New York, 1927. Profusely illustrated, with color accents. 32 pp., including covers in embossed, tinted, black leatherette. 38.8 x 22.7 cm. Paper cover reads "Production pledges 100% during 1927–28." Includes: photos of executives and staff; tables of "Paramount's 1926 Honor Roll" and the same for 1927, with credits for Clara..... More

Paris: Berggruen, 1956. Original lithograph covers (Mourlot 268). 23 plates, including 3 pochoirs. Paper covers. 22 x 11.6 cm. Publisher's card laid in. Unnumbered, but 17 in series. Text by Maurice Jardot. Slight creasing and bending at top where cover overlaps less than 1 mm, and small dent at bottom..... More

Los Angeles: Plantin Press, 1960s-1970s. A collection of the following from the 1960s and 1970s: Prospectus for Edgar Taylor Dorsey. Baja California Woodcuts. 1969. Folder. 19.5 x22.1 cm., with two illustrations from the book. Shallow wrinkling and creasing, and a light date stamp (Dec 4 1969) on front. Folded vertically..... More

[Los Angeles?]: the artist, ©1980. Artists' books. Both publications consist of photocopied letters or drawings printed one side and bound loosely in comb bindings. 27.8 x 21.3 cm. **Correspondence: [56] leaves. Black cover; white binding: "I asked friends to lend me something they received in the mail that effected [sic]..... More

[United States, per OCLC]: the artist, 1978. An original xerox book by the noted performance artist. Copy no. 17 of 25 published. MoMA owns no. 25/25. Signed inside the rear cover: "25/17 | Rachel Rosenthal | 1976-1978." The book consists of covers, a title page, and eight plates, all hole-punched..... More

New York: Grolier Club, 1907. 300 copies. A near-fine copy with slipcase. Ed. by Baron Roger Portalis. Translated by Carolyn Shipman. 14 splended hors-texte plates of bindings in colors and gold. xlv + 386 pp. Half-blue morocco and boards with gilt titling. Untrimmed deckle edges on the leading edge and..... More

[L.A.? The artist? 1970?] Artist's book, INSCRIBED. 600 copies. 24 photographs juxtapose sterile hotel rooms in Los Angeles with messier indoor and oudoor scenes, e.g., a hilltop path overhung by a tree marked X, an action painting of Heinz ketchup on a white tablecloth, a deposit of 2 or 3..... More

Tokyo: Meiji-Shobo, [1941, per OCLC]. 220/300 copies, distributed for sale, signed by the author and with his red chop mark. The publisher distributed fifty more as gifts. 50 examples mounted on loose sheets of handmade, laid paper with deckle edges, as issued; plus booklet of 11 single leaves bound loosely..... More

Paris: Alyscamps Press, in association with Michael Neal, Cayeux-sur-Mer, France, 2018. No. 23 of 25 copies signed by the publisher. 21 illustrations. 41 + [21] pp. Stiff, decorated paper covers. 21.6 x 13.4 cm. "These poems were written as a response to lines by Artaud contained in his Cahiers de..... More

New York: Sidney Janis Gallery, 1956. Poster. About 56.5 x 37.8 cm unfolded (folded in 8 it is about 15 x 19.5 cm). The title and exhibition information are stencilled in seven lines of bright red-silkscreen on newsprint over an inverted reproduction of the "Situations Wanted" ads from page W27..... More

Russia: the artist, 1939. One of a group of 26 Soviet-era etchings and lithographs (plus some duplicates). Off-white paper with dark sepia ink. Image: 23 x 35 cm; paper: 37.7 x 48.5 cm. Very light mark in upper margin. The collection includes work by Vladimir Bogatkin, V. Chernitsyn, Yevgeniya Evenbakh..... More

New York: Artforum, 1982. Flexidisc by Laurie Anderson, "Let X = X," with cut-and-fold cover bound in. Profusely illustrated (part color). 106 pp. 26.7 x 26.5. cm. The centerfold by Andy Warhol is "Forged image," a three-panel painting of a dollar sign in varying color combinations, plus a photo of..... More

New York: Gagosian Gallery, 1990. 1000 copies. Frontis. portrait + 5 color plates (2 of them double-spread gatefolds). Unpaginated [24 pp. on heavy stock]. Covers browned and rubbed at extremities. Shallow bump at bottom of spine. More