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 <title>New New Arrivals Books at Laurence McGilvery</title>
 <link href="http://www.mcgilvery.com/shop/mcgilvery/categoryrss/New Arrivals" rel="self"/>
 <link href="http://www.mcgilvery.com"/>
 <updated>2013-06-19T11:36:39Z</updated>
 <author>
   <name><![CDATA[Laurence McGilvery]]></name>
   <email>laurence@mcgilvery.com</email>
 </author>
 <id>urn:uuid:60a76c80-d399-11d9-b91C-0003939e0af</id>
 

 <entry>
   <title>
	<![CDATA[
	Interaction of color, original edition - Albers, Josef
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/00411"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a1</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New Haven, London: Yale University Press, 1963.  80 separate folders containing 149 color plates (including 119 original serigraphs) + text volume of 80 pp. in cloth & commentary volume of 48 pp. in paper covers, 33 x 25.5 cm., all in dark-brown folding cloth box & slipcase, 37 x 28 x 14 cm. Albers' great didactic work brings to a wide audience his exploration of color, previously accessible only through his small seminars at Yale. Case lightly worn; otherwise very fine. 
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       <![CDATA[ 
		
     <br/>Albers, Josef

        
        

        <br/>Price: $5,000.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The fables of Aesop, and others, with designs  on wood, by Thomas Bewick - Aesopus
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/03101"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a2</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Newcastle: Printed by E. Walker, for T. Bewick and Son, 1818. Imperial copy, with the receipt for the Fables bound in facing the title page, and signed with the famous engraving of Thomas Bewick's thumbprint. 323 wood-engraved vignettes. Frontispiece (receipt) +xxiv + 376 pp. Unusually large size of 24.6 x 16.4 cm. Period calf with new calf spine and corners; original spine label preserved. Some wear and scuffing of original boards, but fine otherwise. An inscription in an exceptionally precise hand on a blank leaf preceding the receipt reads: "Hicks Thomas Deacle's the Gift of the Rev. William Young B.D. tutor of Emmanuel College Cambridge, as a reward for merit when he was but seven years old. 1823." The Reverend Hicks Thomas Deacle (21 December 1816–12 August 1891) received his B.A. from St. John's College, Cambridge in 1840 and was ordained a deacon in 1841, then an Anglican priest in 1842. In 1844, he received his MA. During the 1850's, he served as chaplain of the Holy Trinity vicarage, Bungay, Suffolk, and in 1860 became vicar of Bawburgh, Diocese Norwich. His account books in twelve volumes spanning the years 1836 to 1889 are in the Archives and Manuscripts Department, Pitts Theology Library, Emory University, and list the daily personal expenses of a country parson in England. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Aesopus

        
        

        <br/>Price: $1,500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Jazz and painting. March 5–31, 1972 - Blaine, Nell; Brodie, Jocelyn
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/03301"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a3</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Keene, NH: Keene State College, Louise E. Thorne Memorial Art Gallery, 1972. Cover drawing and one plate. 8 pp. Decorated blue paper covers. 22.8 x 15.2 cm. Text: "Getting with Lester and Mondrian in the Forties," by Nell Blaine. A proof copy with her corrections and substantial annotations. "From N. Blaine" written on the cover in ink in a different hand (probably Jocelyn Brodie's?). 35 exhibiting artists include Nell Blaine, Calder, Stuart Davis, Elaine de Kooning, Robert de Niro (father of the actor), Matisse, Miro, and Picasso. No copies located in OCLC, MoMA, Frick, Brooklyn, or the Getty. Slight bump upper right corner; near fine. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Blaine, Nell; Brodie, Jocelyn

        
        

        <br/>Price: $600.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Le dur désir de durer - Chagall, Marc, and Eluard, Paul
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/05501"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a4</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Paris: Borduas, 1950. 705/1015 copies. Frontispiece in color pochoir by Jacomet + 18 line drawings. 49 + &#91;7] pp. Decorated off-white paper covers. About 28.4 x 20.5 cm. Glassine wrapper lightly tanned and with a few small nicks. A nice copy of this wonderful mixture of poetry and drawing. The first edition appeared in 1946. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Chagall, Marc, and Eluard, Paul

        
        

        <br/>Price: $150.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Hygiène de l'art. In Petroleprogrès: revue trimestrielle. Printemps 1972. No. 91. - Fischer, Hervé. Esso Standard
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/09301"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a5</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **Fischer's imaginative cover for this publication is a sealed vinyl sandwich with internal spaces in the shapes of fingers and semi-circles. The resulting, partly continuous void contains pink sand that can be shifted into different shapes by tilting and shaking the periodical. Supplementary material is laid in. Most of the issue consists of an article on 34 artists working in plastics, among them Arman, César, Dubuffet, and Saint-Phalle. Profusely illustrated in color, including one 3-panel gatefold. 36 pp. 30.7 x 23 cm. Fine. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Fischer, Hervé. Esso Standard

        
        

        <br/>Price: $250.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Kahlil Gibran: recent sculptures; first New York one-man exhibition - Gibran, Kahlil (b. 1922, Boston)
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/10871"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a6</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Nordness Gallery, 1962. Not the famous Indian poet. Cover plate & 2 plates inside covers. 4 pp. text printed one side only on a single sheet and folded at head; folds unopened. Decorated paper covers. 22.3 x 15 cm. Near fine. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Gibran, Kahlil (b. 1922, Boston)

