London: Museum of Installation, [1994?]. Many illustrations. 26 leaves photocopied on one side only + a few pp. laid in. Commercial binder with clear polyester front and rear cover of white card stock; bound as issued with white cloth tape. 30 x 21 cm overall. After an introductory page, the... More
Vienna: Museum Moderner Kunst, 2005. 1200 copies. Many illustrations. 158 pp. Stiff, white glossy covers printed in black with illustration. Parallel German & English. Fine. **Free domestic shipping with direct order. More
Newport Beach, California: Newport Harbort Art Museum, 1976. 68 plates. [78] pp. Glossy white paper covers. 28 x 21.6 cm (standard US letter size). An essential work. Ed Kienholz and Walter Hopps had fabulous eyes for the artwork emerging in California during the late 1950s and 1960s. Their Ferus Gallery... More
New York: Museum of Modern Art, 1988. 45 plates & illustrations (2 double & 1 sextuple on a 5-panel gatefold and adjoining page). 64 pp. + gatefold. Decorated paper covers.. 20.5 cm square (8 x 8 in.). 2nd printing; the front cover of the first printing extends around the front... More
Barcelona, Espanya: Metrònom, Espai del Centre de Documentació d'Art Actual, 1981. Introduction by Gloria Picazo in parallel Catalan and English. Approximately 476 illustrations on 67 plates. 68 leaves (i.e., 136 pp.) + [9] pp. index, bibliography, etc. 29.8 x 21 cm. White paper covers with red and blue borders in... More
Vancouver: University of British Columbia, Fine Arts Gallery, 1968. 32 illustrations on 15 plates + [40] pp. Decorated front cover & pasteboard rear cover, bound with brass fasteners. 27.9 x 21.5 cm. The first part of the publication reproduces correspondence between Rockman and the curator Alvin Balkind, including various health... More
[Los Angeles[: the artist, 1980. Ruscha's 12th book. Only printing, 4000 copies. 25 plates. 48 pp. White paper covers with black titling and glassine cover. 17.8 x 14 cm. The book is very fine. The glassine is split at the spine, and the back panel is darkened at the spine... More
Hollywood: Heavy Industry Publications, 1971. Photos by Jerry McMillan. Ruscha's 15th book. Bright-red paper covers with the title in black. Title leaf and 60 black-and-white plates. 17.8 x 14.1 cm. Some silverfish damage on covers, mainly the leading edge of the front cover. These primitive insects, some 400-million years old... More
Los Angeles: Artforum, 1967. Ed Ruscha's characteristically witty wedding announcement shows him asleep in a large, rumpled bed with two coeds. The full-page photo by Jerry McMillan is on p. 7 of this issue. The contents include: Gothic parallels, by Sidney Tillim; Olitski and shape, by Michael Fried; Manet at... More
Warszawa: Centrum Sztuki Wspolczesnej, 1992. Many illustrations. 120 pp. Black paper covers.. 25.8 x 21 cm. A fabulous book on artists' books and other avant-garde publications, 1919-1992. An artist's book in itself, this beautiful catalogue is printed in black and red on both sides of lightweight paper and bound Japanese... More
New York: Creative Time, 1995. Inscribed by Hope Sandrow and with a duplicate postcard bearing a long, personal note from her. An envelope and flap made of single-sided corrugated cardboard (about 17 x 20 cm) contains 16 (i.e., 17) color postcards 15.2 x 10 cm (oversquare) + 13 grayish-tan sheets... More
Ascoli Piceno, Italy: Galleria Rosati, 1974. 10 plates. 20 pp. Black paper covers. 22 x 18.4 cm. Two large postcards laid in show Scolavino's work, from Venezuela and Mexico. Texts in Italian by the artist, Ciro Ruju, Luigi Castellano, Crispolti, Carlo A. Sitta, and Antonio del Guercio. One copy in... More
New York: Sidney Janis Gallery, 1970. 38 illustrations. [28] pp. Black paper covers decorated in white. 28 x 21.7 cm. An interesting and influential "theme" show of works involving string or rope. It manages to connect most of the major currents of the 1960s and earlier: Dada and Surrealism (Duchamp... More
Los Angeles & New York: Artforum, 1966–1973. 8 issues with articles by Robert Smithson, as follows: **Volume IV [4], number 10, June 1966. "Entropy and the new monuments." **Volume V [5] Number 10, Summer 1967. "Towards the development of an air terminal site." **Volume VI [6], number 2, October 1967... More
Torino, Italy: Edizioni Geiger, 1969. Wittenborn and Company label on title page. No. 223 of 300 copies. A remarkable assembling of concrete poetry and other work by 40 artists, including Jochen Gerz, Timm Ulrichs, Adriano Spatola, Achille Bonito Oliva, Julien Blaine, Marina Apollonio, Rinaldo Nuzzolese (signed print), and Sandro Beltramo... More
La Jolla, California: University of California, San Diego, 1968. Catalogue in the the form of a vertical hanging poster folded leporello style. 6 plates. 10 panels. About 19.8 cm square when folded; about 190.5 cm (75 inches). The participants are Peter Alexander, John Baldessari ("How to sell paintings"), Ron Cooper... More
Los Angeles: Museum of Contemporary Art, 1984. Postcard, unmailed. Card stock, coated one side, with illustration. 14.6 x 10.2 cm. Produced as part of the exhibition "Automobile and Culture," July 21–January 6, 1985, at theTemporary/Contemporary site of the Museum of Contemporary Art, Los Angeles. Gerald Silk wrote a catalogue to... More
New York: 589 Washington Street, April 8–May 18, 1976 (postmark). Sponsored by Dia Art Foundation. Poster. Color offset lithograph printed on two sides of lightly coated paper. 31 x 24 inches / 78.5 x 60.9 cm. Folded in eight. The images on the color front are a sliced-open orange above... More
