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![3 separate items in a vinyl envelope printed "Collaborations" in red. 1983. 1) Art & Language. 27 illustrations. 48 pp. 20. 8 x 15 cm. Yellow paper covers.. 1000 copies. 2) Abhasa, image-bearing light: Lita Albuquerque, Robert Kramer, Harold Budd; a collaboration. Held at Fisher Gallery, University of Southern California, Los Angeles. 35 illustrations (4 in color). 24 pp. Decorated paper covers.. 21.6 x 21.2 cm. 3) Dark Star [by] Harold Budd. Music from Abhasa: light-bearing image. An installation by Lita Albuquerque [et al.]. (a single-sided 7-inch vinyl LP record; Basheva Music, 1983). All of these are in a clear vinyl envelope about 23 x 22.5 cm (plus flap). "Collaborations" is printed diagonally in red on the front. As new.](/mcgilvery/images/items/120x500/47201.jpg "3 separate items in a vinyl envelope printed \"Collaborations\" in red. 1983. 1) Art & Language. 27 illustrations. 48 pp. 20. 8 x 15 cm. Yellow paper covers.. 1000 copies. 2) Abhasa, image-bearing light: Lita Albuquerque, Robert Kramer, Harold Budd; a collaboration. Held at Fisher Gallery, University of Southern California, Los Angeles. 35 illustrations (4 in color). 24 pp. Decorated paper covers.. 21.6 x 21.2 cm. 3) Dark Star [by] Harold Budd. Music from Abhasa: light-bearing image. An installation by Lita Albuquerque [et al.]. (a single-sided 7-inch vinyl LP record; Basheva Music, 1983). All of these are in a clear vinyl envelope about 23 x 22.5 cm (plus flap). \"Collaborations\" is printed diagonally in red on the front. As new.")
Collaborations. Art & Language. PLUS Abhasa: image-bearing light. PLUS Music from Abhasa (LP record)
Los Angeles Institute of Contemporary Art. Lita Albuquerque, Robert Kramer, Harold Budd
3 separate items in a vinyl envelope printed "Collaborations" in red. 1983. 1) Art & Language. 27 illustrations. 48 pp... more
Price: $150.00
![FREE domestic shipping with direct order. **New York: Abrams, [1970?] (dated introduction by Jean Marcenac). A livre d'artiste published in an edition of 1998 copies for the entire world; 666 copies each for US, France, and Germany. This is number 377 of the US edition. Facsimile reproductions of three studio sketchbooks from 1964. 23 signatures loose as issued in chemise of linen over boards and housed in a matching clamshell case with linen covers and orange silk edges; the case closes with a leather strap and fastener. The text consists of 4 signatures totalling 32 pp. A 4-page signature follows, with this description: "The re-creations in this Album. . . are the exact size of the original drawings and were produced through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil, and charcoal are among the artist's materials used in making the re-creations in this Album. The paper is handmade and is pure rag Velin d'Arches. . . ." 18 signatures of 8 pp. each contain 71 facsimile plates printed on rectos only (24 in color). Page size about 33 x 25 cm. The case shows light wear and some fraying of the joints at the head and tail of the spine.](/mcgilvery/images/items/120x500/26261.jpg "FREE domestic shipping with direct order. **New York: Abrams, [1970?] (dated introduction by Jean Marcenac). A livre d'artiste published in an edition of 1998 copies for the entire world; 666 copies each for US, France, and Germany. This is number 377 of the US edition. Facsimile reproductions of three studio sketchbooks from 1964. 23 signatures loose as issued in chemise of linen over boards and housed in a matching clamshell case with linen covers and orange silk edges; the case closes with a leather strap and fastener. The text consists of 4 signatures totalling 32 pp. A 4-page signature follows, with this description: \"The re-creations in this Album. . . are the exact size of the original drawings and were produced through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil, and charcoal are among the artist's materials used in making the re-creations in this Album. The paper is handmade and is pure rag Velin d'Arches. . . .\" 18 signatures of 8 pp. each contain 71 facsimile plates printed on rectos only (24 in color). Page size about 33 x 25 cm. The case shows light wear and some fraying of the joints at the head and tail of the spine.")
Picasso: le goût du bonheur [gout]: a suite of happy, playful, and erotic drawings
Picasso, Pablo. Marcenac, Jean
FREE domestic shipping with direct order. **New York: Abrams, [1970?] (dated introduction by Jean Marcenac). A livre d'artiste published in.. more
Price: $2,750.00
![FREE domestic or international shipping with direct order. **Bedford Village and Mount Kisco, New York: Tyler Graphics, 1974, 1976, 1982, 1997. Each of these prints is a spectacular piece of work reproducing the much larger originals in small size. The four serigraphs after Albers are in the same medium as the justifiably expensive edition prints. They are: "Gray Instrumentation I l" [L], "Gray Instrumentation II f" (both 1974), "Homage to the Square" (1976, Albers' last print), and "Never Before" (1976). The Frankenthaler is one intaglio print reproduced in color lithography (7 colors) from her volume "This Is Not a Book" (1997). The Motherwell is "Lament for Lorca," a lithograph printed in black and brown and reproduced in lithography. The Stella is "Swan Engravings," a lithograph printed in black after an etching. Sizes vary and range from 12.5 x 9.5 inches overall for the first two Albers to about 9 inches square for the second two Albers. All virtually as new.](/mcgilvery/images/items/120x500/58121.jpg "FREE domestic or international shipping with direct order. **Bedford Village and Mount Kisco, New York: Tyler Graphics, 1974, 1976, 1982, 1997. Each of these prints is a spectacular piece of work reproducing the much larger originals in small size. The four serigraphs after Albers are in the same medium as the justifiably expensive edition prints. They are: \"Gray Instrumentation I l\" [L], \"Gray Instrumentation II f\" (both 1974), \"Homage to the Square\" (1976, Albers' last print), and \"Never Before\" (1976). The Frankenthaler is one intaglio print reproduced in color lithography (7 colors) from her volume \"This Is Not a Book\" (1997). The Motherwell is \"Lament for Lorca,\" a lithograph printed in black and brown and reproduced in lithography. The Stella is \"Swan Engravings,\" a lithograph printed in black after an etching. Sizes vary and range from 12.5 x 9.5 inches overall for the first two Albers to about 9 inches square for the second two Albers. All virtually as new.")
Collection of 7 superb miniature prints in silkscreen and lithography.
Tyler Graphics. Albers, Josef. Frankenthaler, Helen. Motherwell, Robert. Stella. Frank.
FREE domestic or international shipping with direct order. **Bedford Village and Mount Kisco, New York: Tyler Graphics, 1974, 1976, 1982,.. more
Price: $375.00
New work / Southern California
University of California, San Diego
FREE domestic or international shipping with direct order. **La Jolla, California: 1968. Catalogue in the the form of a vertical.. more
Price: $300.00
