New York, May-June 1966. This is one of two such copies, both inscribed to "Fred"; please read on. They probably came to me decades ago as duplicates from the UCLA Art Library. Although the catalogue indicates that the exhibition was in New York, the possible connections to UCLA suggest that..... More
New York, May-June 1966. This is one of two such copies, both inscribed to "Fred"; please read on. They probably came to me decades ago as duplicates from the UCLA Art Library. Although the catalogue indicates that the exhibition was in New York, the possible connections to UCLA suggest that..... More
[London: the artist?[ 1997/98]. For Damien Hirst's Notting Hill Gate restaurant in London, he designed wallpaper based on the Merck Company's pharmaceutical products. Those first versions, in bronze and silver, which were used to decorate the restaurant, used the actual trade names. Merck objected to this appropriation of their trademarks..... More
New York: Studio 54,1990s. A rich piece of memorabilia of the legendary Warhol scene from the collection of Helene Verin. Letterpress printing in black on gold-coated card stock. 5.1 x 11.5 cm. Designed by Gilbert Lesser and then recycled by Andy Warhol in numerous ways. The black border is background..... More
![Ping pong ball invitation] Theories, Models, Methods, Approaches, Assumptions, Results and...](/pictures/thumb/43306.jpg?v=1655442349)
New York: Gagosian Gallery, 23 September 2000. An invitation in the form of a printed ping pong ball to an exhibition at the gallery. 37 mm diameter. With white, printed pasteboard box 41 mm on each side; plus leaflet on thin paper 11.4 cm square, folded into three and wrapped..... More
New York: Robert Lax, 1960. Pax was issued intermittently in 18 issues between 1956 and 1962, with three later ones in 1985. This one is a wonderful satire by Ad Reinhardt, who is paired up with other artists and reconfigures or comments on their statements on art. Samples: Gottlieb and..... More
New York: Art-Rite Publishing Co., 1973-1978. Newsprint with self covers. All issues roughly letter size. Normal condition is browned at the edges with some signs of handling. No. 21, the virtually unobtainable final issue, is a facsimile. The original consisted only of a cover, with no contents. Judy Rifka decorated..... More
Milano: Bruno Alfieri, 1962-1964. A fabulous (and apparently almost unknown) magazine of graphic design from the publisher of Metro. Profusely illustrated (part color) with inserts, various papers, gatefolds. Decorated covers. 40.5 x 24 cm. Parallel Italian, French & English. OCLC locates this title only at the Bibliothèque Nationale and the..... More
![Shoe circa 1960 [poster]. Andy Warhol](/pictures/thumb/34281.jpg?v=1651468338)
[Romans, France?]: Charles Jourdan Shoe Museum, 1984. Poster in black on off-white wove paper. 40.1 x 55.9 cm / 16 x 22 in. During his early years as a fashion illustrator, Andy Warhol did many highly stylized drawings of shoes. This poster advertising the Shoe Museum of the famous designer..... More
Detroit Museum of Art, 1914, ©1913. Frontis. por. of the artist + 22 pp. Letterpress printing. Cream-colored yapp covers of Fabriano paper. Spine strengthened with ecru tape and perforated at the fold for pamphlet binding. 20 x about 12 cm. Ex-library (legitimately withdrawn), but scarce. With three light stamps on..... More
Milano: Bruno Alfieri, 1967-1968. Lavishly illustrated in b/w & some color. [8] advertising pp. + 278 pp. White boards with dustjacket. 22.6 x 23.6 cm. The fourth volume of this excellent but short-lived publication (1964-1970) on the latest in world architecture. Texts by Alberto Rosselli, Esther McCoy, Giuseppe Mazzariol, Paolo..... More
Tijuana, Mexico: El Colegio de la Frontera Norte, 2021. 1000 copies. First edition. Produced in conjunction with an exhibition at the Massachusetts Museum of Contemporary Art (MassMOCA). It was underwritten by MassMOCA; El Colegio de la Frontera, in Tijuana; The Athenaeum, in La Jolla; and the Stamps Gallery at the..... More
Mahwah, New Jersey: Ramapo College of New Jersey, 1988. 11 illustrations. 28 pp. Tan paper covers. 21.5 x 21.3 cm. Texts by David C. Driskell and Horace Brockington. Chronology. Good treatment of this significant African-American artist. **Free domestic shipping with direct order. More
UK: Cornerhouse & others, 1995-96. Warmly inscribed on the contents by Baldessari, to his longtime friend and fellow artist, Richard Allen Morris: "To Richard—with awe —John." He meant these compliments, and Richard fully deserved them. Profusely illustrated (part color). 256 pp. Decorated paper covers. 30 x 21.9 cm. 119 pp..... More
[Madrid, Spain]: Ministerio de Cultura, 1990. Warmly inscribed on the half-title by Baldessari, to his longtime friend and fellow artist, Richard Allen Morris: "For Richard with admiration — John." He meant these compliments, and Richard fully deserved them. An exhibition at the Centro de Arte Sofia Reina and two other..... More
Los Angeles: Museum of Contemporary Art / New York: Rizzoli, 1990. Warmly inscribed on the half-title by Baldessari, to his longtime friend and fellow artist, Richard Allen Morris: "For Richard — a large fan! John." He meant these compliments, and Richard fully deserved them. Profusely illustrated (part color). 256 pp..... More
Santa Ana [? Probably Orange], California: Purcell Art Gallery, Chapman College, February 21 - March 16, 1968. Poster. Offset lithograph in black on thin, metallic silver paper. 43 x 55.9 cm / 16.9 x 22 in. Verso blank. Folded in four. A two-man show, curated by artist Harold Gregor, then..... More
![A few rays of hope: Baldessari, Brach, Cohen, Harrison, Schapiro, Todd [poster]. John Baldessari](/pictures/thumb/01916.jpg?v=1644616442)
La Jolla, California: University of California, San Diego, Art Gallery, [1968]. Poster. Offset lithograph printed in black with light blue sky on uncoated white paper. 46.5 cm x 59.7 cm / 18.3 in x 23.5 in. John Baldessari designed this subtly witty poster for a 1968 group show of artists..... More
[San Diego, the artist], 2003. Initials by the artist on drawing; full signature on verso, along with indication that the picture may be displayed vertically in either orientation. Untitled gestural drawing in ink and black marker on ivory paper. 17.7 x 12.7 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled ink drawing on fragment of paper printed in color half-tones. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled abstract ink drawing on white wove paper. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 2021. Initials and date by the artist on mounting paper, 2021; signed in full on the verso. Untitled abstract ink drawing on printed color image. 12 x 7 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initialled by the artist on mounting paper, 2021. Gestural ink drawing on textured yellow paper. 14.2 x 6.6 cm. In clear plastic frame. More
[San Diego, the artist], 1980. Signed in full by the artist, 1978. Collage created from fragments of earlier watercolors on paper. 12.5 x 7.8 cm. In clear plastic frame. More
[San Diego, the artist], 1978. Signed in full by the artist, 1978. Collage created from fragments of earlier sprayed paintings on the blank versos of printed billboard paper. 12.5 x 7.8 cm. In clear plastic frame. More