        
        

        <br/>Price: $25.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The paper snake. - Johnson, Ray
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/15503"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a7</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **NY: Something Else Press, February 1965 (©1964). One of 127 copies of the trade edition, each with a pale blue envelope glued inside the front cover that contains a unique object or artwork by the late mail artist Ray Johnson. &#91;48] pp. filled with poems, lists, notes, aphorisms, and sketches, printed in several colors. Dark green cloth. 26 x 21.4 cm (oversquare). The flaps of the price-clipped, pictorial dustjacket contain an essay by William Wilson. The art work in this copy is a letter typed upside down on the official stationery of Edward T. Crinnion, First Deputy Commissioner, Department of Housing and Buildings, City of New York, and dated November 11, 1964, with a very funny request to the I. Merrill Foundation for a sum of money to be sent to the Beat poet Diane di Prima. The lower corner of the letter is rippled from moisture, probably from when the envelope was attached to the book. Fine. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Johnson, Ray

        
        

        <br/>Price: $600.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Kiki Kogelnik: Ausstellung vom 1. bis 23. Oktober 1970. Poster - Kogelnik, Kiki (1935-1997)
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/17951"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a8</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Wien: Richter & Springer (printer), 1970. Black image and type on brilliant orange. About 84 x 60 cm, folded in 8 (about 21 x 30 cm). Austria's preeminent Pop artist, though she rejected the label. Not located in OCLC. Some fraying and creasing at edges and light wear at folds. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Kogelnik, Kiki (1935-1997)

        
        

        <br/>Price: $150.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	John McLaughlin: Western Modernism, Eastern thought - McLaughlin, John
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/22571"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a9</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Laguna Beach, CA: Laguna Art Museum, 1996. Profusely illustrated (mainly color). 92 pp. Decorated paper covers. 24 x 20.8 cm. Fine. A second copy with the backstrip faded to yellow available at $225.  
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   </summary>
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       <![CDATA[ 
		
     <br/>McLaughlin, John

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	John McLaughlin: Western Modernism, Eastern thought - McLaughlin, John
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/22572"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a10</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Laguna Beach, CA: Laguna Art Museum, 1996. Profusely illustrated (mainly color). 92 pp. Decorated paper covers. 24 x 20.8 cm. Orange backstrip faded to yellow. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>McLaughlin, John

        
        

        <br/>Price: $225.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Guido Molinari 1951-1961: the black and white paintings - Molinari, Guido
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/23951"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a11</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **Vancouver Art Gallery, 1959. Profusely illustrated (part color). 63 pp. Decorated paper covers. 27.5 x 22.5 cm. Catalogue essays by Robert Welsh, James D. Campbell, and Gary Dufour. Light wear. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Molinari, Guido

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Mullican: an exhibition of paintings at the San Francisco Museum of Art July 19 through August 14, 1949 - Mullican, Lee
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/24441"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a12</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **San Francisco, 1949. Mullican's first one-man show. 4 plates and color decoration on title page. &#91;16] pp. + tissue flyleaves. 25.3 x 15.8 cm. Tan paper covers decorated with elaborate drawing in black and title in red. 800 copies. Foreword by Richard B. Freeman; texts by the artists Wolfgang Paalen and Gordon Onslow-Ford. The two of them and Mullican formed the post-Surrealist San Francisco group Dynaton, which also had a legendary exhibition at the San Francisco Museum in 1951. This copy of a delicate publication is in better condition than it has any right to be. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Mullican, Lee

        
        

        <br/>Price: $350.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Claes Oldenburg: the soft screw. Essay by Melinda Wortz, with added comments by the artist - Oldenburg, Claes
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/24901"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a13</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Los Angeles: Gemini G.E.L., 1976. A combined prospectus and catalogue of a suite of prints in the form of a paper scroll 8 inches tall by 8 feet long. 3 photographs and 8 reproductions of lithographs (the originals are 67-1/2 x 40-1/2 inches). Made of two lengths of paper joined together and housed in a small tube with plastic caps and bearing an address label and postage. A removable title band secures the roll. Oldenburg's native wit and pure drawing skill transcend the limitations of Pop Art (in this writer's opinion). "Because of the pejorative verbal implications of the word 'screw,' Oldenburg has found it nearly impossible for his large-scale, public proposals regarding the Screw to be seriously considered." Very fine. Another copy is available at $125 in the tube but lacking the plastic caps and the removable title band. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Oldenburg, Claes

        
        

        <br/>Price: $175.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Picasso: le goût du bonheur &#91;gout]: a suite of happy, playful, and erotic drawings - Picasso, Pablo. Marcenac, Jean
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/26261"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a14</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Abrams, &#91;1970?] (dated introduction by Jean Marcenac). A livre d'artiste published in an edition of 1998 copies for the entire world; 666 copies each for US, France, and Germany. This is number 377 of the US edition. Facsimile reproductions of three studio sketchbooks from 1964. 23 signatures loose as issued in chemise of linen over boards and housed in a matching clamshell case with linen covers and orange silk edges; the case closes with a leather strap and fastener. The text consists of 4 signatures totalling 32 pp. A 4-page signature follows, with this description: "The re-creations in this Album. . . are the exact size of the original drawings and were produced through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil, and charcoal are among the artist's materials used in making the re-creations in this Album. The paper is handmade and is pure rag Velin d'Arches. . . ." 18 signatures of 8 pp. each contain 71 facsimile plates printed on rectos only (24 in color). Page size about 33 x 25 cm. The case shows light wear and some fraying of the joints at the head and tail of the spine. 
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       <![CDATA[ 
		
