, Alexandre Georges Henri 1843-1871 The re-hanging of the Met’s 19th-century galleries. G. Laderman. VI:6, 33-5 F68 il: "Salome" REIBACK, Earl 1936- adv, il + por: [no title given]. V:4, 9 D66 REICH, Don 1931- x Gump’s Gal (SF), group. A. Bloomfield. I:1, 39 Je62 REICH, Sheldon Letter. II:4, 2 O63 (see J. Marin) Mann - Wyeth - Hopper: three major retrospectives at the University of Arizona. il (pt col) I:11, 37-40 My63 Reply. D. Parshall. II:1, 2 Jy63 Reply. S. Levine. II:1, 2 Jy63 REICH, Steve, and Wiley, William T. x Hansen Gal (SF), "Over evident falls" [multi-media program]. P.D. French. VII:4, 62-3 D68 phot: [scene] from "Over evident falls" REICHEK, Jesse 1916- x USC. J. Livingston. VI:6, 61 F68 REICHMAN, Fred 1925- x Anleigh Gal (SF), w R. Bowman. P.D. French. VI:4, 66 D67 il: "Cat and garden hose" x Rabow Gal (SF), group. A. Bloomfield. I:1, 36 Je62 x Rabow Gal (SF), group. PF. II:1, 8-11 Jy63 x Rabow Gal (SF). KS. II:6, 48 D63 il: "Garden of Marin" x Rabow Gal (SF), group. PDF. II:11, 50 My64 x Rabow Gal (SF). J. Monte. IV:6, 48 F66 il (p 50): "Spring signals" adv, il: [no title given]. II:4, 49 O63 REINHARDT, Ad F. 1913-1967 Ad Reinhardt: three statements. IV:7, 34-5 Mr66 phot: installation view, Dwan Gal (LA), November, 1963; installation view, Parsons Gal (NY), March, 1965 il: "Abstract painting, sixty by sixty inches square, 1960" (col) Chronology by Ad Reinhandt. por VI:2, 46-7 O67 il (cover): drawing (col) The many colorations of black and white. M. Kozloff. II:8, 22-5 F64 New York School: the first generation. P. Leider. VI:1, 3-13 Se65 il: "Abstract painting" Reinhardt: the purist blacklash. I. Sandler. V:4, 40-7 D66 il: "Abstract painting", "Abstract painting", "Abstract collage", "Abstract painting", "Abstract painting", "#20", "Abstract painting", untitled painting, "Abstract painting" (col), " # 17-1953", "Ultimate painting # 13" Reply (correction). I. Sandler. V:6, 4 F67 Serial imagery. J. Coplans. VII:2, 34-43 O68 Systems esthetics. J. Burnham. VII:1, 30-5 Se68 The thirties revived. E. Stevens. IV:10, 43-7 Je66 il: untitled (oil on board) x Dwan Gal (LA), group. HTH. I:6, 48 [N]62 x Dwan Gal (LA). DF. II:7, 43 Ja64 x SFMA, "Directions - American painting." JM. II:5, 43-4 N63 x SFMA, "Americans 1963." JM. III:1, 43-4 Se64 REISE, Barbara Letter. VI:9, 4 My68 (see S. Tillim) REISS, Roland x The Gallery (Denver), group. J. Frank. III:1, 50 Se64 x MtStM, "New images, new materials." CO. IV:4, 14-16 D65 REMBRANDT Harmensz van Rijn 1606-1669 The age of Rembrandt. P.D. French. V:5, 40-5 Ja67 (see author listing for main entry) x CalPal, "Master drawings from Chatsworth." JM. II:4, 9-11 O63 il: "St. Augustine in his study" (pen and brown ink), "The Rijnpoort at Rhenen" (pen and ink, wash) x UC, "Reproductions of Rembrandt drawings." J. Coplans. I:1, 39 Je62 x USC, "Old master prints." HJW. III:7, 12 Ap65 REMIERS, Klaus x Locke Gal (SF). JM. II:3, 53 Se63 REMINGTON, Deborah W. 1930- The mysterious machine. K. Stiles. IV:6, 25-6 F66 il: "Statement", "Antietam", "Lydian", "Decatur", "Haddonfield" Sculpture steals the show in the 83rd annual. J. Monte. II:11, 22-4 My64 il: "Dorion" x Clark Art Inst. (Williamstown, MA). J. Lanes. VII:1, 64-5 Se68 x Dilexi Gal (LA). DM. I:11, 48 My63 il: "Big red" x Dilexi Gal (SF). JM. I:7, 46 [D]62 il (p 48): "Torque" x Dilexi Gal (SF), "Drawings & the like." KS. II:10, 13 Ap64 x Dilexi Gal (SF). J. Monte. IV:3, 47-8 N65 il: "Canzon" x SFAI, "Art bank." WH. I:4, 48 Se62 il (p 46): untitled x SFAI, "The square drawing." PDF. II:1, 46 My64 x SFMA, " [SFAI] 84th annual." K. Stiles. IV:2, 42-3 O65 adv, il: "Painting". I:6, 10 [N]62 adv, il: [no title given]. IV:1, 69 Se65 REMINGTON, Frederic 1861-1909 x Wildenstein (NY), w C.M. Russell. J. Lanes. VII:1, 64-54 Se68 il: "Trail of the shod horse" (1907), "Father Marquette discovering the Mississippi" adv, il: "The rattlesnake". VI:3, 16 N67 RENOIR, Pierre Auguste 1841-1919 The Armory Show. K.T. Steinitz. II:3, 38-9 Se63 il: "Algerian girl" The arts of man. R. Askew. I:7, 36-8 [D]62 il: "Portrait of a four-year-old boy" (col) Jackson Pollock and the modern tradition, part II. W. Rubin. V:7, 28-37 Mr67 il: "The duck pond" (detail), "The duck pond" x Acosta Gal (LA), "Rare color lithographs." RGW. I:11, 44 My63 adv, il: "Jeune fille à la rose". II:3, 9 Se63 adv, il: "Blond se peignant" . II:9, 5 Mr64 adv, il: Portrait de vieille femme". III:1, 5 Se64 adv, il: [no title given](col). VII:2, 11 O68 REPRODUCTION of works of art The problem of the "original print". V. Allen. I:10, 53 Ap63 bk A handbook of graphic reproduction processes, by F. Brunner. Review by P. Leider. I:9, 54 Mr63 see also: Banners Multiple-originals Posters Prints Photography of works of art RESHOFT, Ray x Gray Gal (Chi), "Portraits of LBJ." W. Halstead. V:8, 70-1 Ap67 il: "LBJ" RESNAIS, Alain 1922- The inert and the frenetic. M. Kozloff. IV:7, 40-4 Mr66 RESNICK, Milton 1917- The second generation. B. Rose. IV:1, 53-63 Se65 il: "#511", "Witness" REUBEN, B. B. x Artists’ Co-op (SF). JC. I:6, 19 [N]62 REUSCHEL, John Reviews: Los Angeles. I:10, 52 Ap63; I:11, 47-53 My63; I:12, 17 Je63; II:3, 17 Se63; II:5, 12-18 N63; II:7, 43-7 Ja64; II:9, 15-17 Mr64; II:10, 45-51 Ap64; II:11, 12 My64; III:1, 14-16 Se64 REWALD, John 1912- bk Pissarro. Review by P. Leider. II:7, 52 Ja64 REXROTH, Kenneth 1905- Angel-hipsterism, Beat and Zen versus new materials. J. Coplans. I:4, 39-42 Se62 x Peacock Gal (SF), w O. Sherman. KS. II:10, 17 Ap64 il: untitled REYNAUD, Charles Emile 1844-1918 Imagery and illusion. J. Kline. I:5, 24-9 [O]62 il: [praxinoscope] REYNOLDS, Sir Joshua 1723-1792 Romantic art in England. J. Lanes. VI:10, 27-31 Su68 il: "Comedy" (m/m) REYNOLDS, Roger Music and Surrealism. N. Slonimsky. V:1, 80-5 Se66 il: page from score of "The Emperor of ice cream" REYNOLDS, William 1939- x StanU, "Current painting and sculpture in the Bay Area." JM. III:3, 47-8 D64 REZENDES, Joyce x SBMA. HVB. II:10, 47-9 Ap64 il: "Parachicos" RIBACK, Terry Photographing a Henry Moore sculpture. III:1, 25-7 Se64 phot: "Three-part reclining figure" RICCI, Sebastiano 1660-1734 Master drawings in Los Angeles: Venetian. G. Nordland. II:9, 22-5 Mr64 il: "Continence of Scipio" RICE, Gordon x Gal Lamoi (Honolulu). J. S. Eagle. I:3, 12 Ag62 RICE, Raymond x CalPal, group. EMP. I:12, 46-9 Je63 RICH, Helen Steinau 1902- x RichAC. EMP. IV:5, 53 Ja66 RICH, Marsha x Paideia Gal (LA), group. EC. I:12, 18 Je63 RICH, Philip 1935- x LACMA, "Five younger Los Angeles artists." DF. IV:6, 14 F66 il: "Carlyle’s musical drape" (acrylic) RICHARDS, Ceri 1903- British art today. J. Coplans. I:7, 27-31 [D] 62 RICHARDS, Janet x Louvre Gal (SF). JM. II:10, 18 Ap64 il: untitled RICHARDS, John x RichAC, group. EMP. III:3, 48-50 D64 RICHARDSON, Sam 1934 x Art Unlimited (SF), group. EMP. I:10, 17 Ap63 il: untitled drawing (ink and wash) x RichAC, "2-D, 3-D." E.M. Polley. IV:10, 49-50 Je66 il: "Straight up" (m/m) x Robles Gal (LA). J. Livingston. VI:9, 67-8 My68 il: "The mist rises from that guy’s waterfall every morning" (fiberglass)[2 views] RICHBOURG, Lance 1938- x Ceeje Gal (LA), "Drawing show." BS. II:11, 14-16 My64 x Ceeje Gal (LA), group. BH. III:1, 18 Se64 x Ceeje Gal (LA). SRS. IV:5, 17 Ja66 il: "Assassination of Bitter Creek Neucombe" RICHIER, Germaine 1904-1959 x AIC, "Sculpture: a generation of innovation." W. Halstead. VI:2, 64-6 O67 RICHTER, Hans 1888- A perspective. N. Calas. V:1, 78-9 Se66 phot: "Ghosts before breakfast" [movie still] The Surrealist film. T. Mussman. V:1, 26-31 Se66 RICHTER, Vjenceslav 1917- A central European miscellany. E. F. Fry. IV:8, 23-6 Ap66 il: "Constructed sphere" (aluminum tubing) RICKEY, George 1907- Kinetic sculpture at Berkeley. P. Leider. IV:9, 40-5 My66 il: "Five lines in parallel planes" (stainless steel) Reply. G. Rickey, w rejoinder by P. L [eider]. V:2, 5 O66 Looking at American sculpture. B. Rose. III:5, 29-36 F65 il: "Sedge theme" (stainless steel) Two motion sculptors: Tinguely and Rickey. A. Secunda. I:1, 16-18 Je62 il: "Standing ripple", "Marsh plant" x Bear Gal (SB), group. HVB. IV:3, 