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 <title>New New Arrivals Books at Laurence McGilvery</title>
 <link href="http://www.mcgilvery.com/shop/mcgilvery/categoryrss/New Arrivals" rel="self"/>
 <link href="http://www.mcgilvery.com"/>
 <updated>2012-05-23T09:52:56Z</updated>
 <author>
   <name><![CDATA[Laurence McGilvery]]></name>
   <email>laurence@mcgilvery.com</email>
 </author>
 <id>urn:uuid:60a76c80-d399-11d9-b91C-0003939e0af</id>
 

 <entry>
   <title>
	<![CDATA[
	Two: ten lithographs by Arnold Belkin; poems by Jack Hirschman - Belkin, Arnold, and Hirschman, Jack
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/02701"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a1</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Los Angeles: Zora Gallery, 1964. 10 signed, numbered original lithographs and 10 poems + title page (in red &  black) & colophon (all printed one side only on Arches and Rives paper). 22 loose sheets. 38 x 56 cm (oversquare). Plates printed in one, two, and three colors; stones & zinc plates effaced. Stated edition of 108 numbered copies. This set unnumbered on the colophon; the signed prints bear mixed numbers from 40 through 48; at least one is marked "Artist's proof." Printed at the Plantin Press. Reportedly, the full publication never was completed. The colophon says the book was bound by the Schuberth Bindery in San Francisco, but that firm's current owner thinks the job never materialized. The "brown vinyl ring-binder" in one OCLC record sounds nothing like Schuberth's fine work. Copy 24 at the Archives for New Poetry at UCSD is loose sheets like this one. This is Hirschman's third book, but Belkin's large, full-sheet lithographs with their blend of figuration and densely organic abstraction are the real focus. 
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       <![CDATA[ 
		
     <br/>Belkin, Arnold, and Hirschman, Jack

        
        

        <br/>Price: $1,000.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	De la sculpture a l'architecture. Textes de Roger Bordier et André Bloc - Bloc, André
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/03351"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a2</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Boulogne: Editions Aujourd'hui, 1964. Profusely illustrated. 20 pp. text + about 80 pp. plates. Boards with dustjacket. 24 x 19.5 cm. Dustjacket worn and with marginal tears at head and tail; rear panel of dustjacket stained. Covers Bloc's studio sculpture, his larger outdoor pieces, and his architectural projects and studies, including 2 color plates of his "Première sculpture habitacle." 
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   </summary>
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       <![CDATA[ 
		
     <br/>Bloc, André

        
        

        <br/>Price: $95.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Marc Chagall: the ceiling of the Paris Opera; sketches, drawings, and paintings. Translated by Brenda Gilchrist - Chagall, Marc, and Lassaigne, Jacques
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/05516"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a3</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **NY: Praeger, 1966. The frontispiece is an original color lithograph that never was printed in a separate, signed edition (Mourlot 434). Profusely illustrated in color and black-and-white, with six color lithographs after Chagall by Charles Sorlier (2 of them double-spread). Folded "final study" loose in rear pocket as issued. 85 + &#91;4] pp. Red cloth with color dustjacket and transparent wrapper printed in white. 32.5 x 24.2 cm. A little foxing on top edge; otherwise very fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Chagall, Marc, and Lassaigne, Jacques

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Lithographs of Chagall: 1969-1973. Notes and catalogue by Fernand Mouriot &#91;and] Charles Sorlier &#91;Volume IV] - Sorlier, Charles
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/05591"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a4</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **NY: Crown, 1974. 2 original color lithographs (dustjacket & frontispiece) + 161 plates & illustrations (134 in color). 180 pp. Cloth with dustjacket. 31.8 x 23.8 cm. Very fine in original torn acetate and Brodart cover. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Sorlier, Charles