     <br/>Picasso, Pablo. Marcenac, Jean

        
        

        <br/>Price: $2,750.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Rauschenberg at Dwan: drawings. April 13, 1965. Poster - Rauschenberg, Robert
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/26701"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a15</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Los Angeles &#91;not New York]: Dwan Gallery, 1965. Poster. Tans and grays, brown, black, pink, blue. Folded in eight. About 22 x 25 inches flat (oversquare). Fine. Never mailed. 
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       <![CDATA[ 
		
     <br/>Rauschenberg, Robert

        
        

        <br/>Price: $375.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Nekropolis - Regild, Christen
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/26951"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a16</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Stockholm: Moderna Museet, 1971. 21.7 x 29.6 cm (oversquare). 39 pp. White decorated paper covers hole-punched and bound with brass fasteners. Starting with its dramatic death's-head cover, this interesting museum publication qualifies as far more than just another catalogue. Light wear. Only 7 copies in OCLC. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Regild, Christen

        
        

        <br/>Price: $350.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Dieter Rot. Poster - Roth, Dieter
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/27441"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a17</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Wien: Galerie Grünangergasse 12, 1972. White on green. About 59 x 42 cm. Folded in 4 (about 29.5 x 21 cm). Some wrinkling. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Roth, Dieter

        
        

        <br/>Price: $200.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	24 pieces - Ruppersberg, Allen
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/27905"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a18</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **&#91;L.A.? The artist? 1970?] Artist's book, INSCRIBED. 600 copies. 24 photographs juxtapose sterile hotel rooms in Los Angeles with messier indoor and oudoor scenes, e.g., a hilltop path overhung by a tree marked X, an action painting of Heinz ketchup on a white tablecloth, a deposit of 2 or 3 dozen empty bottles amid other detritus. The statement reads: "Note: the newspaper shown in one of the 'pieces' is only a marginal statement and is not meant as any kind of blanket over-simplification for the entire book. | A Ruppersberg." At least one other known copy bears a similar holograph text, so it was important to the artist. &#91;28 leaves.] White cover with white plastic spiral binding. 15.9 x 20.5 cm. Small stickers on the front and inside cover plus two shadows of stickers on the front cover; corners of front cover turned; ink drawing, probably by another hand, on lower right corner of rear cover; some dents and scrapes on the glossy paper. Cover title and name underlined. Spot on rear cover. 
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       <![CDATA[ 
		
     <br/>Ruppersberg, Allen

        
        

        <br/>Price: $450.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	To my friends - Saito, Takako
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/28001"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a19</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **Cullompton, Devon, UK: Beau Geste Press, &#91;ca. 1974]. A very small edition in the artist's handmade mailer postmarked 22 November 1974. An early artist's book by this remarkable woman associated with the Fluxus movement. 18 pp. doubled and bound Japanese-style precede 3 small booklets at the rear, bound one above the other. In the top rank one 8-page booklet precedes a second 22-page booklet; both are 12 x about 8.5 cm. The lower rank consists of 16 small, white envelopes blind-stamped with designs; 8 x about 8.5 cm. The brown paper covers have four white labels shaped like footprints with a floral decoration printed over them in brown. Inside the covers and elsewhere are several applied bits of decorated paper and pasteboard. Drawings printed in black appear throughout the main section—domestic scenes, especially cows. The two upper booklets at the rear are drawings printed in black and brown. Housed in a card slipcase covered with dark-red rice paper illustrated with drawings that appear to be printed in batik. Book measurement 20.2 x 15.3 cm.  The mailing wrapper is made of hand-colored paper with hand-cut labels of brown paper applied to front and back. Very fine. 
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       <![CDATA[ 
		
     <br/>Saito, Takako

        
        

        <br/>Price: $1,000.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	&#91;Altered book in the shape of a gun.] - Thé, Robert (artist, b. 1961). Conte, S.D.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/31351"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a20</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **&#91;Kingston, NY? the artist, 1990s?] A copy of S.D. Conte's Elementary Numerical Analysis: an Algorithmic Approach (New York: McGraw-Hill, ©1965) has been carved by the artist Robert Thé into the shape of a Luger-like semi-automatic pistol. The unaltered spine forms the top of the breech and barrel, and most of the open part of the book has been removed to form a barrel, grip, and trigger guard; the last is drilled irregularly to create the illusion of a trigger. 23.4 x 15.7 x 2 cm (maximum width). Dark red cloth with gilt titling on a grey background. A copy of the original book accompanies this artist's book. They provide an interesting surprise shelved together. In his essay "The beauty of second use" (The best American essays 2008, edited by Adam Gopnik. Boston: Houghton Mifflin, 2008), Jonathan Lethem writes about receiving as a gift "a copy of my own first novel, Gun, with occasional music &#91;1994], expertly cut into the contours of a pistol. The object was the work of Robert The, an artist whose specialty is the reincarnation of everyday materials…. The gun-book wasn't readable, exactly, but I couldn't take offense at… this appropriated object conveyed back to me—the strange beauty of its second use…. &#91;T]he world makes room for both my novel and Robert The's gun-book. There's no need to choose between the two." Light wear at the head and tail of the gun-book backstrip. A previous owner has written his name, Minneapolis address and telephone number, and a collection number in ink on the flyleaf of the unaltered copy. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Thé, Robert (artist, b. 1961). Conte, S.D.

