[Los Angeles: the artist?], 1996. Artist's book. Profusely illlustrated in monochrome + 1 color illlustration. 25 pp. White paper covers printed in green. Letter size, 27.9 x 21.6 cm. Gold sticker on cover: "Para ninos y adultos. For kids and adults." The projects include mapping a "Storm drain maze" to..... More

Solana Beach, California: the artist, 1971. An original, unmailed card from Eleanor Antin's series of 51 postcards mailed between March 15, 1971, and July 9, 1973. This one, the 32nd in the narrative, was taken at "The Pillbox," California, on September 8, 1971. Photography by Philip Steinmetz. 11.5 x 17.8..... More

Milano: Edizioni Toselli, 1972. 1500 copies. 9 color plates. [24] pp. White paper covers.. 29.6 x 20.9 cm. Light wear and a nearly invisible skinned area near the bottom front corner. Some faint foxing on the front cover. **Free domestic or international shipping with direct order. More

Santa Ana [? Probably Orange], California: Purcell Art Gallery, Chapman College, February 21 - March 16, 1968. Poster. Offset lithograph in black on thin, metallic silver paper. 43 x 55.9 cm / 16.9 x 22 in. Verso blank. Folded in four. A two-man show, curated by artist Harold Gregor, then..... More

New York: Kinetcism Press, 1971. Richly illustrated in black and white. 80 pp. Paper covers with photo of Barry Le Va. 23.8 cm square. Articles and features by and on David Tremlett, Bill Beckley, Joel Fisher, Gordon Matta-Clark, Robert Morris, Italo Scanga, Ulrich Ruckriem, George Trakas, and Barry Le Va..... More

New York: Kinetcism Press, 1972. Richly illustrated in black and white. 52 pp. Paper covers with photo of Yvonne Rainer. 23.8 cm square. Articles and features by and on Braco Dimitrijevic, Joseph Beuys, Jannis Kounellis, Phil Glass, Keith Sonnier, and Yvonne Rainer. "Avalanche "functioned as a gallery without walls that..... More

Cambridge, MA: MIT Press, 1987 (October, no. 42). Many illustrations. 210 pp. The scarce hardbound edition in publisher's black cloth. 22.7 x 17.5 cm. No dustjacket, as issued. Fine. **Free domestic shipping with direct order. More

Edited and published by Linda Frye Burnham [later Steven Durland]. Los Angeles [nos. 1-44] and Santa Monica [nos. 45-76], 1978-Summer 1997. All issues original, most as new; some extremely rare. **Summer 1992, "The violence and the verdict," is an out-of-series issue. Number 23 is an album of 2 LP records..... More

Los Angeles, 1967. BOLDLY SIGNED on cover in silver paint by John Cage. "Cage's thoughts on performance," compiled by Richard Kostelanetz, pp. 20-9. A limited number of copies available. May be slight shelf wear. The signatures on the few remaining copies are smudged;apparently, they were stacked up wet as Cage..... More

[Los Angeles, per OCLC]: [the Artist?], [1973, per OCLC]. Artist's book. 66 unnumbered pp. Black paper covers with white titling on the front cover and spine. 20.8 x 14 cm. A novel in an invented language or cipher. The text appears to be entirely in conventional sans-serif characters, with the..... More

New York: Artforum, 1974. This much-sought-after and vanishingly rare issue features on its second leaf a transgressive color photograph of the artist Lynda Benglis wearing sunglasses with white frames, a modest earring, a challenging expression, a nice coating of body oil, and a very convincing dildo at least a foot..... More

Los Angeles Institute of Contemporary Art, 1974-1987. Complete run, mostly in fine condition, of one of the liveliest and most interesting art periodicals of the 1970s and 1980s. “The Los Angeles Institute of Contemporary Art is a new concept designed to be a catalyst for the support and recognition of..... More

Malmö Konsthalls Katalog nr. 130, 1988. 23 color plates printed one side + 3 blank leaves + 2 texts and publication information laid in on separate leaves. Paper covers. (stiff, heavily textured, unprinted paper). 36 x 30 cm. Dark, experimental photographs, mostly abstract and Conceptual. Fine. No copies in OCLC..... More