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Dinner Party bibliography. Assembled by Ann Piper Stewart - &#91;Chicago, Judy] Stewart, Ann Piper
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/05751"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a5</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Santa Monica: Through the Flower, ©1979. About 40 line illustrations. 143 leaves photocopied one side as issued. Velobound with stiff, clear acetate cover over title page. 28 x 21.6 cm. At bottom of second title page: "Our Heritage Is Our Power \ Judy Chicago." From foreword by Judy Chicago: "The bibliography for The Dinner Party is extensive. Close to a thousand books were consulted." Previous  owner's gift inscription on second title page. Upper front corner of acetate creased. No limitation notice, but apparently quite scarce; only 23  copies in OCLC. Another copy available at $85 with the border of the acetate cover darkened, but not the title page itself. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Chicago, Judy] Stewart, Ann Piper

        
        

        <br/>Price: $95.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Marcel Duchamp - Lebel, Robert
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/08301"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a6</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **London: Trianon Press, 1959. Mounted color frontispiece + 179 illustrations (6 in color & mounted). &#91;vi] + 192 pp. Very fine in cloth with dustjacket. 31 x 23.5 cm. Catalogue raisonné.  
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   </summary>
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       <![CDATA[ 
		
     <br/>Lebel, Robert

        
        

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	James Ensor: Maler, Radierer, Komponist; ein Hinweis mit dem vollständigen Katalog seines radierten Werkes - &#91;Ensor, James] Garvens-Garvensberg, Herbert von
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/09051"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a7</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Hannover: Ludwig Ey, 1913. 25 mounted plates (one side only, to 1904) + 30 & &#91;3] pp., including 1 mounted plate in text. Yellow boards with light blue spine. 26.7 x 15 cm. Riggs, p. 256. Edges and spine worn, and backstrip faded to tan.  
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   </summary>
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       <![CDATA[ 
		
     <br/>&#91;Ensor, James] Garvens-Garvensberg, Herbert von

        
        

        <br/>Price: $195.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	La femme 100  têtes. Avis au lecteur par André Breton - Ernst, Max
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/09101"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a8</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Paris: Carrefour, 1929. No. 457 of 1000 copies. 147 plates printed one side only and divided into nine sections + &#91;xiv] pp. Red cloth with leather label on spine. Edward Sackville-West's bookplate inside front cover. The plates are Ernst's wonderful collages pieced together from 19th-century illustrations. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Ernst, Max

        
        

        <br/>Price: $2,750.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Dan Graham's Kammerspiel - &#91;Graham, Dan] Wall, Jeff
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/12761"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a9</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Toronto: Art Metropole, 1988. 16 plates. 155 pp. Decorated wrappers. 23 x 15.3 cm. Dustjacket over plain wrappers. Conceptualism as expressed in architecture. Legitimately withdrawn from MoMA; edges and copyright pages stamped; a couple of small scrapes on front cover. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>&#91;Graham, Dan] Wall, Jeff

        
        

        <br/>Price: $150.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	A calendar of Happenings - Kaprow, Allan
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/16351"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a10</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **NY: Museum of Modern Art, 1970. Profusely illustrated in black and white. 64 leaves of newsprint with text and photographs only on one side; bound with staples at the top and punched with two holes for hanging on a wall. 38.2 x 27.3 cm. Documents "past events. The days on it are the days of the Happenings. They were days off. People played." The calendar was meant to be used up, the pages removed and thrown away as the dates passed. It originally was published rolled up. This copy is flat with the cover and the first two leaves creased in several places. 
	]]>
   </summary>
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       <![CDATA[ 
		
     <br/>Kaprow, Allan

        
        

        <br/>Price: $600.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The pen drawings of Norman Lindsay. Special number of Art in Australia - Lindsay, Norman
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/20251"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a11</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Sydney: Angus & Robertson, 1918. 51 plates (some mounted) + &#91;16] pp. 28.3 x 22.3 cm. Fanciful, mythical, legendary, and, especially, erotic drawings by the free-spirited artist and author. An exceptional early work. Lindsay was a master of drawing, and these pieces are far superior to his sometimes garish paintings. Art in Australia was modeled on the early years of The Studio. Wrappers neatly rebacked with matching tan linen. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Lindsay, Norman