        
        

        <br/>Price: $500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Exhibition Paul Thek. Poster - Thek, Paul
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/31371"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a21</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. ** Stockholm: Moderna Museet, 6 November 1971–9 Januari 1972. Poster. The inside is several black-and-white drawings on pale blue paper. The outside is a long gestural drawing in flesh color—probably a serigraph. Folded in four. About 15-3/4 x 23-3/4 inches flat (oversquare). Some fading and browning at the folds. Laid in is an order form for the 1969 book published by the Stedelijk Museum. Never mailed. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Thek, Paul

        
        

        <br/>Price: $500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Relational aspects of topiary structures in residential Los Angeles - &#91;Williams, Guy; Goodwin, Marcy.]
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/35051"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a22</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Santa Monica: Surroundings, &#91;1971-1972?]. 20 picture postcards in printed envelope show hedges and shaped shrubs in unidentified locations. The oversquare cards are 11.7 x 15.6 cm and printed in dark green. The envelope is 13.2 x 18.3 cm. This anonymous publication, a parody of certain conceptual art, was the work of Guy Williams with photographs by Marcy Goodwin. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Williams, Guy; Goodwin, Marcy.]

        
        

        <br/>Price: $100.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Earth art: Jan Dibbets, Hans Haacke, Neil Jenney, Richard Long, David Medalla, Robert Morris, Dennis Oppenheim, Robert Smithson, Gunther Uecker - Andrew Dickson White Museum of Art, Cornell University
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/36241"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a23</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Ithaca, NY: 1969. 47 plates and illustrations. &#91;88] pp. Tan paper covers. 18.8 x 25.4 cm. (oversquare). Foreword by Thomas W. Leavitt; essays by Willoughby Sharp and William C. Lipke. Fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Andrew Dickson White Museum of Art, Cornell University

        
        

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Concrete expressionism: an exhibition of the works of Ronald Bladen, Al Held, Knox Martin, George Sugarman and David Weinrib - Bladen, Ronald; Held, Al; Martin, Knox; Sugarman, George; Weinrib, David
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/38551"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a24</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: New York University, Loeb Student Center, 1965. 5 plates. 16 pp. Red paper covers. 22.9 x 17.5 cm. Text by Irving Sandler. Near fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Bladen, Ronald; Held, Al; Martin, Knox; Sugarman, George; Weinrib, David

        
        

        <br/>Price: $45.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Art: a woman's sensibility. - Feminist Art Program. California Institute of the Arts
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/39951"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a25</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Valencia, CA, 1975. Edited by Miriam Schapiro. Introduction by Deena Metzger. 75 illustrations and portraits of the artists. 82 pp. 17.4 x 30.7 cm (oversquare). Decorated black paper covers. This early and influential overview includes 38 women artists, from Pat Adams to Barbara Zucker and from Nell Blaine and Jeanne Reynal to Lynda Benglis and Carolee Schneemann. Very scarce now. Fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Feminist Art Program. California Institute of the Arts

        
        

        <br/>Price: $350.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Modern Latin American art: a bibliography - Findlay, James A.
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/40291"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a26</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Westport, CT: Greenwood Press, 1983. Art Reference Collection, Number 3. No illustrations. 301 pp. Yellow cloth with black type. 23.5 x 15.3 cm. 2394 entries divided by country and medium. Extensive index (pp. &#91;265]-301).  
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Findlay, James A.

        
        

        <br/>Price: $25.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Grids: format and image in 20th century art - Krauss, Rosalind
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/44801"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a27</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Pace Gallery / Akron Art Institute, 1979. Mainly plates (8 color). about 56 pp. + printed leaves of drafting paper as dividers. Paper covers with white wire spiral binding. 20 x 20.8 cm. Mondrian, Klee, Muybridge, Wright, Max Bill, Cornell, Reinhardt, Nevelson, and many others. Fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Krauss, Rosalind

        
        