13 N65 x Primus -Stuart Gal (LA). A. Secunda. I:1, 11-13 Je62 x Stuart Gal (LA). FAD. III:1, 16 Se64 RICO, Paul x Hartley Gal (SF). [M. Mann]. III:1, 51 Se64 RIDDERHOF, Phyllis x LAAA, "30 friends." CP. I:7, 18 [D]62 il: "Woman" RIDGEWAY, Joan x Artists’ Co-op (SF), group. HG. I:12, 53 Je63 RILEY, Bridget 1931- A confusion in Buffalo. M. Kozloff. VI:9, 50-3 My68 il: "Static I" Recent British painting at the Tate. K. Champa. VI:7, 33-7 Mr68 il: "Crest" x Feigen Gal (NY). R. Krauss. IV:10, 51 Je66 il: untitled (pencil, gouache on graph paper) x Feigen-Palmer Gal (LA), "New British painters." NM. III:3, 11-12 D64 il: "Hidden squares" (emulsion on board) x Feigen/Palmer Gal (LA). NM. IV:4, 14 D65 il: "Release" (emulsion on board) adv, il: [no title given]. IV:1, 67 Se65 adv, il: [no title given]. IV:7, 12 Mr66 RILEY, Terry x Nelson Gal, Kansas City, MO, "Magic theater." J. Livingston. VII:1, 66-7 Se68 il: "Time lag accumulator" RINK, Larry x LBMA, group. CS. IV:6, 58 F66 x Wooden Horse Gal (LagB). HJW. II:3, 17-18 Se63 il: "Rush of spring" RIOPELLE, Jean-Paul 1923- Art since 1950: international. [SeWF]. I:4, 29 Se62 il: untitled oil RIPPON, Ruth x Barrios Gal (Sac), group. EMP. I:11, 16 My63 x Barrios Gal (Sac), group. EMP. II:11, 50 My64 RISA adv, il: [no title given]. VII:3, 13 N68 RISDON, Bill x Batman Gal (SF).PDF. II:6, 48 D63 il: white sculpture RITTER, Julian x Poulsen Gal (LA). BS. II:8, 14 F64 RIVAS, Paul George 1930- Letter. I:6, 2 [N]62 x Bednarz Gal (LA). E. Kurzen.V:2, 54 O66 il: untitled x Comara Gal (LA). CO. III:8, 50 My65 il: "Self with two interests" (watercolor) RIVERA, Diego 1886-1957 Masterworks of Mexican art: modern. C. Wolfe. II:6, 36 D63 il (p 41): "Dance to the sun" x SFMA. JM. I:7, 41-2 [D]62 il: "Study for fresco, reclining nude" (pencil), "Indian girl with coral necklace" RIVERS, Larry 1923- Art since 1950: American. [SeWF]. I:4, 34 Se62 il: "U.N. painting" Larry Rivers, Stuart Davis and slang idiom. M. Kozloff. IV:3, 20-4 N65 il: "Buick painting with P", "Dutch Masters I", "The identification manual", "Washington crossing the Delaware", "Augusta" A succession of visitors. G. Nordland. II:12, 64-8 Su64 il: "Parts of the body" (collage on paper) x Dwan Gal (LA), "My country ‘tis of thee." RGW. I:8, 20 F63 x Dwan Gal (LA). HTH. II:1, 43-4 Jy63 il: "Dutch Masters - blunts" x Dwan Gal (LA). ISP. IV:5, 15 Ja66 il: "The Sunday Screw" (oil, collage on paper) x MAGLA, "20th century drawings." DM. I:8, 10-13 F63 x PasAM. WW. IV:2, 11-13 O65 il: "The second greatest homosexual" (plexiglass, collage, electric light and wood) repr, il: cover design (col). II:9, cover Mr64 Reply. J. Mulgannon. II:11, 4 My64 adv, il: [no title given]. I:10, 3 Ap63 adv, il: [no title given]. IV:3, 8 N65 adv, il: "Cigar box" [multiple]. V:3, 68 N66 adv, il: "Cigar box" (silk screen w cutout wood). VI:l0, 10 Su68 RIZZO, Tony x Pass Gal (LA), "Local 839, IATSE, film cartoonists." JH. I:7, 20 [D]62 ROBB, Natalie An interview with Robert Mallary. il II:7, 37-9 Ja64 ROBBINS, LeRoy x SFMA. M. Mann. VI:2, 70 O67 ROBBINS, Tom Seattle. il VI:l, 65-7 Se67 ROBERT, Hubert 1733-1808 x LACMA, "The treasures of Versailles." W. Osmun. I:12, 9-10 Je63 il: "The gardens of Versailles" ROBERTS, Jean Letter. VI:9, 4 My68 (see A. Hudson) ROBERTSON, A. M., collection x OM. FM. I:4, 44 Se62 ROBERTSON, Archibald Gothic parallels. S. Tillim. V:5, 15-19 Ja67 il: "Collect (or fresh water) pond, New York City" (w/c) ROBERTSON, Bryan Letter; VII:1, 4 Se68 (see J. Livingston) ROBETTA, Christofano x Ach, "Old master prints." EMP. I:9, 17 Mr63 il: "Adoration of the Magi" (engraving) ROBINSON, Henry P. 1830-1901 bk Photographers on photography, ed. by N. Lyons. Review by A. Bardo. V:7, 65-6 Mr67 ROBINSON, Jay x Burr Gal (LA), w R. Gari. CP. I:11, 53 My63 ROBINSON, Theodore adv, il: "Negro boy". I:6, 8 [N]62 ROBUS, Hugo 1885-1964 x Forum Gal (NY). R. Pincus-Witten. IV:8, 52 Ap66 il: "Vanity" (bronze) ROCCA, Suellen x HyPAC, "Hairy who!" W. Halstead. IV:10, 56-7 Je66 il: "Hairy what game" (pen and ink) x HyPAC, "Hairy who!" W. Halstead. V:9, 65-6 My67 ROCCHIA, Andy Portland: the juried exhibition. I:3,27 Ag62 (see N.A. Koch) Reviews: Portland. pt il I:4, 50 Se62; I:6, 52 [N]62; I:7, 51 [D]62; I:10, 19-20 Ap63; I:11, 18 My63; II:1, 17-18 Jy63; II:3, 54 Se63; II:5, 52 N63; II:9, 53 Mr64