        
        

        <br/>Price: $300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Every building on the Sunset Strip - Ruscha Edward
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/28013"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a12</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Los Angeles: the artist, 1966 (2nd printing, with final page a full recto with the Jaguar building cropped at its western end. Ruscha's 4th book (and best, in my opinion). 53-panel accordion-fold book with continuous photographic illustrations at top and bottom depicting south and north sides respectively of the Sunset Strip, from Schwabs Pharmacy on the east to the Jaguar agency on the west. Wrs. 17.9 x 14 cm folded (unfolded, about 7.6 meters or 24.93 feet long). In white board slipcase covered with reflective Mylar. 5000 copies of this 2nd printing; 1000 copies of the first edition printed, according to a letter from the artist dated October 8, 1966. Later printings often are erroneously offered as the first; the last page is the important identifying point; the first state has a final half-page 2-7/8 inches wide showing the end of the Jaguar building and the adjacent street. The backstrip is creased, as usual, and the slipcase has a couple of broken joints along the top and bottom edges. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Ruscha Edward

        
        

        <br/>Price: $1,300.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Real estate opportunities - Ruscha Edward
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/28016"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a13</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Los Angeles: the artist, 1970 (only printing: 4,000 copies). Ruscha's 12th book. 25 plates. 48 pp. Wrappers with glassine. 17.9 x 14 cm. Very slight ruffling of glassine at bottom edge; fine.  
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Ruscha Edward

        
        

        <br/>Price: $450.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	 Nine swimming pools and a broken glass - Ruscha Edward
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/28018"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a14</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Los Angeles: the artist, 1968 (first printing: 2,400 copies). Title & copyright pages & 10 color plates + 52 blank pages, as issued. 18.1 x 14 cm. Tiny nick out of glassine at upper front spine. Fine.   
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Ruscha Edward

        
        

        <br/>Price: $600.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	 Thirtyfour parking lots in Los Angeles - Ruscha Edward
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/28020"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a15</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Los Angeles: the artist, 1967 (first printing: 2,413 copies). 31 captioned photographs by Art Alanis (the last one doublespread, with a tab 9 x 3.6 cm extending the image off the page; the previous two each depicting two neighboring parking lots, to make 34 total). &#91;48] pp. White wrappers 25.4 x 20.3 cm. Glassine ruffled at top edge of front panel and torn and creased at top edge of rear panel.  
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Ruscha Edward

        
        

        <br/>Price: $1,200.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	1952 Improvisations. Artists Equity masquerade ball. Hotel Astor, Mary 15. Spring Fantasia &#91;Volume III]. - Artists Equity Association
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/36401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a16</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **NY: Artists Equity Association, 1952. Ed. by Elias Newman. 0239/2000 copies. 101 lithographs designed "by the artist&#91;s] directly on the litho plate&#91;s]" by nearly as many artists (a few color; includes covers). Probably direct offset lithography. Artists include Milton Avery, Antonio Frasconi, Max Weber, Ben Shahn, Chaim Gross, 3 Soyers, Jack Levine, Reginald Marsh, Yasuo Kuniyoshi, Hans Hofmann, and many others. Decorated paper covers in white plastic comb binding. 30.5 x 23.5cm. Some marginal chipping and tears to back cover. 
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       <![CDATA[ 
		
     <br/>Artists Equity Association

        
        

        <br/>Price: $1,500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Das Statuenprogramm des Herodes-Atticus-Nymphäums - Bol, Renate
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/37376"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a17</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		 FREE domestic shipping with direct order. **Berlin: Walter de Gruyter, 1984. Olympische Forschungen, Band XV. Deutsches Archäologisches Institut. 6 plans & elevations (4 of them folding), 70 plates (most with multiple illustrations, & xii + 210 pp. Dark green cloth with white titling on spine. 27.9 x 20.7 cm. Very fine. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Bol, Renate

