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 <title>New Sixties Books at Laurence McGilvery</title>
 <link href="http://www.mcgilvery.com/shop/mcgilvery/categoryrss/Sixties" rel="self"/>
 <link href="http://www.mcgilvery.com"/>
 <updated>2013-05-22T00:46:03Z</updated>
 <author>
   <name><![CDATA[Laurence McGilvery]]></name>
   <email>laurence@mcgilvery.com</email>
 </author>
 <id>urn:uuid:60a76c80-d399-11d9-b91C-0003939e0af</id>
 

 <entry>
   <title>
	<![CDATA[
	George Herms: selected works 1960-1972 - &#91;Herms, George]
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/13801"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a1</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic & international shipping with direct order. **California State University, Los Angeles, Art Gallery, 1972. 12 plates (2 color). 20 pp. White paper covers. printed in brown with Herms' L O V E design on the rear cover. 18.5 x 21 cm (oversquare). Statement by Herms. Fine. 
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   </summary>
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       <![CDATA[ 
		
     <br/>&#91;Herms, George]

        
        

        <br/>Price: $50.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Dorothy Iannone: new paintings at the Stryke Gallery… April 16… to May 6, 1965 &#91;poster] - Iannone, Dorothy
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/14751"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a2</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Black-and-white poster on stiff paper 54.4 x 65 cm (21-1/4 x 25-3/4 inches), folded in 6 for mailing, with address and postal indicia on outside blank panel. Heavy black drawings with written text, almost Byzantine in their density, surround two  multiple-exposed photographs of the artist in a stylish hat and dress. A strong, very early work. Between 1963 and 1967 she and her then-husband ran the Stryke Gallery at 86 E. 10 Street, NYC. In 1967, the couple were with Emmett Williams in Reykjavik, Iceland. There they met Dieter Roth. She became his lover and he her muse. The description of a solo show, "Dorothy Iannone: Lioness." at the New Museum in New York in summer 2009 states, "Since the 1960s Iannone has continued to portray the female sexual experience as one of transcendence, union, and spirituality." Only light wear. No copies located in OCLC (nor any other publications of the Stryke Gallery). 
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       <![CDATA[ 
		
     <br/>Iannone, Dorothy

        
        

        <br/>Price: $350.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Paste Ups by Jess - Jess & Robert Duncan
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/15201"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a3</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **San Francisco Museum of Art, 1968. 4 leaves printed one side and loose in folder. The covers each have a grid of Jess's complex collages on front and  rear. About 24 x 21.5 cm. The exhibition title is on a fold-out tab on the rear cover. Contents: "Structure of rime XXVII," by Robert Duncan; "Works in the exhibition"; "Jess" (a chronology); and "Checklist of  publications." An almost invisible bump at the top fold. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Jess & Robert Duncan

        
        

        <br/>Price: $125.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Picture-poems by Kenneth Patchen: seven letterpress cards and envelopes. Series R—150PC &#91;and] Series RS—150PC. - Patchen, Kenneth
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/25661"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a4</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **&#91;Palo Alto, California? The author? ca. 1962]. A total of 14 folders in two separate, original packaging, unopened. Cards: 8 x 5 inches; envelopes: 5.5 x 8.125 inches. In a letter to my wife and me Miriam Patchen described these two new series as ". . . seven different, never-before-pubished 'Picture-poems' on a variety of colored and not colored papers, some surfaced, some not, packaged with deluxe, deckle-edged (like the one here) envelopes in a sealed cellophane wrapper with a gaily-colored identifying label. . . . The printing is small." We ordered 25 sets of each on 28 July 1962 and probably sold most of the cards singly. I cannot identify the poems without opening the seals; the colors appear to be white, yellow, light blue, and green. Some darkening of the tape used to seal the packages, but otherwise as we received them nearly 50 years ago. 2 packages, a total of 14 cards and envelopes. 
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       <![CDATA[ 
		
     <br/>Patchen, Kenneth

        
        

        <br/>Price: $500.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Rauschenberg at Dwan: drawings. April 13, 1965. Poster - Rauschenberg, Robert
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/26701"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a5</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Los Angeles &#91;not New York]: Dwan Gallery, 1965. Poster. Tans and grays, brown, black, pink, blue. Folded in eight. About 22 x 25 inches flat (oversquare). Fine. Never mailed. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Rauschenberg, Robert