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ROCKMAN, Arnold x U British Columbia (Vancouver), "Random sample, N=42." A. Balkind. VI:9, 68-9 My68 phot (p 70): installation view ROCKWELL, Jarvis x Batman Gal (SF), w B. Conner. R. Olmsted. I:1, 39 Je62 RODCHENKO, Aleksandr 1891-1956 The Constructivist ethos: Russia 1913-1932 (part II). R. Hunt. VI:2, 26-32 O67 phot: circus photograph from "Novy Lef", "Rodchenko and Stepanova" il: cover for "Novy Lef", "Photo-montage for Mayakovsky’s poem, ‘About this’" RODEMSKY, Erwin E. Photographing a Henry Moore sculpture. III:1, 25-7 Se64 phot: "Three-part reclining figure" RODGERS, John 1829-1904 The underground pre-Raphaelitism of Edward Kienholz. S. Tillim. IV:8, 38-40 Ap66 il: "John Alden and Priscilla" RODIA, Simon 1879-1965 Fantastic architecture. K.T. Steinitz. I:3, 16-19 Ag62 phot: "Watts Towers" [2 views] Homage to Sam: Alfred H. Barr, Jr., describes his responses to the Towers at Watts. A. H. Barr, Jr. IV:2, 18-22 O65 il: "Towers at Watts" (col, front & rear covers), [view of the Towers], [4 details from the Towers] Sculpture in California. J. Coplans. II:2, 3-6 Ag63 Simon Rodia. II:2, 15-16 Ag63 phot: "Towers in Watts", "Towers in Watts" (detail, 2 views) Surrealism and architecture. K. von Meier. V:1, 60-5 Se66 phot: "Towers at Watts" A visit with Sam Rodia. K.T. Steinitz. por I:11, 32-3 My63 phot: "Towers in Watts" [2 views], [detail from the Towers] Reply. Mr. & Mrs. D. Martos. II:1, 2 Jy63 Reply. C. Fassler. II:1, 2 Jy63 x LACMA, "Simon Rodia’s Towers at Watts." AS. I:3, 10-12 Ag62 RODIN, François Auguste René 1840-1917 Born before 1900. A. Werner. II:3, 40-2 Se63 Brancusi. S. Geist. V:7, 19-25 Mr67 il: "The kiss" (marble) Rodin’s modernity. A. Elsen. II:6, 23-6 D63 il: "The three shades" (bronze)(col), "Torso, study for the Burgher Pierre de Wiessant" (bronze), "Flying figure" (bronze), "Torso: study for ‘The walking man’" (bronze), "Head of Baudelaire" (bronze), "Nude with drapery" (pencil and watercolor)(col) The sculpture of Duchamp-Villon. A. Elsen. VI:2, 19-25 O67 il: "Eternal springtime" (bronze), "Baudelaire" (bronze) The sculpture of Matisse, part I: a new expressiveness in sculpture. A. Elsen. VII:1, 20-9 Se68 il: "The walking man" (1878)[full view & 2 details], "John the Baptist" (detail, head), "Flying figure" (rear view) The sculpture of Matisse, part II: old problems and new possibilities. A. Elsen. VII:2, 22-33 O68 The sculpture of Matisse, part III: primitivism, partial figures and portraits. A. Elsen. VII:3, 26-35 N68 The sculpture of Matisse, part IV: the backs and monumental decorative sculpture. A. Elsen. VII:4, 24-32 D68 Sculpture’s vanishing base. J. W. Burnham. VI:3, 47-55 N67 il: "The burghers of Calais" (detail of plinth), "The burghers of Calais" x CalPal. EMP. II:5, 47 N63 il: "The age of bronze" Letter. H. Covert. II:6, 2 D63 x MFAH. C. Steen. II:9, 57 Mr64 x Robles Gal (LA). CP. II:4, 42 O63 il: "Dancing nude" (pencil and watercolor) bk Brancusi, a study of the sculpture, by S. Geist. Review by A. Elsen. VII:4, 70-3 D68 RODMAN, Selden 1909- Reviews: Mexico City. T. Joysmith. I:5, 18 [O]62 ROEDER, John b.1877 John Roeder. II:2, 36 Ag63 il: [no title given] Sculpture in California. J. Coplans. II:2, 3-6 Ag63 Reply. W. C. Estler. II:4, 2 O63 x RichAC. BB. I:7, 49-50 [D]62 x Walnut Creek Lib (Walnut Creek). JCM. II:6, 52 D63 ROERICH, Nicholas Konstantin 1874-1947 The trouble with Russian painting. R. Pincus-Witten. V:1, 47-50 Se67 il: "Building the ship" ROGATNICK, Abraham Disaster in Pasadena. il phot VI:7, 24-7 Mr68 ROGERS, Barbara x Walls Gal (SF). P.D. French. VI:10, 63 Se68 il: "Box trick ROHRBACH, William 1925- x Bear Gal (SB), w C. Hinkle. HVB. I:6, 50 [N]62 ROJO, Vincente 1932- Reviews: Mexico