        
        

        <br/>Price: $195.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Collaborations. Art & Language. PLUS Abhasa: image-bearing light. PLUS Music from Abhasa (LP record) - Los Angeles Institute of Contemporary Art. Lita Albuquerque, Robert Kramer, Harold Budd
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/47201"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a18</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		3 separate items in a vinyl envelope printed "Collaborations" in red. 1983. 1) Art & Language. 27 illustrations. 48 pp. 20. 8 x 15 cm. Yellow wrappers. 1000 copies. 2) Abhasa, image-bearing light: Lita Albuquerque, Robert Kramer, Harold Budd; a collaboration. Held at Fisher Gallery, University of Southern California, Los Angeles. 35 illustrations (4 in color). 24 pp. Decorated wrappers. 21.6 x 21.2 cm. 3) Dark Star &#91;by] Harold Budd. Music from Abhasa: light-bearing image. An installation by Lita Albuquerque &#91;et al.]. (a single-sided 7-inch vinyl LP record; Basheva Music, 1983). All of these are in a clear vinyl envelope about 23 x 22.5 cm (plus flap). "Collaborations" is printed diagonally in red on the front. As new.  
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       <![CDATA[ 
		
     <br/>Los Angeles Institute of Contemporary Art. Lita Albuquerque, Robert Kramer, Harold Budd

        
        

        <br/>Price: $150.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Ksiazki i strony: polska ksiazka awangardowa i artystyczna, 1919-1992 - Rypson, Piotr
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/54801"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a19</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Warszawa: Centrum Sztuki Wspolczesnej, 1992. Many illustrations. 120 pp. Black wrappers. 25.8 x 21 cm. A fabulous book on artists' books and other avant-garde publications, 1919-1992. An artist's book in itself, this beautiful catalogue is printed in black and red on both sides of lightweight paper and bound Japanese style with some of the contents (mostly graphic) hidden inside the folded leaves. Moreover, the printing is continuous, so some text and illustrations cross the folds at the front edge. Very fine. 
	]]>
   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Rypson, Piotr

        
        

        <br/>Price: $500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Sztuka otwarta parateatr: kreacje plastyczne teatralizowany rytual - Dawidejit-Jastrzebska, Ewa, ed.
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/57121"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a20</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Wroclaw: Osrodek Teatru Otwartego "Kalambur," 1980. Many black-and-white photographs. 141 pp. Yellow wrappers. 17 x 23.2 cm (oversquare). Extensive text in Polish, with brief English and French summaries. "'Paratheatre,' the third issue of 'Open Art,' attempts, for the first time in Poland, to provide a documentation of Polish paratheatrical presentations." Two long chapters include an overview by Zygmunt Korus and a critical essay by Grzegorz Dziamski, plus illustrated accounts of many happenings, performance pieces, and other manifestations by Tadeusz Kantor, Krzysztof Zarebski,  Jerzy Beres, the Druga Grupa, Wlodzimierz Borowski, Andrzej Matuszewski, the Akademia Ruchu, the Grupa Chilowa, the Grupa Dzialania, the Lodz Theatre 77, Jerzy Kalina, Romuald Poplonyk, and others. Near fine; diagonal crease at lower corner of rear cover. One copy in OCLC, at Univ. of Mainz.  
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       <![CDATA[ 
		
     <br/>Dawidejit-Jastrzebska, Ewa, ed.