        
        

        <br/>Price: $375.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Mouvement 2 - Galerie Denise René &#91;Rene]
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/41401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a6</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **Paris: Galerie Denise René, 1964. A brilliant poster-catalogue designed by Carlos Cruz-Diez. Folded as issued, this piece is a die-cut circle 23 cm square with flattened edges that preserve the folds. It is printed both sides with two vivid covers in vibrating vermilion and green and 22 other pages. Profusely illustrated with works by Arp, Tinguely, Albers, Le Parc, Vasarely, Soto, Gerstner, Agam, Yvaral, Tomasello, and dozens of other artists. Unfolded, which is the only way to read it, the poster measures about 92 x 68.5 cm (36 x 27 inches). Very fine. Another copy is available at a lower price. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Galerie Denise René &#91;Rene]

        
        

        <br/>Price: $100.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	Artforum, volumes 1-20, 1962-1983, complete - Irwin, John; Leider, Philip; Coplans, John; Masheck Joseph; and Sischy, Ingrid, eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/68991"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a7</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		San Francisco 1962-1964; Los Angeles, 1964-1967; New York, 1967-present. 203 fine, original issues in decorated paper covers., as issued. When the first issue of Artforum arrived in the summer of 1962, it seemed hopelessly parochial, with its nearly exclusive emphasis on California exhibitions. Even that issue, however, featured an article on Jean Tinguely and George Rickey and a review of Edward Kienholz, both by Arthur Secunda, plus Alfred Frankenstein on Mark Tobey. By the end of the year, the magazine already was spreading its horizon, with Kate Steinitz on fantastic architecture and John Coplans on the first US museum show of Pop Art, The New Paintings of Common Objects at the Pasadena Art Museum, with works by Warhol, Lichtenstein, Ruscha, and others. Artforum quickly developed into the most influential publication in the world for new art and its leading advocate. Indeed, the enthusiasms of its editors and writers shaped much of the course of contemporary art in those and later years. In her anthology, Looking critically: 21 years of Artforum magazine (1984), Associate Publisher Amy Baker Sandback wrote: "…what would later be tagged as Pop, Minimal, Earthwork, Neo-Expressionism, and New Wave was introduced while the artworks were as yet unknown to the general public and before they had been defined by a body of criticism." Long, early runs like this are virtually impossible to assemble today because of the rarity and fragility of many of the issues. Among the hundreds of high points in this group are the Surrealism issue of September 1966 with its ingenious cover by Ed Ruscha, Robert Smithson's eight important writings from June 1966 through February 1973, the legally suppressed issue of March 1968 with its devastating critique of the then-new Pasadena Art Museum, the Film issue of September 1971, the sensational and vanishingly rare November 1974 with its scandalous advertisement featuring the artist Lynda Benglis, and the February 1982 issue with a Flexidisc by Laurie Anderson. Later years are available to extend this run. Please see the free, on-line Artforum Index, 1962-1968 at mcgilvery.com. Shipping extra on this very heavy set. 
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   </summary>
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       <![CDATA[ 
		
     <br/>Irwin, John; Leider, Philip; Coplans, John; Masheck Joseph; and Sischy, Ingrid, eds.

        
        

        <br/>Price: $5,000.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Floating Bear: a newsletter. Numbers 1-37, 1961-1969. Introduction and notes adapted from interviews with Diane di Prima. - di Prima, Diane, and Jones, LeRoi, editors. The Floating Bear.
	]]>	
   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/72401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a8</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **La Jolla, California: Laurence McGilvery, 1973. Dark blue library buckram. xviii + &#91;2] + 578 pp. + 6 supplementary sheets in 4 issues. 27.2 x 20.7 cm. First-class, oversewn library binding. As new. ISBN 0-910938-29-6. LC No. 72-79790. **From the introduction: "Bear Number One, what I remember about it. We printed 250 copies. Our mailing list was just two pieces of paper with names scribbled on them, 117 names… painters, poets, dancers…. The intention was to publish only original material…. &#91;T]he last time I saw Charles Olson in Gloucester, one of the things he talked about was how valuable the Bear had been to him in its early years…. &#91;H]is work, his thoughts, would be in the hands of a few hundred writers within two or three weeks. It was like writing a letter to a bunch of friends." The Floating Bear was mimeographed and published mostly in New York City; also Topanga, California; Kerhonkson, New York; and Brooklyn. It was supported by the editors and by contributions, and it never was sold. A list of only the most frequent and well-known contributors includes Frank O'Hara, Allen Ginsberg, Charles Olson, Ed Dorn, Michael McClure, Robert Creeley, Joel Oppenheimer, William Burroughs, Philip Whalen, John Wieners, Robert Duncan, A.B. Spellman, and the editors. The fugitive nature of The Floating Bear and the very small editions of some issues make complete, original sets virtually unobtainable. Full table of contents and detailed author and title index. 
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   <content type="html">
    