        <br/>Price: $50.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Artists of Los Angeles & vicinity. 12 early issues, 1942–1961. Third annual exhibition, 1942; Fifth annual exhibition, 1944; Sixth annual exhibition, 1945; 1948 annual exhibition; 1950 annual exhibition; 1952 annual exhibition; 1954 annual exhibition; 1956 annual exhibition; 1957 annual exhibition; 1959 annual exhibition; 1960 annual exhibition; 1961 annual exhibition. - Los Angeles County Museum
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/47161"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a28</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. Los Angeles, 1942-1961. **12 volumes. All have printed prices and are in paper covers. **Third, Fifth, and Sixth are 25.4 x 19 cm. Third and Fifth not illustrated, 4 pp. & covers each. Sixth has three illustrations. **1948 and 1950 are 22.9 x 15.1 cm. 1948 has 10 illustrations and 258 entries on 20 pp. and 1950 has 18 illustrations and 200 entries on 32 pp.; the inside cover and an invitation to the preview for 1950 are heavily browned from a newspaper clipping about the exhibition. **1952 has 64 illustrations and 290 entries on 72 pp. Paper covers with printed dustjacket on drafting vellum. 22.9 x 15.3 cm. Sewn signatures and square spine. Separate price list laid in. Cover illustration by Josef Albers. 1000 copies. **1954 through 1961 are 15.2 x 22.9 cm (oversquare). These later issues are all illustrated and include the artists' addresses. 1954: 32 pp.; 1000 copies. 1956: 32 pp.; 1500 copies. 1957: 36 pp.; 2000 copies. 1959: 32 pp. 1960: 32 pp. 1961: 40 pp. Invaluable records of mid-century modernism in L.A. 1961 was the final exhibition. All fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Los Angeles County Museum

        
        

        <br/>Price: $1,200.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	First Pan-American exhibition of oil paintings. November 15, 1925, to February 28, 1926 - Los Angeles County Museum
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/47176"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a29</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Los Angeles, 1925. 37 plates. &#91;82] pp. Tan paper covers decorated with Art Deco drawing by A. G. Aldain. About 19.5 x 13.5 cm. Text in parallel English and Spanish by Wm. Alanson Bryan. 375 pieces exhibited from North and South America. Illustrated artists include Mary Cassatt, Gari Melchers, Childe Hassam, Rockwell Kent, John Sloan, Robet Henri, Jose Rivera, and Carlos Otero. A jury awarded several prizes, but many pieces were not in the competition. "Most of the paintings in this exhibition are for sale. . . ." In fact, prices are pencilled in for all but 13 of these works. Overlapping edges of the covers are creased and torn at the margins. A small piece of the upper corner of the front cover is gone.The outer half of the final blank torn off. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Los Angeles County Museum

        
        

        <br/>Price: $50.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Italian Gothic sculpture c. 1250-c. 1400 - Moskowitz, Anita Fiderer
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/50891"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a30</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Cambridge, UK: Cambridge University Press, 2001. A fine copy in dustjacket and archival Brodart cover. 393 monochrome illustrations. xxvi + 401 pp. 27.5 x 21 cm. Dark-blue cloth. "Tracing the developments of Italian sculpture from Nicola Pisano's arrival in Tuscany around 1250 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Campania, Lombardy, and the Veneto. . . &#91;It] also addresses broad questions of politics, patronage, and piety -- topics that offer new ways of looking at and thinking about works of art." &#91;From the dustjacket.] Notes &#91;pp. 327-67]; Bibliography &#91;pp. 369-81]; Index &#91;pp. 383-401]. ISBN 0 521 44483 7. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Moskowitz, Anita Fiderer

        
        

        <br/>Price: $100.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Official art exhibition of the California Pacific International Exposition - San Diego. California Pacific International Exposition
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/54941"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a31</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **San Diego: Palace of Fine Arts, from  May 29th to November 11th, 1935. 83 plates & illustrations. 69 pp. Light green paper covers. 23.2 x 15.5  cm. Includes works by Andrew Dasburg, Stanton Macdonald-Wright, Maynard Dixon, Lorser Feitelson, Maurice Braun, Edward Borein, Paul Landacre, Donal Hord, and many others.  
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>San Diego. California Pacific International Exposition

        
        

        <br/>Price: $75.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	New work / Southern California - University of California, San Diego
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/58451"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a32</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **La  Jolla, California: 1968. Catalogue in the the form of a vertical hanging poster folded leporello style. 6 plates. 10 panels. About 19.8 cm square when folded; about 190.5 cm (75 inches) unfolded. The artists are Peter Alexander, John Baldessari ("How to sell paintings"), Ron Cooper, Doug Edge, Jessie Jacobs, and Terence O'Shea. Text by James Monte. No copies in OCLC. Slight wear and denting of the stiff, glossy paper. This probably came in an envelope, which no longer is present. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>University of California, San Diego

        
        

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Empire State: a pictorial record of its construction. Drawings by Vernon Howe Bailey - Bailey, Vernon Howe
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/61201"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a33</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **New York: Rudge, 1931. Copy 663 of an unspecified number. Embossed white image of the Empire State Building on blue boards with white spine. Color frontispiece & 24 drawings with descriptions on facing pages depict the construction, from the demolition of the old Waldorf-Astoria Hotel in mid-October 1929 to its completion in 1931. &#91;60] pp. About 41.5 x 32 cm. Essay by Colonel W. A. Starrett. A small break in the front joint. Otherwise, beautiful. The box in dark blue boards is present but worn and stained, with the cover detached and the corner seams split. A fabulous book. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Bailey, Vernon Howe

        
        