        
        

        <br/>Price: $250.00
       
	]]>
   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	International exhibition of photography to be held at Canadian National Exhibition, Toronto, 1921 - Toronto Camera Club
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/57901"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a21</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Thirtieth annual exhibition of the Toronto Camera Club. 9 plates. 38 pp. About 20 x 14 cm (cover). Lists 279 photographs by scores of photographers, plus another 150 works of commercial art. OCLC locates only one copy, at the Canadian Centre for Architecture. Fine, except a little ruffling of the overlapping edges of the cover. 
	]]>
   </summary>
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       <![CDATA[ 
		
     <br/>Toronto Camera Club

        
        

        <br/>Price: $225.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	32 artistas de Las Americas - Universidad de Panama
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/58401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a22</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **Washington, DC:  Panamerican Union, 1949. 4 plates (by Israel Roa, Luis Alberto Acuña, Luis Martinez-Pedro, and Diego Rivera) + &#91;4] pp. Wrs. 22.5 x 15 cm. Lists 32 works by artists from North and South America.Cover darkened near spine. 
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       <![CDATA[ 
		
     <br/>Universidad de Panama

        
        

        <br/>Price: $50.00
       
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 <entry>
   <title>
	<![CDATA[
	A fine disregard: what makes modern art modern - Varnedoe, Kirk
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/58501"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a23</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **NY: Abrams, 1990. Profusely illustrated (part color). Over 300 pp. Virtually as new in black cloth and dustjacket. 25.2 x 18 cm. 
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       <![CDATA[ 
		
     <br/>Varnedoe, Kirk

        
        

        <br/>Price: $60.00
       
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 <entry>
   <title>
	<![CDATA[
	Artforum, volumes 1-20, 1962-1983, complete - Irwin, John; Leider, Philip; Coplans, John; Masheck Joseph; and Sischy, Ingrid, eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/68991"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a24</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		San Francisco 1962-1964; Los Angeles, 1964-1967; New York, 1967-present. 203 fine, original issues in decorated wrappers, as issued. When the first issue of Artforum arrived in the summer of 1962, it seemed hopelessly parochial, with its nearly exclusive emphasis on California exhibitions. Even that issue, however, featured an article on Jean Tinguely and George Rickey and a review of Edward Kienholz, both by Arthur Secunda, plus Alfred Frankenstein on Mark Tobey. By the end of the year, the magazine already was spreading its horizon, with Kate Steinitz on fantastic architecture and John Coplans on the first US museum show of Pop Art, The New Paintings of Common Objects at the Pasadena Art Museum, with works by Warhol, Lichtenstein, Ruscha, and others. Artforum quickly developed into the most influential publication in the world for new art and its leading advocate. Indeed, the enthusiasms of its editors and writers shaped much of the course of contemporary art in those and later years. In her anthology, Looking critically: 21 years of Artforum magazine (1984), Associate Publisher Amy Baker Sandback wrote: "…what would later be tagged as Pop, Minimal, Earthwork, Neo-Expressionism, and New Wave was introduced while the artworks were as yet unknown to the general public and before they had been defined by a body of criticism." Long, early runs like this are virtually impossible to assemble today because of the rarity and fragility of many of the issues. Among the hundreds of high points in this group are the Surrealism issue of September 1966 with its ingenious cover by Ed Ruscha, Robert Smithson's eight important writings from June 1966 through February 1973, the legally suppressed issue of March 1968 with its devastating critique of the then-new Pasadena Art Museum, the Film issue of September 1971, the sensational and vanishingly rare November 1974 with its scandalous advertisement featuring the artist Lynda Benglis, and the February 1982 issue with a Flexidisc by Laurie Anderson. Later years are available to extend this run. Please see the free, on-line Artforum Index, 1962-1968 at mcgilvery.com. Shipping extra on this very heavy set. 
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     <br/>Irwin, John; Leider, Philip; Coplans, John; Masheck Joseph; and Sischy, Ingrid, eds.