City. T. Joysmith. I:2, 14 Jy62 ROLICK, Esther x Stuart Gal (LA). EK. IV:8, 16 Ap66 il (p 18): "Sighing lion and puma" ROLLER, Alfred b.1864 repr, il: poster for the 16th exhibition of the Vienna Secession. VI:2, 59 O67 ROMAN, Tadeusz x Toporow Gal (LA), group. AS. I:9, 51 Mr63 il (p 52): "Street in Lodzi" ROMANO, Joseph 1911- x Bolles Gal (SF). JM. I:9, 18 Mr63 x Bolles Gal (SF). J. Monte. IV:3, 47 N65 il: "And the veil was rent in twain", "X ten" x SFAI, "Group collage exhibit." JM. I:12, 49 Je63 il: "Portrait of an Egyptian" (collage) ROMANTICISM Romantic art in England. J. Lanes. il VI:10, 27-31 Su68 see also: Barbizon school Landscape painting Painting, French, nineteenth-century ROMBAUX & Hoosemans [company?] x de Young, "The Art Nouveaux." P.D. French. VI:9, 71-2 My68 il: "Candelabrum" (ivory & silver) ROME, ancient adv, il: "Augustean copy of 4th century original". II:11, 58 My64 see also: Bronzes, ancient Etruria ROOD, John 1902- x Feingarten Gal (SF). J. Coplans. I:1, 41 Je62 adv, il: [no title given]. V:9, 69 My67 ROOT, Ednah adv, il: [no title given]. II:11, 56 My64 ROPS, Felicien 1833-1898 x GaMA. R. Pincus-Witten. VI:5, 58-9 Ja68 il: "La fleur lascive orientale" (etching) ROS-GOLSEG, R. x RichAC, "Print-sculpture annual." MM. III:2, 46 N64 il (p 49): "Adondo - 64" ROSA, Salvator 1615-1673 The future of landscape painting. G. Laderman. VII:3, 57-60 N68 il: "Landscape" ROSE, Barbara Abstract illusionism. VI:2, 33-7 O67 il (pt col): see Bannard. R. Davis, Olitski, Schapiro, F. Stella, Zox Beyond vertigo: Optical art at the Modern. III:7, 30-3 Ap65 il (pt col): see Bannard, G. Davis, Foyster, E. Kelly, Liberman, Morellet, Oster, J. P. Vasarely Claes Oldenburg’s soft machines. il V:10, 30-5 Su67 Donald Judd. il (pt col) III:9, 30-2 Je65 Filthy pictures: some chapters in the history of taste. III:8, 20-5 My65 il: see Beal, W. Chamberlain, Courbet, Cranach, Goya, P. Harris, Ingres, B. Johnson, A. Katz, Klimt, Manet, Pearlstein, Ramos, Schiele, Strider, Waldman, Wesselmann How to murder an avant-garde. IV:3, 30-5 N65 il: see Avedisian, Blume, Bruce, Carles, Demuth, Dove, Hartley, Marin, R. Murray, O’Keeffe, N. Williams An interview with Jack Youngerman. il (pt col) IV:5, 27-31 Ja66 An interview with Robert Murray. il V:2, 45-7 O66 Looking at American sculpture: a series of important sculpture exhibitions in New York provide a needed view of recent developments. III:5, 29-36 F65 phot: see Caro, R. Morris il: see Ferber, P. Frazier, Hinman, Judd, Kipp, R. Murray, Padovano, Rickey, D. Smith, Streeter, von Schlegell, Zogbaum Nakian at the Modern. il V:2, 18-19 O66 The new Whitney: the show. il V:3, 51-5 N66 (see Whitney Museum of American Art for main entry) New York. il VI:3, 57-60 N67 Problems of criticism, IV: the politics of art, part I. VI:6, 31-2 F68 The sculpture of Ellsworth Kelly. il (pt col) phot V:10, 51-5 Su67 The second generation: academy and breakthrough. IV:1, 53-63 Se65 il: see Bluhm, S. Francis, Frankenthaler, Goldberg, Goodnough, Hartigan, Held, Johns, E. Kelly, Leslie, J. Mitchell, Noland, Olitski, Raymond Parker, Rauschenberg, Resnick, Segal, Stefanelli, Youngerman Correction. IV:4, 4 D65 The value of didactic art. V:8, 32-6 Ap67 Contents: 1. The artist as teacher. 2. "The Chelsea girls" as cinema phot: see Andre, R. Morris, Warhol il: see Brecht, Duchamp, Flavin, Johns, R. Pettibone, Warhol Reply. C. Andre. V:10, 4 Su67 Washington scene. il VI:3, 56-7 N67 bk American art since 1900. Review by J. Lanes. VI:7, 69-73 Mr68 Reply. J. Jennings. VI:9, 4 My68 ROSEN, David x Gal de Tours (SF). EMP. II:7, 13 Ja64 x Gal Giana (LA). JH. I:8, 44 F63 ROSEN, Seymour x LACMA, "Simon Rodia’s Towers at Watts." AS. I:3, 10-12 Ag62 ROSENBERG, Harold 1906- Harold Rosenberg on criticism. por II:8, 28-9 F64 Letter. V:8, 6-7 Ap67 (see J. Pollock) Letter. V:9, 4 My67 (see J. Pollock) New York School: the first generation. P. Leider. IV:1, 3-13 Se65 The second generation. B. Rose. IV:1, 53-63 Se65 bk Arshile Gorky. Review by P. Leider. I:2, 47 Jy62 Reply. H. Rosenberg. I:4, 