       <![CDATA[ 
		
     <br/>di Prima, Diane, and Jones, LeRoi, editors. The Floating Bear.

        
        

        <br/>Price: $85.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	The Floating Bear: a newsletter. Numbers 1-37, 1961-1969. WITH SUPPLEMENT: The Intrepid-Bear issue: Intrepid #20/Floating Bear #38. 1971. Introduction and notes adapted from interviews with Diane di Prima. - di Prima, Diane, and Jones, LeRoi, editors. The Floating Bear.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/72501"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a9</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **La Jolla, California: Laurence McGilvery, 1973. Dark blue library buckram. xviii + &#91;2] + 578 pp. + 6 supplementary sheets in 4 issues. 27.2 x 20.7 cm. PLUS supplement: cover, errata sheet & 130 pp. First-class, oversewn library binding. As new. ISBN 0-910938-29-6. LC No. 72-79790. **From the introduction: "Bear Number One, what I remember about it. We printed 250 copies. Our mailing list was just two pieces of paper with names scribbled on them, 117 names… painters, poets, dancers…. The intention was to publish only original material…. &#91;T]he last time I saw Charles Olson in Gloucester, one of the things he talked about was how valuable the Bear had been to him in its early years…. &#91;H]is work, his thoughts, would be in the hands of a few hundred writers within two or three weeks. It was like writing a letter to a bunch of friends." The Floating Bear was mimeographed and published mostly in New York City; also Topanga, California; Kerhonkson, New York; and Brooklyn. It was supported by the editors and by contributions, and it never was sold. A list of only the most frequent and well-known contributors includes Frank O'Hara, Allen Ginsberg, Charles Olson, Ed Dorn, Michael McClure, Robert Creeley, Joel Oppenheimer, William Burroughs, Philip Whalen, John Wieners, Robert Duncan, A.B. Spellman, and the editors. The fugitive nature of The Floating Bear and the very small editions of some issues make complete, original sets virtually unobtainable. Full table of contents and detailed author and title index. **Supplement: In 1971 Diane di Prima guest-edited a thick issue (130 pp.) of Allen De Loach's Intrepid, published in Buffalo. It includes material received too late to appear in issue 37 of the Floating Bear. Among the many contriubtors are Paul Blackburn, Charles Olson, Anselm Hollo, Robert Kelly, and LaMonte Young. This issue is not indexed, and the very stiff, green front cover of the original has been replaced with text paper of a similar color and bearing the same printed copy. Three copies available. 
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       <![CDATA[ 
		
     <br/>di Prima, Diane, and Jones, LeRoi, editors. The Floating Bear.

        
        

