LAICA, June 30-August 14, 1984. Part of the Olympics Arts Festival. Primarily illustrations. 90 pp. Light blue and magenta paper covers. 29.2 x 21 cm. The work encompasses photography, installation, environmental art, conceptual art, painting, silkscreen, and performance. Includes biographical data. Fine copies. More
Los Angeles: Astro Artz, 1982. MacAdams' piece is a lively, insider's account of Naropa Kerouac Conference that celebrated the 25th anniversary of the publication of On the Road. This Beat Generation event took place at the University of Colorado in Boulder. The article includes photos and comments of Lawrence Ferlinghetti..... More
![Proof sheet of Maciunas designs for Fluxus labels.] Poster. George . Fluxus Maciunas, 19311978](/pictures/thumb/40613.jpg?v=1603570742)
New York: Fluxus, [probably 1969]. Poster. Proof sheet of 23 to 25 Fluxus labels, flat, unfolded & uncut. White paper printed in black on one side. 44.5 x 57.1 / 17.5 x 22.5 in. Some designs identified here with Fluxus Codex page references: Brecht, Games & puzzles, pp. 197ff (1964);..... More
New York: Alfred Stieglitz, 1903. Folder on Enfield watermarked laid paper, with facsimile of Maeterlinck's holograph letter on the first three pages and Sadakichi Hartmann's English translation on the fourth. About 29.3 x 20.3 cm folded. From the abstract to "Eduard Steichen and Maurice Maeterlinck: the symbolist connection," by Lucy..... More
![Schmuck [2]: Iceland. David Mayor, Coordinator](/pictures/thumb/78401.jpg?v=1644616463)
Cullompton, Devon, UK: Beau Geste Press, July 1972. The second number (of 8 published); contains work by four Icelandic artists: Kristjan Gudmundsson, Hreinn Fridfinnson & Hlif Svavarsdottir, Sigurdur Gudmundsson. Profusely illustrated (including two collages). [48] pp. (including 3 dividers printed on the same stock as the covers). Loose sheets glued..... More
London: P. & D. Colnaghi, 1925. Original signed etching, "Artist and model," no. 223 in catalogue; one of 500 proofs for this edition; very fine condition; 22.4 x 15 cm. 219 plates with full catalogue descriptions, plus xxiii pp. text & [8] pp. index. Copy 248 of 500 signed by..... More
[No place]: Michael McClure, 1965; San Francisco: [1967]. Poster: Blue and red on offwhite paper, with quotations from Norman Mailer, Kenneth Tynan, and Allen Ginsberg. 27.9 x 21.5 cm. Book: Glossy white cover with titling in blue and photos of Jean Harlow (front) and Billy the Kid (rear) in light..... More
New York: Monument Film Corporation, [ca. 1970]. Poster. Flat and unfolded. Printed in red, blue, and gray on image side and in black on verso. One of only three instances of color printing by Maciunas. 27.7 x 43.5 cm / 10-7/8 x 17-1/8 in. "This film is about Cuba's youth..... More
![Henri Michaux, Viseux, Joaquin Ferrer [cover title]. Henri Michaux](/images/noimage.png)
Paris: Le Point Cardinal, 1972. 17 b/w plates. [23] pp. Stiff, light-brown paper covers. 22 x 17 cm. Internal titles: "Henri Michaux: encres de Chine 1966-1970 et peintures acryliques 1972-1972." "Viseux: sculptures récentes 1971-1972." "Joaquin Ferrer: aquarelles 1970-1972." No text. Near fine; slight fading at spine and top edge of..... More
Amsterdam, New York City. 1. Henri Michaux. Amsterdam: Stedelijk Museum, 1964. Profusely illustrated (part color). [77] pp. Stiff, dark yellow cover. 27.4 x 18.4 cm. The catalogue describers 233 works. Near fine. 2. Henri Michaux: drawings 1950-1981. New York: David Nolan Gallery, 1984. 9 b/w plates. 19 pp. Decorated paper..... More
New York: David Nolan Gallery, 1984. 9 b/w plates. 19 pp. Decorated paper cover. 22.3 x 20.5 cm. Essay by Prudence Carlson. Michaux was a Belgian-born artist and poet. His travels as a young man in Asia and elsewhere influenced his later work, as did his experiences with LSD and..... More
