London: P. & D. Colnaghi, 1925. Original signed etching, "Artist and model," no. 223 in catalogue; one of 500 proofs for this edition; the etching in very fine condition; 22.4 x 15 cm. 219 plates with full catalogue descriptions, plus xxiii pp. text & [8] pp. index. Copy 248 of..... More
Paris: Ministère d'Etat Affaires Culturelles, 1962. 10 color lithographs specially created by Joan Miró (including 2 covers and 4 double-width gatefolds) & 24 black-and-white plates + 83 pp describing 250 works. Decorated paper covers. 21 x 16 cm. Published in conjunction with Maeght Editeur. Some wear; covers slightly browned. **Free..... More
[San Diego, the artist], 2021. Initials and date by the artist on mounting paper, 2021; signed in full on the verso. Untitled abstract ink drawing on printed color image. 12 x 7 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled abstract ink drawing on white wove paper. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 2021. Initials and year by the artist on mounting paper, 2021; full signature on verso. Untitled ink drawing on fragment of paper printed in color half-tones. About 17.2 x 12.6 cm. In chromed metal frame. More
[San Diego, the artist], 1978. Signed in full by the artist, 1978. Collage created from fragments of earlier sprayed paintings on the blank versos of printed billboard paper. 12.5 x 7.8 cm. In clear plastic frame. More
[San Diego, the artist], 2021. Initialled by the artist on mounting paper, 2021. Gestural ink drawing on textured yellow paper. 14.2 x 6.6 cm. In clear plastic frame. More
[San Diego, the artist], 2003. Initials by the artist on drawing; full signature on verso, along with indication that the picture may be displayed vertically in either orientation. Untitled gestural drawing in ink and black marker on ivory paper. 17.7 x 12.7 cm. In clear plastic frame. More
Paris: André Sauret, 1964. Original lithograph. Black ink on white, unwatermarked, wove paper. 31.8 x 23.5 cm / 12.5 x 9-1/4 in. This version of the artist and his model--one of Picasso's most fruitful themes--appeared as the frontispiece of Fernand Mourlot's Picasso Lithographe IV. That was the final volume of..... More
Los Angeles: Plantin Press, 1960s-1970s. A collection of the following from the 1960s and 1970s: Prospectus for Edgar Taylor Dorsey. Baja California Woodcuts. 1969. Folder. 19.5 x22.1 cm., with two illustrations from the book. Shallow wrinkling and creasing, and a light date stamp (Dec 4 1969) on front. Folded vertically..... More
New York: Dieu Donne Press, 1991. Livre d'artiste. 44/50 copies signed by author and artist (total edition 60). 2 color etchings: 1) triple gatefold title page in shades of light brown (in addition to the printed title page; 2) one triple gatefold in vivid color, about 39 x 75 cm;..... More
Paris: Editions d’Art Charles Moreau, 2002. Livre d'artiste. Copy HC 11/15 signed by author & artist, with a separate suite of 10 lithographs in black & warm brown & protective tissues, all in a matching cloth clamshell box. Total edition is 500 in three different versions: 15 copies with double..... More
San Diego: Brighton Press, 2008. Livre d'artiste. 2/40 copies signed by poet and artist. 6 closely related geometric images protected with glassine guarad sheets. The images echo in mirrored pale tan on glassine guard sheets protecting the facing text. 24 stiff pp. in leporello within black paper covers with the..... More
New York: Nierendorf Gallery, 1941. Brilliant serigraph cover in 7 colors on black paper + 2 plates. [12] pp. on off-white, yellow, and bright orange paper. 23.5 x 16.5 cm. Text: "The minotaur and the poet," by Nicolas Calas. Absolutely pristine copy. **Free domestic shipping with direct order. More
Russia: the artist, 1936. Signed in pencil at lower right, with a written, one-word caption and 1936 at lower left. Off-white paper with dark sepia ink. Image: 23 x 35 cm; paper: 37.7 x 49 cm. The scan crops the wide margins seriously due to the large size of the..... More
Berlin: B. Cassirer, [1922, per OCLC]. No. 5 of 400 copies signed by Slevogt. 33 original lithographs + cover (one full-page). 157 pp. on Bütten. Top edge gilt and others deckle. Approx. 30 x 23 cm. Quarter-vellum and gray boards with lithographed decoration on front. An adaptation of Xenophon's Anabasis..... More
Torino, Italy: Edizioni Geiger, 1969. Wittenborn and Company label on title page. No. 223 of 300 copies. A remarkable assembling of concrete poetry and other work by 40 artists, including Jochen Gerz, Timm Ulrichs, Adriano Spatola, Achille Bonito Oliva, Julien Blaine, Marina Apollonio, Rinaldo Nuzzolese (signed print), and Sandro Beltramo..... More
![Item #100788 "Untitled" (photograph) [sand]. Meg Spears](https://mcgilvery.cdn.bibliopolis.com/images/noimage.png?auto=webp)
San Francisco: the artist, 1980. Framed black-and-white photograph, apparently of a sculpture made of sand that resembles both a very full pair of lips and two pairs of conjoined buttocks. The mat opening is 18 x 24 cm; the black metal frame is 38 x 42.5 cm, with glass. A...... More
Bedford Village and Mount Kisco, New York: Tyler Graphics, 1974, 1976, 1982, 1997. Each of these prints is a spectacular piece of work reproducing the much larger originals in small size. The four Albers pieces are not reproductions in the dictionary sense of "copies," normally in another medium. They are..... More
