Pasadena Art Museum, 1963. 2000 copies. Astonishingly, this was Duchamp's first retrospective exhibition. It (and the much rarer poster accompanying the exhibition) also was one of the two most important publications of the Pasadena Art Museum during its heyday, when it transformed the Southern California art scene and gave it..... More

Québec: The Artist; printed in Canada, 2009. 1000 copies. 36 b/w photos. Stiff, white paper covers printed in black. [48] pp. 17.8 x 14 cm. One of many brilliant (and less so) homages, parodies, knockoffs, and copies of Ed's signature subjects and styles. See Various small books: referencing various small..... More

Canada: the Artist, 2009. 25 b/w photos. 48 pp. 17.8 x 14 cm. One of many brilliant (and less so) homages, parodies, knockoffs, and copies of Ed's signature subjects and styles. See Various small books: referencing various small books by Ed Ruscha (MIT Press, 2013), which describes 84 examples, 1981-2011..... More

Hollywood: Heavy Industry Publications, 1971. First edition. Ruscha's 13th book. Black paper covers with no titling. 14 photographs of palm trees, mostly in Hollywood, with locations noted on opposite pages. Approximately the last half of the book consists of blank pages, as issued. 17.8 x 13.9 cm. Minor wear at..... More

[Los Angeles: the artist], 1965 [1970]. American distributor: Wittenborn and Company (sticker inside rear cover). Second edition. 3000 copies (following 700 copies printed by Anderson, Ritchie & Simon, Los Angeles). Ruscha's 3rd book. White paper covers with title in light green. 34 black-and-white illustrations on [44] pp. 17.9 x 14.1..... More

[Los Angeles: [the artist], 1969. Third edition, printed in 1969 by the Cunningham Press, Alhambra, California. 3000 copies, after 500 of the second edition (1967) and 400 numbered copies of the first edition (1962). Ruscha's first book—it all began here. White paper covers with title in red. 26 black-and-white plates..... More

Stuttgart: Verlag Gerd Hatje, 1981. Catalogue raisonne. Frontispiece portrait + 4 plates in color & 617 b/w illustrations in catalogue. XLVII + 407 pp. 821 or more catalogue entries. Frontmatter in parallel German, English, and French. Black cloth with silver titling and cover image, in black & white dustjacket. From..... More

New York: Oxford University Press, 1941. 2 serigraphs in color & photograph of Klee by Josef Albers. 65 illustrations on 62 plates printed one side + 35 pp.,+ all on card stock Cloth-grained grey paper with titling serigraphed in white and light blue. Bound with clear plastic comb binding with..... More

Syracuse, NY: Syracuse University Press, 1994. 197/200 copies in slipcase, signed by author and artist. 29 color plates & 30 b/w figures in the text. [xviii] + 94 pp. Dark-red cloth with color dustjacket in black slipcase. 25.4 x 21.6 cm. Unusually rich figurative work. Fine. **Free domestic shipping with..... More

San Francisco: John Irwin, 1962-1963. 12 original issues, unbound as issued, in decorated paper covers. When the first sample copy of the June 1962 issue of Artforum arrived in the mail during the summer of 1962, with its mostly exclusive emphasis on California exhibitions, I thought it doomed. How wrong..... More

London: South Bank Centre, 1993. 61 plates (44 color). 119 + [2] pp.Gray boards with debossed cover title and spine printed in dark-red, dustjacket in color and black. 25 x 37 cm (oversquare). A stunning and thought-provoking book by one of the world's most profound living artists. Turrell writes mostly..... More

Minneapolis: Minnesota Center for Book Arts, 1988. 8 plates. Unpaginated [24 pp.]. 19 x 21.6 cm (oversquare). Black paper covers with white text and color plate on front cover. The informative text by Betty Bright identifies the many unexpected sources and routes through which Lewitt arrrives at his seemingly rigid..... More

Los Angeles: Astro Artz, 1983. Paper covers. 26 x 18 cm. 87 pp. 31 illustrations on 16 plates (under the title "Recollections of my life with Diaghilev") + 29 illustrations in the text. Fine. More