        <br/>Price: $150.00
       
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   </content>
 </entry>

 <entry>
   <title>
	<![CDATA[
	International times IT Numbers 1-15, 17, 1966-1967. - McGrath, Tom; Miles, Barry; and others, eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/74751"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a10</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		London, 1966-1967. The early issues of an influential underground newspaper, brimming over with satire and transgression. All copies except no. 10 are in original, unbound state, and all are flat, except no. 17, which is folded once. Sizes: Numbers 1-9, about 42 x 31 cm (16-3/4 x 12-1/2 inches); Numbers 11 & 12, 38 x 25.5 cm (13 x 10 inches); Numbers 13-15 & 17, 44.5 x 29 cm (15-1/2 x 11-1/2 inches). No. 10 is a high-quality photocopy of this exceedingly rare issue, most of which was seized and destroyed by the police. It is slightly reduced in size 16-3/4 x 12-1/2 inches to 17 x 11 inches, 16 pages printed both sides  on 8 separate leaves. Generally excellent condition, considering the 40-year-old newsprint on which the original issues are printed. **Several sets of this run available; it includes: No. 1, 10/14-27/1966; No. 2, 10/31-11/13/1966 (Ezra Pound broadcast); No. 3, 11/14-27/1966 (Burroughs, Morton Feldman); No. 4, 11/28-12/11/1966 (Dick Gregory, Alexander Trocchi); No. 5, 12/12-25/1966 (Claes Oldenburg); No. 6, 1/16-29/1967 (Paul McCartney, Mailer, Burroughs); No. 7, 1/30-2/16/1967 (Ginsberg address); No. 8, 2/13-26/1967 (Pete Townshend, Ginsberg, Snyder); No. 9, 2/27-3/12/1967; No. 10 n photocopy, 3/13-26/1967 (Frank Zappa and a report by Tom McGrath on a police raid of the IT offices the previous week); No. 11, 4/21-28/1967; No. &#91;12], 4/28-5/12/1967 (color cover and color cut-up by Brion Gysin); No. 13, 5/19-6/2/1967; No. 14, Fri. 6/2/1967 (Warhol); No. 15, Fri. 6/16/1967; 17, 7/28-8/13/1967 (Yoko Ono). Not included: no. 16 and four rare broadsides and supplements (5.5, 10.5, 14.25, 14.5). 
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       <![CDATA[ 
		
     <br/>McGrath, Tom; Miles, Barry; and others, eds.

        
        

        <br/>Price: $525.00
       
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 <entry>
   <title>
	<![CDATA[
	Origin 8, third series, celebrating Josef Albers. - Corman, Cid, editor; Albers, Josef; Zukofsky, Louis; Stevens, Wallace; Albers, Anni.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/76591"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a11</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic shipping with direct order. **Kyoto: the editor &#91;Cid Corman], January 1968. 6 mounted plates (1 of these a color silkscreen and another in printed color). Paper covers.. 21.2 x 15.2 cm. 64 pp. **Only 300 copies per issue of this series (200, according to The Little Magazine in America by Elliott Anderson and Mary Kinzie. Yonkers, New York: Pushcart, ©1978). Also includes Cid Corman, Louis Zukofsky, Wallace Stevens, Anni Albers, and others. 
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       <![CDATA[ 
		
     <br/>Corman, Cid, editor; Albers, Josef; Zukofsky, Louis; Stevens, Wallace; Albers, Anni.

        
        

        <br/>Price: $75.00
       
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 <entry>
   <title>
	<![CDATA[
	S.M.S. No. 1, February 1968 - Copley, William N., editor
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/77801"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a12</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **New York: The Letter Edged in Black Press, ©1968. Stiff, decorated paper covers. with pockets on each side, 27.5 x 18 cm., containing multiples loose as issued by 11 artists. The first of six issues of this spectacular artists' periodical edited by William Copley. Contents, all loose as issued : Su Braden, "Project for a bridge"; James Byars, "Black dress"; Christo, "Store front"; Walter de Maria, "Chicago projecct"; Richard Hamilton, "A postal card—for Mother"; Julien Levy, "Pharmaceuticals"; Kasper König "My counting 'tis of thee" West Germany 1968 (4 views); Sol Mednick, "Photograph—Hottentot apron"; Irving Petlin, cover, "Little book of earthquake and cotton"; Nanch Reitkopf, "Luggage labels"; La Monte Young and Marian Zazeela, "Two propositions in black." Also includes the table of contents set up like a small, fancy menu, 2 copies of a descriptive flyer, and a subscription card with return envelope. The colored empty capsules that accompany Julien Levy's piece are somewhat damaged, as usual; otherwise, fine. 
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       <![CDATA[ 
		
     <br/>Copley, William N., editor

        
        

