Solana Beach, California: the artist, 1971. An original, unmailed card from Eleanor Antin's series of 51 postcards mailed between March 15, 1971, and July 9, 1973. This one, the 32nd in the narrative, was taken at "The Pillbox," California, on September 8, 1971. Photography by Philip Steinmetz. 11.5 x 17.8..... More

New York: Artforum, 1971. This issue of Artforum, with its five startling photographs and chilling cover by Diane Arbus, established her as a force to be reckoned with. "… [H]er singular, often shocking portraits emerged among the most iconic and modern images of the 1960s." She "famously wrote in 1971..... More

La Jolla, California: University of California, San Diego, Art Gallery, [1968]. Poster. Offset lithograph printed in black with light blue sky on uncoated white paper. 46.5 cm x 59.7 cm / 18.3 in x 23.5 in. John Baldessari designed this subtly witty poster for a 1968 group show of artists..... More

[California (probably): the author doubtless), 1989 or later]. Artist's book. Many illustrations (most color). 34 leaves photocopied one side only. Color cover with clear plastic overlays and black comb binding. 28 x 21.3 cm. The text consists of some of the author's experiences working during summer vacation at a Ritz..... More

[Los Angeles?]: the artist, 1972. Autobiography as artist's book. Profusely illustrated (including credited photos by Jerry McMillen, Ed Ruscha, Ken Murakami, and others). 121 pp. Pale-gray paper covers. 21.6 x 15.6 cm. Spine slightly tanned; otherwise fine. **Free domestic shipping with direct order. More

Luminy, France: Imprimerie Municipale, Ecole D'Art Et D'Architecture, Luminy, 1972. 20 plates. Unpaginated: [40] pp. Paper covers with b/w illustration. 22.5 x 13 cm. Texts by Gaston Deferre, Jean Goudareau, and Jean-Marie Magnan. The number 251 is stamped neatly inside the front cover, perhaps indicating a small edition. Inscribed: "To..... More

New York: Artforum, 1974. This issue has become extremely rare, due to a much-sought-after color ad featuring the artist Lynda Benglis in a transgressive pose. Only the leaf containing the advertisement is missing. The 6-page article about her is present, along with articles that may be of interest to other..... More

New York: Artforum, 1974. This issue has become vanishingly rare, due to a much-sought-after color ad featuring the artist Lynda Benglis in a transgressive pose. The issue also contains articles that may be of interest to other people. In addition to a 6-page article on Ms Benglis, other subjects are..... More

Malmö Konsthalls Katalog nr. 130, 1988. 23 color plates printed one side + 3 blank leaves + 2 texts and publication information laid in on separate leaves. Paper covers. (stiff, heavily textured, unprinted paper). 36 x 30 cm. Dark, experimental photographs, mostly abstract and Conceptual. Fine. No copies in OCLC..... More

New York: Kent, 1992. 237 photo-montages in black and tints + 12 text illustrations. 523 pp. Bright-red cloth in dustjacket. 28 x 20.2 cm. A complete collection of all of Heartfield's savage visual attacks on Naziism and its fore-runners. Fine, in dustjacket housed in archival Brodart sleeve. ISBN 1-878607-28-6. **Free..... More

[St, Joseph, Mo.?] per OCLC): the artist, 2005. 97 photographs printed one side in duotone on heavy, coated paper. 101 pp. Comb binding. 28 x 21.7 cm. This publication came about through the discovery over a half-century later of the artist's negatives. She studied with William Mortenson, though she displays..... More

Toronto: Editions Carrefour Alyscamps, 2019. 18/30 numbered copies, signed by the translator. 62 pls. & ills. (43 in color). [93] pp. Dark orange paper covers printed in black; dustjacket of decorated, dark brown, handmade paper with applied title label. Staple-bound. About 21.5 x 17 cm. This is the first publication..... More

New York: Alfred Stieglitz, 1903. Folder on Enfield watermarked laid paper, with facsimile of Maeterlinck's holograph letter on the first three pages and Sadakichi Hartmann's English translation on the fourth. About 29.3 x 20.3 cm folded. From the abstract to "Eduard Steichen and Maurice Maeterlinck: the symbolist connection," by Lucy..... More