2 Se62 ROSENBERG, Karl x Davis Studio (SF), "Rejected by the San Francisco annual." HG. I:12, 50 Je63 il: "Judy at a nudist camp" ROSENBLUM, Robert 1927- Frank Stella. il III:6, 20-5 Mr65 James Bishop: reason and impulse. il V:6, 54-5 F67 Picasso as Surrealist. il V:1, 21-5 Se66 ROSENQUIST, James 1933- Anti-sensibility painting. I. C. Karp. II:3, 26-7 Se63 il: "Two 59 people" Boxes. D. Factor. II:10, 20-3 Ap64 il (cover): "Toaster" (col) James Rosenquist: aspects of a multiple art. L. R. Lippard. IV:4, 41-5 D65 il: "Above the square", untitled, "Discs" (o/c w aluminum), "In the red", "For the American Negro", "Early in the morning", untitled, "Capillary action #2", "Capillary action" Present-day art and ready-made styles. D. Bannard. V:4, 30-5 D66 il: untitled (o/c and mylar) Rosenquist at the Met: avant-garde or Red Guard? S. Tillim. VI:8, 46-9 Ap68 il: "F-111", "F-111" (detail); see also David, Leutze, Poussin x Dwan Gal (LA). WW. III:3, 12 D64 il: "Conveyor belt" x LACMA, "Six painters and the object." DF. II:3, 13-14 Se63 x SFMA, "Americans 1963." JM. III:1, 43-4 Se64 il: "Waves" adv, il: [no title given]. III:2, 10 N64 adv, il: [no title given]. III:8. 55 My65 adv, il: [no title given]. IV:9, 10 My66 ROSENTHAL, Ernest x Quay Gal (SF), w J. Clark. JM. II:9, 51 Mr64 x Quay Gal (SF), group. J. Monte. III:7, 44 Ap65 adv, il: [no title given]. II:7, 5 Ja64 ROSS, Charles 1937- Charles Ross. II:2, 38 Ag63 il: "Solveg IV" (welded iron and steel) The 1963 Paris Biennale. H. B. Chipp. II:2, 7-10 Ag63 il: "Untitled" (welded steel) Richard Van Buren, David Novros, Charles Ross: three Californians in New York. E. Wasserman. VI:10, 34-8 Su68 il: untitled (7 units), untitled (4 units), untitled (all Plexiglas and distilled water) Two showings of younger Los Angeles artists. F.A. Danieli. V:2, 24-6 O66 il: "T prism" (plexiglass & water) x Dilexi Gal (LA), group. HTH. I:4, 16 Se62 x Dilexi Gal (SF), group. JC. I:3, 38 Ag62 il (p 41): "Solveg IV" x Dilexi Gal (SF). JM. III:6, 46 Mr65 x Nelson Gal, Kansas City, MO, "Magic theater." J. Livingston. VII:1, 66-7 Se68 x StanU, "Some points of view - ’62." EMP. I:7, 41 [D]62 il: "Fourth allegory" x StanU, "Current painting and sculpture of the Bay Area." JM. III:3, 47-8 D64 adv, il: [no title given]. VI:9, 15 My68 ROSS, Donald S. x SFMA, "Arts of the Bay Area, photography." AB. I:6, 16 [N]62 ROSS, Sheila 1936- x Ceeje Gal (LA). ME. II:10, 51 Ap64 il: "Birnam Wood" ROSSMAN, Ruth x Heritage Gal (LA). FD. II:1, 47-8 Jy63 il: "Running figure no. 2" x Heritage Gal (LA). FAD. IV:10, 17 Je66 il: "Where the action goes" ROSSO, Medardo 1858-1928 Sculpture’s vanishing base. J. W. Burnham. VI:3, 47-55 N67 il: "The kiss on the tomb" ROSZAK, Theodore 1907- American sculpture: the situation in the fifties. W. Andersen. V:10, 60-7 Su67 il: "Whaler of Nantucket" (steel) ROTH, Frank adv, il: [no title given]. V:9, 6 My67 adv, il: [no title given]. VI:9, 5 My68 ROTH, Hal x SFMA. M. Mann. II:9, 54 Mr64 ROTHENSTEIN, Sir John 1901- bk British art since 1900. Review by P. Leider. I:4, 51 Se62 ROTHENSTEIN, Sir John, & Alley, Ronald bk Francis Bacon. Review by P. Leider. III:4, 51 Ja65 ROTHENSTEIN, Michael 1901- x Locke Gal (SF), "Six British printmakers." DB. I:7, 49 [D]62 ROTHKO, Mark 1903-1970 The biomorphic forties. L. Alloway. IV:1, 18-22 Se65 il: "Slow swirl at the edge of the sea", "Tentacles of memory" (ink and watercolor on paper) Dada, Surrealism and their heritage: 2. The Surrealist emigrés in New York. I. Sandler. VI:9, 24-31 My68 il: "Slow swirl at the edge of the sea" The many colorations of black and white. M. Kozloff. II:8, 22-5 F64 New York School: the first generation. P. Leider. IV:l, 3-13 Se65 The problem of color-light in Rothko. M. Kozloff. IV:1, 38-44 Se65 il: "Light cloud, dark cloud" (col), "Untitled", "Green on blue", "White center", "#24, 1949","Untitled" Toward a critical framework. W. Rubin. V:l, 36-55 Se66 il: "Baptismal scene" (watercolor) West Coast art: three images. P. Leider & J. Coplans. I:12, 21-5 Je66 x Dwan