        <br/>Price: $600.00
       
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 <entry>
   <title>
	<![CDATA[
	Scrap: the New York Sunday supplement &#91;subtitle varies], Nos. 1-8, December 9, 1960 through June 14, 1962. An exceptionally rare complete set - Geist, Sidney, and Ventura, Anita, eds.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/78101"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a13</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic and international shipping with direct order. **New York, &#91;1971?]. A few illustrations in each issue. No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm (folded in quarters from sheets about 61 x 46 cm). A spirited look at the New York art world during a period of extraordinary change. No. 2 has excerpts from a WBAI interview with the editors, "Scrap's First Tape" &#91;a pun on Samuel Beckett's great monologue "Krapp's Last Tape"]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp's The Bride Stripped Bare by Her Bachelors, Even. Geist on Rothko fills most of no. 4. No. 8 features two reviews of Harold Rosenberg's Arshile Gorky: the Man, the Time, the Idea. Now, about this complete set: Scrap originally appeared on the cheapest newsprint, and the few copies available are usually browned, chipped, and very brittle. Some time after 1969, when Geist lent—not gave—a set to the Smithsonian for microfilming, he apparently decided to make a limited number of  sets on better paper. MoMA has this version both bound and unbound and assigns it a date of 1971(?). That sounds plausible; I first encountered copies in 1974. A close comparison of both versions confirms that the much crisper second printing was made from original masters or negatives, not reproduced from the 1960-1962 newsprint copies. OCLC locates 15 full or partial sets, some of those in microform.  
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       <![CDATA[ 
		
     <br/>Geist, Sidney, and Ventura, Anita, eds.

        
        

        <br/>Price: $1,500.00
       
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 </entry>

 <entry>
   <title>
	<![CDATA[
	Informed Sources (Day East Received): science fiction by Willard Bain &#91;from cover]. 2nd printing - Bain, Willard
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/80551"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a14</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **San Francisco: The Communication Company, 1967. Title page: Manuscript editions number one &#91;at head of title page]. Informed sources (day east received). Second printing: 9/67. © Copyright, 1967, by The Communication Company. Published in and around San Francisco by The Communication Company, a member of the Underground Press Syndicate. Covers and 70 leaves mimeographed both sides and paginated &#91;1]-140. The verso of the title page &#91;1] is blank and unpaginated; many other pages are unpaginated; 139 is skipped and 140 inverted, as issued. Otherwise virtually as new, considering the likely circumstances of its publication. This satirical tour de force consists of increasingly urgent wires and bulletins that evolve into something like concrete poetry at the end. 
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       <![CDATA[ 
		
     <br/>Bain, Willard

        
        

        <br/>Price: $250.00
       
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 </entry>

 <entry>
   <title>
	<![CDATA[
	William S. Burroughs, the hombre invisible. Catalogue eight. - Burroughs, William S. Atticus Books &#91;Ralph Cook]
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/85231"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a15</id>
   <updated>2013-05-22T00:46:03Z</updated>
   <summary type="html">
      
	<![CDATA[ 
		FREE domestic or international shipping with direct order. **San Diego: Atticus Books, 1981. Number 8 of 50 copies signed by Burroughs. includes the text, "Foreword: the future of the novel." Cover portrait photograph and illustrations of 33 items of 360 catalogued. 56 pp. Paper covers., handbound with binder's cord. 21.8 x 13.7 cm. In original 6 x 9-inch manila envelope. Slight darkening at the spine and upper edge of the cover. 
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   </summary>
   <content type="html">
    
       <![CDATA[ 
		
     <br/>Burroughs, William S. Atticus Books &#91;Ralph Cook]

        
        

        <br/>Price: $325.00
       
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 </entry>

 <entry>
   <title>
	<![CDATA[
	Planet news 1961-1967. - Ginsberg, Allen.
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   </title>
   <link href="http://www.mcgilvery.com/shop/mcgilvery/88401"/>
   <id>urn:uuid:1225c695-cfb8-4ebb-aaaa-80da344efa6a16</id>
   <updated>2013-05-22T00:46:03Z</updated>
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	<![CDATA[ 
		FREE domestic or international shipping with direct order. **San Francisco: City Lights, 1968. Black-and-white paper covers.. 148 pp. 15.8 x 12.3 cm. As new. **True first edition, printed in letterpress by Villiers Press, London, England, with a sewn binding and Villiers' notice inside the rear cover. 5000 copies published in May 1968. The stated "First American Edition" is a reprint by every reasonable standard. It consisted of "25,000 copies printed photo-offset and perfect-bound by Edwards Brothers in Ann Arbor, Michigan" in November 1968 (Cook, The City Lights Pocket Poets series: a descriptive bibliography). This publishing pattern was commonly practiced by City Lights: the initial printings of most of the first 27 numbers were letterpress by Villiers, with some later offset reprints by Edwards Brothers or other firms. Number 23 in series. 
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     <br/>Ginsberg, Allen.

        
        

        <br/>Price: $50.00
       
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