        <br/>Price: $500.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Italsider. &#91;16 file covers designed for Italsider, a large Italian steel-producing group with headquarters in Genoa] - Carmi, Eugenio
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/61651"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a34</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **&#91;1961-1966?] Following the merger of the steel companies Cornigliano and Ilva in 1961, the resulting firm, Italsider, needed a new visual identity. Eugenio Carmi was design director for Cornigliano and then for Italsider. He created a wide range of folders and labels utilizing both bright, bold colors and more subtle ones in geometric forms. This collection consists of 16 of those folders, unused, and in very fine condition, apart from lightly rusted staples in some examples. The book Design Coordination and Corporate Image by F.H.K. Henrion and Alan Parkin (London: Studio Vista/New York: Reinhold, 1967) devotes six pages to this work, including a color double plate illustrating 16 of the folders. Six of these examples appear on those plates, along with four in variant colors and six others not illustrated. Sizes range from 30.7 to 29.5 cm tall and 22.6 to 21 cm wide. Carmi has produced several visual books and collaborated with Umberto Eco on others. This is a small exhibit on its own. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Carmi, Eugenio

        
        

        <br/>Price: $800.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Irving Gill 1870-1936 - &#91;Gill, Irving] Los Angeles County Museum. Art Center in La Jolla
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/62851"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a35</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Los Angeles, 1958. Text by Esther McCoy. 33 plates. 56 pp. Decorated paper covers.. 17.7 x 18.1 cm. List of buildings, bibl. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Gill, Irving] Los Angeles County Museum. Art Center in La Jolla

        
        

        <br/>Price: $30.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Three sales brochures ca. 1959: Chairs by Harry Bertoia; The collection of single pedestal chairs and tables designed by Eero Saarinen; Knoll Associates, Inc. - Knoll Associates, New York. Saarinen, Eero. Bertoia, Harry
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/63151"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a36</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **New York: Knoll Associates, ca. 1959. Three vintage catalogues. Bertoia: color covers + 4 pp. (1 color plate). 29.4 x 21.4 cm. Saarinen: color covers and doublespread color plate (showing fabrics and colors). 16 pp., including covers. 27.9 x 21.6 cm. Knoll: 50 illustrations in black and white of work by many Knoll designers. 16 pp., including covers. 27.9 x 21.5 cm. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Knoll Associates, New York. Saarinen, Eero. Bertoia, Harry

        
        

        <br/>Price: $850.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Delirious New York: a retroactive manifesto for New York - Koolhaas, Rem
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/63166"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a37</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Oxford University Press, 1978. Profusely illustrated (part color). 261 pp. Red cloth with dustjacket damaged at top edge. 28.8 x 23.2 cm. Frontispiece creased. A witty exposition of the irrational and the fantastic in the growth of Manhattanism. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Koolhaas, Rem

        
        

        <br/>Price: $400.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	About U.S.: experimental typography by American designers - Seitlin, Percy
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/65251"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a38</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **New York: The Composing Room, &#91;ca. 1960]. Four booklets in red card slipcase with label. Paper covers. 24.2 x 17.4 cm. Mainly illustrations and designs in monochrome and colors. "A series of 16-page inserts reprinted from Der Druckspiegel, graphic arts magazine, Stuttgart, Germany. No. 1) "Come home to jazz"; designed by Herb Lubalin. 2) "That New York"; designed by Brownjohn, Chermayeff and Geismar. 3) "The age of the auto"; designed by Lester Beall. 4) "Love of apples"; designed by Gene Federico. Slight, shallow rippling, probably typical for this title due to the tight fit of the slipcase. A few marks and light sunning on red slipcase (with label). 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Seitlin, Percy