Gal (LA), group. HTH. I:6, 48 [N]62 x UStTh, "Six painters." K. von Meier. V:9, 59-60 My67 il: "Astral image" ROTTERSMAN, Larry Reviews: Los Angeles. I:2, 6-14 Jy62; I:4, 6-18 Se62 ROUAULT, Georges 1871-1958 The sculpture of Matisse, part IV: the backs and monumental decorative sculpture. A. Elsen. VII:4, 24-32 D68 il: "Torso (study of a woman’s back)" (ca. 1905) x LJMA. HJW. III:3, 16 D64 il: "Roi de Pologne" (watercolor and ink), [no title given](p 44) adv, il: "Le manage Breton". IV:7, 5 Mr66 ROUKAS, Nicholas x Bolles Gal (SF), group. EMP. II:4, 15 O63 il: "Simpatic" ROUSSEAU, Henri 1844-1910 Born before 1900. A. Werner. II:3, 40-2 Se63 il: "Garibaldi", "The battle of Reichshoffen" The Ludington collection. G. Nordland. II:10, 34-7 Ap64 il: "Castle in moonlight" Reviews: Phoenix. H. von Breton. IV:5, 49 Ja66 il: "La muse du poète Guillaume Apollinaire" x Gugg, "Rousseau, Redon & fantasy." R. Pincus-Witten. VII:3, 61 N68 adv, il: "Route de village". IV:7, 5 Mr66 ROUSSEAU, Théodore 1812-1867 Barbizon revisited. J. Isaacson. I:6, 32-6 [N]62 il: "Bridge at Moret", "The jetty at Granville" ROUSSEAU-MURPHY, Shirley x RichAC. BB. I:9, 17 Mr63 ROWAN, Herman 1923- x Flea Market West (SD). M. Hagberg. III:9, 44 Je65 ROWAN, Robert, collection Collecting in Los Angeles. G. Nordland. II:12, 12-18 Su64 il: "Pre-Columbian statue"; see also S. Francis phot: "View of the Rowan collection" [3 views] ROWLANDSON, Thomas 1756-1827 Earthworks and the new picturesque. S. Tillim. VII:4, 42-5 D68 il: "Dr. Syntax sketching the lake" (1815) x R. E. Lewis (SF). EMP. I:9, 17 Mr63 ROY, Pierre 1880-1950 The Hodes collection. W. Halstead. V:1, 56-9 Se66 il: "La fortune au repos" ROYER, Victor A. 1936- The 1963 Paris Biennale. H. B. Chipp. II:2, 7-10 Ag63 il: "Warrior #VIII" (welded steel) x Art Unlimited (SF), "Paris Biennale sculptors, ’63." KS. II:9, 49 Mr64 x Berkeley Gal (Berk), w T. Akawie. E.M. Polley. III:8, 47 My65 x Hollis Gal (SF). J. Monte. IV:3, 48 N65 x SFMA, " [SFAI] 84th annual." K. Stiles. IV:2, 42-3 O65 adv, il: [no title given]. V:7, 12 Mr67 RUBEN, Richards 1925- Abstract Expressionism. H. T. Hopkins. II:12, 59-63 Su64 il: "Untitled NVB" Four drawings. II:9, 32-3 Mr64 il: "Untitled #1", "Untitled #3", "Untitled #6", "Untitled #2" (all pencil and crayon on rice paper) x Berkeley Gal (Berk), group. JM. II:6, 48 D63 x FAGSD, "The Pacific Coast invitational." VS. I:8, 8-10 F63 il: "Claremont #34" x Ferus Gal (LA). DF. I:10, 47-8 Ap63 il: "Claremont #58" x (LA), "Cedars-Sinai Fellowship Council invitational." CW. II:7, 41-3 Ja64 il: "Claremont #51" RUBENS, Peter Paul 1577-1640 Showpiece. B. Rumpf. III:1, 11 Se64 il: "The Last Supper" x LJMA, "Dutch and Flemish painting of the Northern Renaissance." JC. III:1, 14 Se64 il (p 13): "Hercules rending the Nemean lion" RUBENSTEIN, Avrum x The Scene (SF). HG. II:1, 15 Jy63 RUBIN, [Reuven] x Hatfield Gal (LA). CP. I:9, 53 Mr63 RUBIN, William 1927- Jackson Pollock and the modern tradition. il phot V:6, 14-22 F67 Contents: I. The myths and the paintings. II. The all over compositions and the drip technique. Reply. H. Rosenberg, w rejoinder by W. Rubin. V:8, 6-7 Ap67 Further reply. H. Rosenberg, w further rejoinder by W. Rubin. V:9, 4 My67 Jackson Pollock and the modern tradition, part II. il (pt col) V:7, 28-37 Mr67 Contents: III. Impressionism and the classic Pollock. IV. Color and scale; affinities with the late Monet. Jackson Pollock and the modern tradition, part III. il V:8, 18-31 Ap67 Contents: V. Cubism and the later evolution of the all-over style. Jackson Pollock and the modern tradition, part IV. il V:9, 28-33 My67 Contents: VI. An aspect of automatism. Letter. W. Rubin. VI:1, 5 Se67 Letter. V:10, 4-5 Su67 (see F. V. O’Connor & J. Pollock) Letter. VII:4, 4 D68 (see J. Coplans) Toward a critical framework: 1. Notes on Surrealism and fantasy art; 2. Giorgio de Chirico; 3. A post-Cubist morphology: preliminary remarks. V:1, 36-55 Se66 il: see Arp, Baziotes, Boccioni, Böcklin, Cézanne, Chirico, Dali, W. de