New York: Art & Language, 1975. Some illustrations. Stiff paper covers.. 28 x 21.5 cm (standard US letter size). Fine to very fine. **This early periodical on conceptual art includes contributions by the editors, Andrew Menard, Adrian Piper, Lizzie Borden, Ian Burn, Terry Atkinson, Karl Beveridge, and others. Printed on... More about The Fox. Number 2, 1975
Tokyo: Kokusai Bunka Shinkokai, 1937. Light paper covers., browned at edges and spine. 41 pp. 22 x 15.2 cm. **Free domestic shipping with direct order. More about On Japanese art: comparative observations on Far-Eastern and Western art
![La linea dell'arte italiana: dal simbolismo alle opere moltiplicate. [2 volumes]. SALE PRICE...](/pictures/thumb/36701.jpg?v=1545185066)
Roma: Edizioni Mediterranee, [1964]. 2 volumes. 339 mounted color plates, 588 monochrome photogravure reproductions. 316; 370 pages. Linen with dustjackets in publisher's pictorial slipcase. 31 x 23.7 cm. Faint wear, overall fine. **Arntzen & Rainwater I321: "An original study of modern Italian art from the symbolist movement of the 19th... More about La linea dell'arte italiana: dal simbolismo alle opere moltiplicate. [2 volumes]. SALE PRICE...
Cambridge, MA: MIT Press, 1987 (October, no. 42). Many illustrations. 210 pp. The scarce hardbound edition in publisher's black cloth. 22.7 x 17.5 cm. No dustjacket, as issued. Fine. **Free domestic or international shipping with direct order. More about Broodthaers: writings, interviews, photographs
New York: Unpublished Editions, 1976. Poster. 56 x 43 cm, folded in 8, but never mailed. A spiral diagram in fuschia and black points the way from poetry to video, video poetry, visual poetry (including concrete poetry), action poetry, and beyond. “This term was first used by… Coleridge about 1812... More about Some poetry Intermedia
Coyoacan, D. F., Mexico: the editor, 1944. The fifth and final issue of (6 numbers). 34 hors-texte pls. (8 in color) + 62 + [2] pp. with many other, illustrations. Original paper covers. 28.6 x 22.5 cm. Texts, in French and English, on on modern art, Pre-Columbian art, and other... More about Dyn: the review of modern art. Number 6
![Artforum, volume V [5], number 1, September 1966. Surrealism issue, with cover design by Edward...](/pictures/thumb/69001.1.jpg?v=1545185133)
Los Angeles: Artforum, 1966. The justifiably famous Surrealism issue of Artforum magazine with its great cover by Ed Ruscha. It sold out three weeks after publication. Articles by the following writers: Max Kozloff, Lucy R. Lippard, Ronald Hunt, Robert Rosenblum, Toby Mussman, Roger Shattuck, William Rubin, Whitney Halstead, Kurt von... More about Artforum, volume V [5], number 1, September 1966. Surrealism issue, with cover design by Edward...
Cambridge, UK: Cambridge University Press, (1995). 9 illustrations. xxii + 186 pp. Black cloth with dustjacket. 25.3 x 17.3 cm. Essays on art, film, and writing. Fine/fine. **Free domestic shipping with direct order. More about The enigmatic body: essays on the art. Edited & translated by Paul Smith
Los Angeles & New York: Artforum, 1966–1973. 8 issues with articles by Robert Smithson, as follows: **Volume IV [4], number 10, June 1966. "Entropy and the new monuments." **Volume V [5] Number 10, Summer 1967. "Towards the development of an air terminal site." **Volume VI [6], number 2, October 1967... More about Artforum published 8 major pieces written by Robert Smithson. Here is the complete group
Jena: Kunsthistorisches Seminar mit Kustodie Jenoptik A.G. AND Köln [Koln]: Walther König, 2001. Volumes 11 (von Kleist) and 12 (Writings) in the series Jenaer Schriften zur Kunstgeschichte. 2 volumes in decorated white slipcase. Decorated white wrs. 29.1 x 21 cm. Vol. 11: 85 color plates (including 13 doublespread & 1... More about The writings of Frank Stella. Die Schriften Frank Stellas. [2-volume boxed set; collective title...
New York: Abrams, 1990. Profusely illustrated (part color). Over 300 pp. Virtually as new in black cloth and dustjacket. 25.2 x 18 cm. **Free domestic shipping with direct order. More about A fine disregard: what makes modern art modern