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Torino e l'Esposizione Internazionale d'Arte Decorativa Moderna
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/66501"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a39</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Milano: Treues, 1902. Profusely illustrated, oversize publication on this important international exposition devoted to Art Nouveau and Stile Liberty. 32 pp. (including covers). 41 x 30.2 cm. Cover design by Griffi. The organizers' credo: "Only original products that show a decisive tendency toward aesthetic renewal of form will be admitted. Neither mere imitations of past styles nor industrial products not inspired by an artistic sense will be accepted." Photographs depict some of the main buildings, exhibits, and monuments, while drawings by R. Salvaderi, F. Matania, and others show events. The exhibiting countries were Great Britain, Germany, France, Belgium, Austria, Hungary, Denmark, Sweden, the USA, and Japan. No copies in OCLC. Spine taped; worn, with long crease throughout at bottom front corner. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Aspen: the magazine in a box. Numbers 1-9, including the rare 6A and the rarer Manipulations. Also contains a partial copy of number 10, the Asian issue. Edited by Phyllis Johnson - Johnson, Phyllis
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/69701"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a40</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **New York: Roaring Fork Press, 1965-1971 (numbers 8 & 10 published by Aspen Communications). 10 .5volumes. This imaginative publication includes work by and about Andy Warhol, Robert Rauschenberg, Samuel Beckett, John Cage, Merce Cunningham, Marcel Duchamp, Marshall McLuhan, Susan Sontag, John Lennon & Yoko Ono, and Gary Snyder, among many, many others. Each issue comes in a box or envelope containing many parts. There are 11 sound recordings and a reel of film in the set. It includes both the very rare 6A and its even rarer progenitor, Manipulations (NY: Judson Publications, 1967; 500 copies). Both consist of loose sheets in envelopes designed by Ralph Ortiz. Manipulations contains 12 colorful sections from the "12 Evenings of Manipulations" at the Judson Church Gallery printed on legal-size mimeograph paper folded in half (each section has a varied number of pages), and all but the Kaprow (as issued) contain an offset photographic image from the performance plus objects and other supplementary material. Participants include Allan Kaprow, Al Hansen, Kate Millet, and Nam June Paik. The interim issue No. 6A printed only the unillustrated program notes. Condition: all pieces present except as noted: No. 1, 1965 -- The black box; near fine, with two light creases in the cover of the box and a split on the front edge; a skinned spot (black) on the front of the box. No. 2, 1966 -- The white box; some wear to box and light soil; cover joint cracked. No. 3, December 1966 -- Pop Art issue with light cover wear and one small tear in front edge of box. No. 4, Spring 1967 -- the McLuhan issue; spine joints cracked 1 cm at top & 1 break in the usual place in the front edge of the box; a few light spots. Nos. 5+6. Fall-Winter 1967 -- Minimalism issue; complete except for Aspen renewal form; light wear to box. No. 6A, 1968/69 -- fine contents in expertly mended envelope. Manipulations, 1966 -- fine contents in expertly mended envelope. No. 7, Spring-Summer 1968/70 -- The British issue; complete in 14 parts (not 15, per table of contents); lightweight folded box deformed as usual, with repairs and tears at the ends of the cover hinge; in original mailing wrapper to Wittenborn; a few short tears and a crease at the left edge of the flap. No. 8, Fall-Winter 1970-1971 -- Art/Information/Science issue. No. 9, Winter-Spring, 1970 -- "Dream Weapon" psychedelic issue; lacks subscription form; fold rubbed and top end of fold torn. No. 10, 1971 -- the Asia issue; incomplete copy with 7 of 15 items; no case; this atypical issue devoted to classic Japanese screen paintings and other similar works has little connection with the prior issues. For a (nearly) complete list with pictures of the contents of all issues, please visit http://www.ubu.com and click on "Aspen." A marked set of these sheets accompanies each issue. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Johnson, Phyllis

        
        

        <br/>Price: $12,000.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Design and paper. Numbers 23, 29, 30, 36, 37  - Kauffer, McKnight; Steinberg, Saul; Schiller, Albert. Marquardt and Company, New York
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/71501"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a41</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **5 issues, early 1950s. Profusely illustrated. &#91;16] pp. each. Decorated paper covers. 19.8 x 12 cm. No. 23: "Edward L. Bernays and the American mind," by P. K. Thomajan. No. 29: "Posters by McKnight Kauffer." No. 30: "Saul Steinberg, visual historian." No. 36: "Albert Schiller and type ornaments." No. 37: "Lucina Wakefield," by Donald Vining &#91;wood engravings]. A wonderful publication issued by a paper company. A little wear on the colored folded spines of nos. 29 and 30  
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       <![CDATA[ 
		
     <br/>Kauffer, McKnight; Steinberg, Saul; Schiller, Albert. Marquardt and Company, New York

        
        

        <br/>Price: $500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Fox, 1-3 complete - Art & Language Foundation, NY. Charlesworth, Sarah, and Joseph Kosuth et al., eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/72750"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a42</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Art & Language, 1975-76. Volume 1, number 1 through number 3, 1975-76 (all published). Some illustrations. Stiff wrappers. 28 x 21.5 cm. Very fine. **This early periodical on conceptual art includes contributions by the editors, Andrew Menard, Adrian Piper, Mel Ramsden, Jasna Tivardovic, Lizzie Borden, Ian Burn, Terry Atkinson, Karl Beveridge, and many others. Printed on newsprint with pasteboard covers, these are very fresh copies of a fragile, perishable, and important publication. Several sets available. 
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       <![CDATA[ 
		
     <br/>Art & Language Foundation, NY. Charlesworth, Sarah, and Joseph Kosuth et al., eds.

        
        

        <br/>Price: $200.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Ver Sacrum. 1. Jahrgang &#91;cover title]. Organ der Vereinigung bildender Künstler Osterreichs - Vereinigung bildender Künstler Osterreichs
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/78951"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a43</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **Vienna: &#91;Gerlach & Schenk], 1898. In publisher's maroon cloth binding: decorative blindstamping and gilt decoration on pebbled cover. The gilt titling consists of poppies against an elaborate scroll with highly stylized lettering. Bound by the publisher as a single book but with the original covers not included. Richly illustrated, of course (some color, some mounted), including a color lithograph by Kolo Moser at p. 12, Jan 1898. Pagination: 30; 32; 24; 30; 60 (nos. 5/6); 32; 36; 28; 34; 24; 24. Near fine, with light rubbing at extremities. 
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       <![CDATA[ 
		
     <br/>Vereinigung bildender Künstler Osterreichs

        
        

