Reykjavik, Iceland: Galerie SUM, 1969. 43 plates. 64 pp. Brown wrs. 12.4 x 18.9 cm (oversquare). Folded flyer clipped onto back cover. Plus POSTER on goldenrod paper about 61 x 48 cm, folded in 12ths and listing 37 artists. This modest publication records an international exhibition that included work by... More

New York: Unpublished Editions, 1976. Poster. 56 x 43 cm, folded in 8, but never mailed. A spiral diagram in fuschia and black points the way from poetry to video, video poetry, visual poetry (including concrete poetry), action poetry, and beyond. “This term was first used by… Coleridge about 1812... More

San Francisco 1962-1964; Los Angeles, 1964-1967; New York, 1967-present. 253 fine, original issues in decorated paper covers, as issued. When the first issue of Artforum arrived in the summer of 1962, it seemed hopelessly parochial, with its nearly exclusive emphasis on California exhibitions. Even that issue, however, featured an article... More

[Halifax]: Technical University of Nova Scotia, [1985?]. [42] pp. 30 plates, each with several images. Decorated paper covers. in white plastic comb binding. 21.5 x 35.4 cm. (oversquare). Lists 240 artists with their addresses, including John Held, Jr., and Banana Productions. About 203 pieces are illustrated. A small edition. **Free domestic shipping with direct order. More

New York: Oxford University Press, 1978. Profusely illustrated (part color). 261 pp. Red cloth with dustjacket damaged at top edge. 28.8 x 23.2 cm. Frontispiece creased. A witty exposition of the irrational and the fantastic in the growth of Manhattanism. **Free domestic or international shipping with direct order. More

New York: Kent Fine Art, 1989. Profusely illustrated (including 8 color plates). 108 + [3] pp. Black wrappers with black titling. 25.5 x 20 cm. “This monograph accompanies the exhibition “Paul Laffoley: Structured Singularities” held at Kent Fine Art September 5 to October 7 1989.” Fine. **Free domestic or international shipping with direct order. More

San Francisco & Los Angeles: Charles Cowles, 1965-1966. With volume 4 Artforum came fully of age. This bound volume contains all the year's exceptional issues. September 1965 (4:1) begins with a bang: a whole issue on The New York School, Pollock, Matta, The Club, the Forties, the Fifties, Motherwell, Rothko... More

New York: Museum of Modern Art, 1996. This is a 4-part folder, not a book. Cover decoration & 67 small illustrations. 4-part folder. 30.5 cm square (folded); 45.7 x 30.5 cm (unfolded). Text by Wendy Weitman. Brochure designed by LeWitt. More

Tallahassee: Florida State University, 1988. 24 illustrations. 28 pp. Dark-blue paper covers. 21.6 x 28 cm (standard US letter size, oversquare). Work by Lynda Barry, Steve Durland, Robert Heinecken, Raw Magazine/Art Spiegelman, and others. Light wear. More

New York: ReFlux Editions for Ubu Gallery, 1996. Die-cut mask of the late, lamented founder of Fluxus, with eyeholes and fold-out nose; elastic strap. About 25 x 19.5 cm. **Free domestic shipping with direct order. More

Toronto: Society for Art Publication, 1967. Periodical with 7-inch Flexidisc and tabloid insert ("Artscan"). Profusely illustrated (color centerfold). 22 pp. Contents: "Technology and environment,": by Marshall McLuhan;"The sensory dynamics of new technology," by Arnold Rockman; "Severini's abstract rhythm of Madame S.," by Joshua C. Taylor; "Velvet Underground in Hamilton," by... More

New York: New York Cultural Center, 1970. Full-page color gouache on flyleaf; inscribed, "From the archive of Linda Mary Montano." Accompanied by her extensive notes on the subject. 100 pp. Paper covers. 27.7 x 21.4 cm. Covers worn, and front joint separated at top. This is one of a collection... More

Eindhoven, Netherlands: Van Abbemuseum, Eindhoven, 1970. A most interesting multiple. This mint copy is sealed inside a white plastic pocket with the title, dtes, and publisher silkscreened in pale, nearly invisible pink ink on the front. 27 x 23.8 cm (overall). According to two OCLC records, the catalogue inside is... More