Solana Beach, California: the artist, 1971. An original, unmailed card from Eleanor Antin's series of 51 postcards mailed between March 15, 1971, and July 9, 1973. This one, the 32nd in the narrative, was taken on Route 101 in California, on February 9, 1971. Photography by Phel Steinmetz. 11.5 x...... More

New York: Artforum, 1971. This issue of Artforum, with its five startling photographs and chilling cover by Diane Arbus, established her as a force to be reckoned with. "… [H]er singular, often shocking portraits emerged among the most iconic and modern images of the 1960s." She "famously wrote in 1971..... More

San Francisco, circa 1947-1955. Spencer Barefoot cut a modest swath in the intimately entwined musical and social spheres of mid-century San Francisco. Between 1943 and 1949 he wrote for the San Francisco Chronicle and became assistant to the paper’s noted music critic, Alfred Frankenstein. When he left to form his..... More

[Boston]: New York Graphic Society/Little, Brown, ©1986. 119 superb duotone plates, plus illustrations and figures in the text. Unpaginated. Light-colored cloth. 27 x 29.8 cm. SIGNED in black ink (not ballpoint) on half-title. Lacks dustjacket. Depicts ancient stone monuments, including cairns, tumuli, circles,and dolmens in the British Isles and Brittany;..... More

San Francisco, 1964. In 1963, when Ed Ruscha published Twentysix Gasoline Stations, his first book, he sent two copies to the U.S. Copyright Office, one to establish copyright, the other destined for the collection of the Library of Congress. Great! Recognition for the young artist. As you might imagine, LC..... More

New York: Artforum, 1974. This extremely rare, much-sought-after issue features on its second leaf a transgressive color photograph of the artist Lynda Benglis wearing sunglasses with white frames, a modest earring, a challenging expression, a nice coating of body oil, and a very convincing dildo at least a foot long..... More

New York: Artforum, 1974. This issue has become vanishingly rare, due to a much-sought-after color ad featuring the artist Lynda Benglis in a transgressive pose. The issue also contains articles that may be of interest to other people. In addition to a 6-page article on Ms Benglis, other subjects are..... More

Malmö Konsthalls Katalog nr. 130, 1988. 23 color plates printed one side + 3 blank leaves + 2 texts and publication information laid in on separate leaves. Paper covers. (stiff, heavily textured, unprinted paper). 36 x 30 cm. Dark, experimental photographs, mostly abstract and Conceptual. Fine. No copies in OCLC..... More

New York: Aperture, ©1986. First edition with dustjacket. ISBN 0-89381-236-6. 125 color plates & 1 color illustration. 144 pp. Black cloth & boards with gold titling on spine and blindstamp title on cover. 22.9 x 25.1 cm (oversquare). Slight edge wear on boards; dustjacket slightly pulled at head of backstrip..... More

New York: Kent, 1992. 237 photo-montages in black and tints + 12 text illustrations. 523 pp. Bright-red cloth in dustjacket. 28 x 20.2 cm. A complete collection of all of Heartfield's savage visual attacks on Naziism and its fore-runners. Fine, in dustjacket housed in archival Brodart sleeve. ISBN 1-878607-28-6. **Free..... More

[St, Joseph, Mo.?] per OCLC): the artist, 2005. 97 photographs printed one side in duotone on heavy, coated paper. 101 pp. Comb binding. 28 x 21.7 cm. This publication came about through the discovery over a half-century later of the artist's negatives. She studied with William Mortenson, though she displays..... More

Toronto: Editions Carrefour Alyscamps, 2019. 18/30 numbered copies, signed by the translator. 62 pls. & ills. (43 in color). [93] pp. Dark orange paper covers printed in black; dustjacket of decorated, dark brown, handmade paper with applied title label. Staple-bound. About 21.5 x 17 cm. This is the first publication..... More

New York: Alfred Stieglitz, 1903. Folder on Enfield watermarked laid paper, with facsimile of Maeterlinck's holograph letter on the first three pages and Sadakichi Hartmann's English translation on the fourth. About 29.3 x 20.3 cm folded. From the abstract to "Eduard Steichen and Maurice Maeterlinck: the symbolist connection," by Lucy..... More