        <br/>Price: $2,000.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	View: through the eyes of poets. 2nd series complete, April 1942–January 1943 - Ford, Charles Henri, ed. & pub.
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/79051"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a44</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **New York: 1942/1943. 2nd series complete: 4 issues in publisher's wine-colored boards, with covers bound in. Profusely illustrated. Printed on white and colored papers. 26.3 x 18. cm (boards). **Series 2, no. 1, 1 April 1942: Max Ernst. Pale blue covers by Max Ernst.  **No. 2, 1 July 1942. Tchelitchew/Tanguy. Peach-colored covers by Pavel Tchelitchew and Yves Tanguy. Printed dos-a-dos. **No. 3, 1 October 1942. Vertigo. Dark yellow covers by Hanani Meller. **No. 4, 1 January 1943. Americana Fantastica. Pale green covers by Joseph Cornell. Artistic contributions by Kennedy Blanchard, Leonora Carrington, Lewis Carroll, Joseph Cornell, Thomas Eakins, Louis Eilshemius, Max Ernst, David Hare, André Kertesz, Helen Levitt, George Platt Lynes, André Masson, Kay Sage, Kurt Seligmann, Florine Stettheimer, Yves Tanguy, Pavel Tchelitchew. Literary contributions by André Breton, Roger Caillois, Nicolas Calas, Leonora Carrington, Max Ernst, Charles Henri Ford, Sidney Janis, Lincoln Kirstein, André Masson, Henry Miller, Montagu O'Reilly, Paul Eaton Reeve, Harold Rosenberg, Kurt Seligmann, James Thrall Soby, Wallace Stevens, James Johnson Sweeney, Virgil Thomson (music), Alva N. Turner, Parker Tyler, and William Carlos Williams, plus anonymous images and photographs. Backstrip and top portions of covers sunned; cover paper splitting at edge of backstrip; two light scratches 3.5 cm long on front cover. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Ford, Charles Henri, ed. & pub.

        
        

        <br/>Price: $750.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Ocherki po istorii tantsoval'noi muzyki - Druskin, N.S.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/87101"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a45</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **Leningrad: Leningradskaia Filarmonia, 1936. Frontispiece & 20 hors-texte plates. 204 + &#91;4] pp. Original paper over stiff card covers. About 15 x 11.5 cm. Bibliography (pp. 198-205). The fourth chapter (pp. 65-80) is on the impact of jazz. Other parts of the text deal with the integration of folk dance into ballet. Overlapping edges chipped; backstrip perished, but binding solid. Only one copy in OCLC, at Saint Andrews University, in Scotland. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Druskin, N.S.

        
        

        <br/>Price: $250.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Opticks: or, a treatise of the reflections, refractions, inflections, and colours of light. The second edition, with additions. - Newton, Isaac
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/92251"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a46</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **London: W. & J. Innys, 1718.12 folding engraved plates. Blank & 4 leaves ("Corrigenda" on the final one), pp. 1-382, and one leaf of ads. The name William Hindmon is written on the initial blank. The leaves measure 19.1 x 11.5 cm. Plate I has a professional repair where a trapezoidal piece roughly 3 x 3 cm had been torn off the upper corner with loss of the bracketed text: "Book I. Part I. Pl&#91;ate I]" and "Fig &#91;2]." Plate IV is trimmed too closely at the top, with the loss of the upper part of the title; Plate V is trimmed closely, but with no loss of text. Book I, Part II, Plate III is similar. Book III, Plate I follows p. 82. It had been misfolded, so that the paper was creased along the front edge. A professonial repair has been made to a diagonal tear 3.7 cm long at the top end of the fold, plus a tear of 2 cm along the bottom of the fold with a very small loss of paper, now filled in. On p. 301 there is a very small burned hole, as though someone had decided to test the theory of the burning glass; a couple of other similar marks did not go through the paper. Occasional age toning, plus intermittent foxing and a few small stains. The contemporary calf was rebound some long time ago. Before that, it looks as though an owner used tape to keep the loose spine in place. On the rear cover there are only dark patches; on the front cover the tape lifted a few small pieces of surface; the backstrip shows considerable old skinning. The covers are blind-tooled. From the library of Jacob Bronowski. Altogether, a nicer copy than this description suggests. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Newton, Isaac

        
        

        <br/>Price: $3,250.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Genesis of a music: an account of a creative work,its roots and its fulfillments. Second edition, enlarged - Partch, Harry
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/92861"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a47</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **New York: Da Capo, 1974. Color frontispiece and 4 hors-texte color plates + numerous illustrations in the text. xxv + 517 pp. Cloth with dustjacket. 24 x 16.2 cm. 6 appendices + Works cited and index. Some wear to dustjacket and one bad tear at top right of front panel; jacket in archival Brodart wrapper. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Partch, Harry

        
        

        <br/>Price: $40.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Take your clothes and go. Sung with unbounding success by Geo. Wilson of Primrose & West's Minstrels, Lew Dockstader, &#91;etc.] - Jones, Iriving
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/98007"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a48</id>
   <updated>2013-06-19T11:36:39Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **New York: Joseph W. Stern, 1897. Photographic cover with decorative margin by C. E. J. in orange, black, and white depicts a downcast man and an angry woman pointing his way to the door  4 pp. + advertisements on inside covers and rear cover. 35.7 x 28 cm.Chipping at foot of fold; Cover fold mended with transparent tape (no discoloration). For similar material please please search jazz at mcgilvery-dot-com. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Jones, Iriving

        
        

        <br/>Price: $145.00
       
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   </content>
 </entry>
 
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