        
        

        <br/>Price: $5,000.00
       
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 <entry>
   <title>
	<![CDATA[
	Quadrum: Revue internationale d'art moderne. Rivista internazionale d'arte moderna. International magazine of modern art. Internationale Zeitschrift für moderne Kunst. Nos. 1-20 (complete set) - Fierens, Paul; Langui, Emile &#91;et al.]
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/77401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a25</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		Bruxelles: L'Association pour la Diffusion Artistique et Culturelle (A.D.A.C.), 1956-1966. 20 issues (all published). 17 issues in 5 volumes; nos. 11, 12, 13 in original wrappers. Profusely illustrated (part color). 20.4 x 26 cm. Library buckram & wrappers. One of the world's leading art magazines, with contributions by most of the important mid-century writers on modern art. Texts variously in French, German, English, and Italian. Index to vols. I-XX in the final issue. Good, well-bound, ex-library copy. Shipping extra on this heavy set. 
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       <![CDATA[ 
		
     <br/>Fierens, Paul; Langui, Emile &#91;et al.]

        
        

        <br/>Price: $500.00
       
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 <entry>
   <title>
	<![CDATA[
	Scrap: the New York Sunday supplement &#91;subtitle varies], Nos. 1-8, December 9, 1960 through June 14, 1962. An exceptionally rare complete set - Geist, Sidney, and Ventura, Anita, eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/78101"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a26</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **NY, &#91;1971?]. A few illustrations in each issue. No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm (folded in quarters from sheets about 61 x 46 cm). A spirited look at the New York art world during a period of extraordinary change. No. 2 has excerpts from a WBAI interview with the editors, "Scrap's First Tape" &#91;a pun on Samuel Beckett's great monologue "Krapp's Last Tape"]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp's The Bride Stripped Bare by Her Bachelors, Even. Geist on Rothko fills most of no. 4. No. 8 features two reviews of Harold Rosenberg's Arshile Gorky: the Man, the Time, the Idea. Now, about this complete set: Scrap originally appeared on the cheapest newsprint, and the few copies available are usually browned, chipped, and very brittle. Some time after 1969, when Geist lent—not gave—a set to the Smithsonian for microfilming, he apparently decided to make a limited number of  sets on better paper. MoMA has this version both bound and unbound and assigns it a date of 1971(?). That sounds plausible; I first encountered copies in 1974. A close comparison of both versions confirms that the much crisper second printing was made from original masters or negatives, not reproduced from the 1960-1962 newsprint copies. OCLC locates 15 full or partial sets, some of those in microform.  
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       <![CDATA[ 
		
     <br/>Geist, Sidney, and Ventura, Anita, eds.

        
        

        <br/>Price: $1,500.00
       
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 <entry>
   <title>
	<![CDATA[
	Opticks: or, a treatise of the reflections, refractions, inflections, and colours of light. The second edition, with additions. - Newton, Isaac
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/92151"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a27</id>
   <updated>2012-05-23T09:52:56Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **London: W. & J. Innys, 1718.12 folding engraved plates. Blank & 4 leaves ("Corrigenda" on the final one), pp. 1-382, and one leaf of ads. The name William Hindmon is written on the initial blank. The leaves measure 19.1 x 11.5 cm. Plate I has a trapezoidal piece roughly 2 x 3 x 3 x 3 cm torn out of the upper corner with loss of the bracketed text: "Book I. Part I. Pl&#91;ate I]" and "Fig &#91;2]." Plate IV is trimmed too closely at the top, with the loss of the upper part of the title; Plate V is trimmed closely, but with no loss of text. Book I, Part II, Plate III is similar. Book III, Plate I follows p. 82. It has been misfolded, so that the paper has creased along the front edge. There is a loss of paper 3 x 1 cm high along the top end of the fold, plus a tear of 2 cm along the bottom of the fold. On p. 301 there is a very small burned hole, as though someone had decided to test the theory of the burning glass; a couple of other similar marks did not go through the paper. Occasional age toning, plus intermittent foxing and a few small stains. The contemporary calf was rebound some long time ago. Before that, it looks as though an owner used tape to keep the loose spine in place. On the rear cover there are only dark patches; on the front cover the tape lifted a few small pieces of surface; the backstrip shows considerable old skinning. The covers are blind-tooled. From the library of Jacob Bronowski. 
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       <![CDATA[ 
		
     <br/>Newton, Isaac

        
        

        <br/>Price: $2,750.00
       
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