Consigny [France]: Embers [Press], 1976. 250 copies. 3 plates (the first two may be a double-spread). [29] pp. Stiff, decorated gray-green paper covers. 23 x 15.8 cm (covers). The binding opens at the narrow edge and reads down the length of the page. Contains "Significance of the drawings" (under mescaline)..... More
Minneapolis Institute of Arts, 1989. No. 170 of 175 copies produced to accompany the exhibition Volumes. 8 plates (including one mounted color plate and one attached plastic bag with contents. [23] pp. 21.6 x about 18 cm. Each artist has two doublespreads with a printed signature on the left and..... More
Warsaw: Klub Muzyki Nowej Remont. Alma-Art, 1987. A performance piece, with Mitan accompanied by songbirds in a pet shop. The edition was 800 regular copies and 200 like this. Unopened copy. Arc-shaped crease at top of sleeve and slight damage at that edge from the wire enclosure. OCLC locates only..... More
[Genova?]: Edizioni Galleria la Bertesca, 1968. Artist's book. Glossy white covers embossed with a Minimalist design. 20 cm square. 94 pp. An elaborate publication with gatefolds, mounted specimens, color plates, and a 7-inch Flexidisc: "Seven sonorous canes are hung in front of a panel in such a way that the visitor..... More
[San Diego, the artist], 2021. Initials and date by the artist on mounting paper, 2021; signed in full on the verso. Untitled abstract ink drawing on printed color image. 12 x 7 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled abstract ink drawing on white wove paper. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled ink drawing on fragment of paper printed in color half-tones. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 1978. Signed in full by the artist, 1978. Collage created from fragments of earlier sprayed paintings on the blank versos of printed billboard paper. 12.5 x 7.8 cm. In clear plastic frame. More
[San Diego, the artist], 1980. Signed in full by the artist, 1978. Collage created from fragments of earlier watercolors on paper. 12.5 x 7.8 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initialled by the artist on mounting paper, 2021. Gestural ink drawing on textured yellow paper. 14.2 x 6.6 cm. In clear plastic frame. More
[San Diego, the artist], 2003. Initials by the artist on drawing; full signature on verso, along with indication that the picture may be displayed vertically in either orientation. Untitled gestural drawing in ink and black marker on ivory paper. 17.7 x 12.7 cm. In clear plastic frame. More
![Robert Morris: Labyrinths—Voice—Blind time. Opening April 6th–27th, 1974 [poster]. Robert....](/pictures/thumb/24240.jpg?v=1644616457)
New York: Castelli-Sonnabend, 1974. Poster, printed in Duotone on wove paper. This transgressive and iconic photograph of a bare-chested Morris clad only in a stormtrooper's helmet, dark glasses, a spiked steel neckband, steel wristbands, and heavy steel chains elicited an even more startling response from his former collaborator, Lynda Benglis..... More
Los Angeles County Museum of Art,1968. 31 plates & illustrations (18 color) and 56 catalogue illustrations. 81 pp. Decorated paper covers. 26.8 x 20 cm. (covers). Two years after the 1966 retrospective (item 24491) Mrs. Sperry underwrote the publication of this beautiful publication and bequeathed her collection of Natzler pots..... More
Los Angeles County Museum of Art,1968. 31 plates & illustrations (18 color) and 56 catalogue illustrations. 81 pp. Decorated boards with olive-green spine. 26.8 x 20 cm. (covers). Two years after the 1966 LACMA retrospective (item 24491) Mrs. Sperry underwrote the publication of this beautiful publication and bequeathed her collection..... More