Kooning, Duchamp, Ernst, Gaudí, Gorky, Klee, Magritte, Masson, Matta, Miró, Mondrian, Moreau, B. Newman, Picasso, Pollock, Redon, Rothko, Seurat, Stamos, Still, Tanguy, H. van de Velde Correction. V:2, 5 O66 RUBLOWSKY, John Further observations on the Pop phenomenon. S. Tillim. phot IV:3, 17-19 N65 RUDA, Edwin 1922- x Park Place Gal (NY), w M. Di Suvero. D. Adrian. V:8, 56 Ap67 il: "Psalm for Elliot" [As author] Jack Krueger: frontiers of zero. il VI:8, 50-3 Ap68 RUDOLPH, Paul 1918- Architecture now. J. Jacobus. IV:5, 20-6 Ja66 phot: "Arts and Architecture building, Yale University" RUDOWICZ, Teresa x Landau Gal (LA), w M. Warzecha. A. Secunda. I:1, 11 Je62 RUHS, Marlinde Von see Von Ruhs, Marlinde RUISDAEL, Jacob van 1628?-l682 The age of Rembrandt. P.D. French. V:5, 40-5 Ja67 il: "Winter landscape" RUMPF, Barbara Showpiece, ["The Last Supper", by P. Rubens]. il III:1, 11 Se64 RUNYON, Cornelia 1887- Cornelia Runyon. A. Nin. II:2, 54-5 Ag63 il: "Cathedral" (selenite), "Walrus" (obsidian), "Fish" (blue calcite), "Head" (rose quartz) RUSCHA, Edward 1937- Concerning "Various small fires": Edward Ruscha discusses his perplexing publications. J. Coplans. por III:5, 24-5 F65 il: [9 uncaptioned illustrations from "Various small fires and milk"] The cool school. P. Leider. II:12, 47-52 Su64 il: "Noise, pencil, broken pencil, cheap Western" The new paintings of common objects. J. Coplans. I:6, 26-9 [N]62 il: "Actual size" Paragraphs on conceptual art. S. LeWitt. V:10, 79-83 Su67 il: detail from "Every building on the Sunset Strip" Pop art in Canada. J. B. Lord. II:9, 28-31 Mr64 Pop art, USA. J. Coplans. II:4, 27-30 O63 il: "Smash" (col) A sedimentation of the mind: earth projects. R. Smithson. VII:1, 44-50 Se68 phot: "Base side panel frame (glass broken)" (from Royal Road Test) x Ferus Gal (LA), group. FAD. III:1, 18 Se64 x Ferus Gal (LA). NM. III:3, 12 D64 il: "Standard station, Amarillo, Texas", "Securing the last letter" (p 15) x Ferus Gal (LA). WW. IV:5, 13 Ja66 il: "Oriole securing fresh-water fish" Reply. J. Bueno. IV:6, 4 F66 x Iolas Gal (NY). R. Pincus-Witten. VI:6, 49-50 F68 il: "Pool" (gunpowder on paper) x LACMA, "Six more." DF. II:3, 13-14 Se63 il: untitled oil x PasAM, "Paris Biennale artists." J. Livingston. VI:7, 65 Mr68 bk Every building on the Sunset Strip. Review unsigned. V:7, 66 Mr67 il: from "Some Los Angeles apartments" bk Twentysix gasoline stations. Review by P. Leider. II:3, 57 Se63 repr, il: "Surrealism soaped and scrubbed" (mixed media)(col). V:1, cover Se66 repr, por: "Ed Ruscha says goodbye to college joys". V:5, 7 Ja67 adv, il: "Twentysix gasoline stations". II:9, 55 Mr64 adv. por: "Business cards" [w B.A. Bengston]. VII:2, 6 O68 RUSH, Richard H. bk Art as an investment. Review by P. Leider. I:1, 43 Je62 RUSSELL, Charles Marion 1865-1926 x Wildenstein (NY), w F. Remington. J. Lanes. VII:1, 64-5 Se68 RUSSELL, Morgan 1886-1953 A succession of visitors. G. Nordland. II:12, 64-8 Su64 il: "Synchromy to light" x SFMA, "Synchromism and related American painting." P.D. French. VII:2, 71-2 O68 RUSSIA The Constructivist ethos: Russia il phot 1913-1932 (part I). R. Hunt. VI:1, 23-9 Se67 The Constructivist ethos: Russia 1913-1932 (part II). R. Hunt. il phot VI:2, 26-32 O67 RUSSIA, Eddie [pseud] see Ruscha, Edward RUSSIA: recent art x KPFK Gal (LA), group. EK. IV:8, 16-17 Ap66 RUSSIN, Robert I. 1914- x Heritage Gal (LA). SRS. IV:7, 17 Mr66 RUSSO, Mario x Heller Gal (LA), group. AS. I:2, 8-10 Jy62 RUSSO, Michele 19O9- x Fountain Gal (Portland). N. A. Koch. I:2, 44-6 Jy62 il: "Grayscape" x Fountain Gal (Portland). A. Rocchia. II:1, 17-18 Jy63 il: "Severed" RUTH, Jan De x Gal de Tours (LA), group. BH. III:5, 42 F65 RUVOLO, Felix 1912- x Berkeley Gal (Berk), group. JM. II:6, 48 D63 x SFMA, "Arts of San Francisco." EMP. I:3, 35 Ag62 il (p 39): "Presence" x SFMA, "82nd annual exhibition of the San Francisco Art Institute." JM. I:11, 11 My63 il (p 13): "Mary had a little. . ." x UC, "All-campus faculty show" JCM. II:5, 48-51 N63 il: "The visitor" RYDEN, Jean Halpert- see Halpert-Ryden, Jean |